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'Festival Mass for full orchestra & chorus; a study in instrumentation, composed by William Wallace' (born 1860), in his autograph.
File
Identifier: MS.3089
Scope and Contents
The composer gives a history (folio xiii) of the work, which was composed in 1886-1887 and, in part, scored in 1888 (see dates on various folios). Some parts are incomplete.
Interspersed with the music are unruled leaves, bearing illuminations, manuscript notes of the composer, etc., on folios i-ii, viii, x-xiii, xxv, xxvii verso, xxviii verso, xxxix, xliii, xlvii, li.
Dates:
1886-1888.
Manuscript and score of "Hammered Brass: A Collection of Studies for Brass Quintet and Percussion", with note by the composer, Robert Crawford.
File
Identifier: Acc.11322
Dates:
1995.
Manuscript score, 1979, of Ronald Stevenson`s "Violin Concerto".
File
Identifier: Acc.10774
Scope and Contents
Includes note, 1992, of Yehudi Menuhin and three photographs taken at the first performance, Glasgow, 1992.
Dates:
1979-1992.
Original manuscript of "The Ship o' the Fiend", a ballad for Orchestra, Opus 5, composed by Hamish MacCunn.
File
Identifier: MS.3365
Scope and Contents
The ballad is preceded by a version, in Hamish MacCunn's hand, of the verse ballad that inspired the music, i.e., 'The Daemon Lover', number 243 of ‘The English and Scottish popular ballads’. A pencilled note records two performances in 1888.
Dates:
[1888, or before.]
Score, by Ronald Stevenson, of "Ben Dorain", a setting of the poem by Duncan Bàn MacIntyre for orchestras and choirs, with related papers.
File
Identifier: Acc.12945
Dates:
2006.
Scores of operatic works by James A Moonie, and autograph and fair copies of scores, and correspondence of his son William B Moonie.
Series
Identifier: MSS.21983-22014
Dates:
4th quarter of 19th century-3rd quarter of 20th century, undated.