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Early 14th-century manuscript containing Books 39-50 of the 'Digesta' of Justinian, with the 'Glossa Ordinaria' of Accursius., 1310-1320.

 Item
Identifier: Adv.MS.10.1.4 (ii)

Scope and Contents

Manuscript containing Books 39-50 of the 'Digestum Novum' of Justinian accompanied by the standard gloss of Accursius. There is a list of the rubrics and titles of the Books on folio 375v.

The manuscript was probably written and illuminated in France. Dolezalek suggests France as the place of production, rather than Italy, due to the formation of quires in seniones and the style of the illumination. Dolezalek has dated the manuscript to the 14th century, or possibly the 15th. Art historians suggest a date of 1310-1320 based on the illuminations. The manuscript has also been attributed to the 13th century by Walters and Borland.

The text is in double columns of around 45 to 50 lines to a page. One scribe wrote both the text of the corpus and of the apparatus in littera textualis.

Each book begins with a decorative initial and miniature. The initials are blue or lake on backgrounds of lake or blue, relieved by white tracery. The centres are filled with a combination of ivy leaf and scroll patterns in blue and lake on a background of burnished gold. The initials are prolonged to form partial borders in colours of blue, red, and gold relieved by white tracery. The illuminated miniatures depict judicial cases and social scenes, and were executed by at least 3 different artists. Art historians have attributed the style to the court school dominated by Pucelle, but have also shown similarities with a south-western group centred around the universities of Toulouse and Montpellier. They have further stated that the flowing draperies are typical of the early 14th century, but that the tightly tailored sleeves indicate a date in the 1320s.

The miniatures can be found on the following folios: 1r, 37r, 67v, 99r, 119v, 148r, 194v, 228v, 259r, 297r, 323v.

There are frequent smaller initials, normally several on each page. These are alternately coloured blue or lake with white tracery and burnished gold centre inlays. The extremities are frequently prolonged and end in buds, volutes, or animal forms and grotesque heads.

There are eight heraldic shields present in the volume. Six of these are present on folio 1v. Two more are present on folio 37r alongside an inscription identifying the patron.

Paraphs are given in blue and red, alternately. A rubric occupies the centre of the head of each folio recto and verso: on each verso, the capital ‘L’, for ‘Liber’, in red; on each recto, the Roman numeral for the particular book. The pen strokes forming the numerals for books numbers alternate red and blue for each new sequence. The letters and numerals are surrounded by penwork in either red or blue.

Quire signatures are normally given as Arabic numerals. These are occasionally visbile on the bottom right corner of the recto side of a folio; however, many have been cropped.

Each folio recto and verso has been lined and ruled.

Dates

  • Creation: 1310-1320.

Creator

Conditions Governing Access

Normal access conditions apply.

Conditions Governing Use

Normal reproduction conditions apply, subject to any copyright restrictions.

Extent

1 Volumes ; 43.5cm x 27cm x 12.5cm

Language of Materials

Latin

Arrangement

375 folios, as well as 3 paper flyleaves to the front and 3 paper flyleaves to the rear, all probably 19th century.

Collation as recorded by Catherine Borland: a-o¹², p¹⁰, q-y¹², z⁸, A-I¹², K⁹

Custodial History

The original owner, Jacques Andelot, is identified in the gloss on folio 28r: 'Iste liber est Jacobi de Angelos'. The Andelot family held Coligny and Andelot-les Saint Amour, Jura, between Burgundy and Savoy. The six shields on folio 1r are the arms of the Coligny family: gules an eagle argent, crowned and membered azure (a white eagle with blue crown on a red ground).

Two further heraldic shields and an inscription are also present in the lower margin of folio 37r. One of the heraldic shields is hanging off the extremities of an initial letter. The shields match those on folio 1r, and the inscription reads: 'Liber Jacobi de'. The latter part of the inscription has been obliterated.

The manuscript was bought in London in 1831 by the Library of the Faculty of Advocates.

Immediate Source of Acquisition

Deposited, 1925, by the Faculty of Advocates.

Bibliography

Borland, C. R. 'Catalogue of the Mediaeval Manuscripts in the Library of the Faculty of Advocates at Edinburgh', 4 volumes (Unpublished manuscript, 1906-8), Volume II, folios 330-339. NLS Reference: F.R.196a/2.

'Burlington Fine Arts Club Exhibition of Illuminated Manuscripts' (London, 1908), page 47.

Casse, E. 'The Missal of Cardinal Bertrand de Deux: A Study in 14th-century Bolognese Miniature Painting' trans. Michael Hoyle (Firenze, 1980).

Dolezalek, G. 'Verzeichnis der Handschriften zum Römischen Recht bis 1600' (Frankfurt am Main, 1972).

Dolezalek, G. 'Manuscripta Juridica', online resource provided by Max-Planck-Institut für europäische Rechtsgeschichte: http://manuscripts.rg.mpg.de/manuscript/2464/

'Folio Catalogue of Manuscripts: Law' (Unpublished manuscript, Edinburgh [?18??]), folio 1. NLS Reference: FR.185.

Kristeller, P. O. and Sigrid Krämer (eds.). 'Latin Manuscripts Books Before 1600: A List of the Printed Catalogues and Unpublished Inventories of Extant Collections'. Fourth revised and enlarged edition (München, 1993), pages 386-388.

'Rarer Gifts than Gold: Fourteenth-Century Art in Scottish Collections' (Glasgow, 1988), page 28.

'Summary Catalogue of the Advocates' Manuscripts' (Edinburgh, 1971), page 67, number 823; page 105, number 1338.

'Treasures from Scottish Libraries: Catalogue of an Exhibition held in the Library of Trinity College Dublin, 3 July – 1 August 1964' (Edinburgh, 1964), page 8.

Walters, D. B. 'Civilian Manuscripts in the Advocates' Library (National Library of Scotland), Edinburgh', Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung, Volume 89, Number 1 (1972,) pages 376–378.

Physical Description

Vellum.

19th-century red morocco binding with marbled endpapers. The front and back boards have gold-tooled borders and a gold-tooled centre panel with decorative corner pieces. The spine has raised bands, between each of which is a gold-tooled diamond-shaped floral design. A gold-tooled title on the spine reads: 'CORPVS IVRIS CIVILIS TOM II'. The edges of the leaves have been sprinkled with red.

The paper flyleaves have a watermark of grapes with a set of initials which possibly reads 'B M I'.

Repository Details

Part of the National Library of Scotland Archives and Manuscripts Division Repository

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