Drafts. Documents.
Found in 1897 Collections and/or Records:
Typescript draft of ‘The last heir’ by Stephen Phillips: version 6, the complete play, marked 'Final Version', containing revisions in John Martin-Harvey's hand., 1907-1908.
Act III Scene 2 is denoted as Act IV Scene 1.
Typescript draft of ‘The last heir’ by Stephen Phillips: version 7, Act I., 1907-1908.
Act III Scene 2 is denoted as Act IV Scene 1.
Typescript draft of ‘The last heir’ by Stephen Phillips: version 7, Act II Scene 1, and Act II Scene 2., 1907-1908.
Act III Scene 2 is denoted as Act IV Scene 1.
Typescript draft of ‘The last heir’ by Stephen Phillips: version 7, Act III Scene 1., 1907-1908.
Act III Scene 2 is denoted as Act IV Scene 1.
Typescript draft of ‘The last heir’ by Stephen Phillips: version 7, Act IV Scene 1, and Act IV Scene 2., 1907-1908.
Act III Scene 2 is denoted as Act IV Scene 1.
Typescript draft of ‘The twelve-pound look’ by Sir James Matthew Barrie, with corrections and revisions in the hand of the author., [Circa 1910.]
Typescript draft of ‘The twelve-pound look’ by Sir James Matthew Barrie, with corrections and revisions in the hand of the author., [Circa 1910.]
Typescript draft of, with numerous manuscript corrections and additions to, 'My dear, dear sister!' by Robert McLellan., ?1970.
The play was completed in 1970.
Typescript drafts and proofs of 'India, Minto and Morley' by Mary Caroline, Countess of Minto., 1907-1910, [1934, or before.]
As well as material of inherent literary or intellectual interest, the papers in this section, deriving from various members of the family, provide a record of entertainment and leisure in the late eighteenth and early nineteenth centuries.
Typescript drafts of Mary Caroline, Countess of Minto, titled 'Lord Minto in India'., 1907-1910.
As well as material of inherent literary or intellectual interest, the papers in this section, deriving from various members of the family, provide a record of entertainment and leisure in the late eighteenth and early nineteenth centuries.
Typescript drafts of Mary Caroline, Countess of Minto, titled 'Lord Minto in India'., 1907.
As well as material of inherent literary or intellectual interest, the papers in this section, deriving from various members of the family, provide a record of entertainment and leisure in the late eighteenth and early nineteenth centuries.
Typescript drafts of Mary Caroline, Countess of Minto, titled 'Lord Minto in India'., 1909.
As well as material of inherent literary or intellectual interest, the papers in this section, deriving from various members of the family, provide a record of entertainment and leisure in the late eighteenth and early nineteenth centuries.
Typescript drafts of Mary Caroline, Countess of Minto, titled 'Lord Minto in India'., 1910.
As well as material of inherent literary or intellectual interest, the papers in this section, deriving from various members of the family, provide a record of entertainment and leisure in the late eighteenth and early nineteenth centuries.
Typescript drafts of miscellaneous articles of Ruthven Todd., 1956-1978, undated.
Typescript drafts of Mrs. Maxtone Graham for a study of Thomas Graham, Lord Lynedoch., 1771-1802, [circa 1945.]
Typescript drafts of 'Old friends' by Sir James Matthew Barrie, annotated, apparently for the original production of March 1910., Early 20th century.
There are indications that this group of manuscripts was corrected and annotated with the original production of March 1910 in mind. In particular, MS.6638 has no corrections in James Barrie's hand, but has many stage and lighting directions in another hand, probably that of the 'D. McRae' whose name is written on the cover label. It may well have been the electrician's or stage manager's copy.
Typescript drafts of 'Old friends' by Sir James Matthew Barrie, corrected, apparently with a view to publication., Early 20th century.
Notes discussing the relationship of the drafts in greater detail, and a provisional stemma, will be found inside the front cover of MS.6636.
Typescript drafts of ‘Olympus’, dated 1948-1949, being a reconstruction of a series of lectures by Patrick Geddes on the sociological meaning of Greek Mythology intended for the Yale University Press in 1912., 1946-1949.
Arthur Geddes gives a brief description of the work, 1946 (folio 1), and there is a copy of his letter to the Reverend J A C Murray concerning the manuscript, 1949 (folio 3).
Typescript drafts of ‘Pioneer of sociology’ by Philip A Mairet, with comments by Arthur Geddes, 1956-1957, and some biographical notes used by Mairet., 1956-1957.
There are also typewritten drafts of Arthur Geddes' introduction to Philip A Mairet's biography with the latter's criticisms and corrections, and of his ‘Diagnosis of evils’ written as an article in ‘Fortnightly’, October 1958, on Mairet's work.
Typescript drafts of screenplay, entitled 'The weaver'., 1992, undated.
Typescript drafts of short stories and articles on wildlife by Tom Weir., 1940s-1950s, undated.
Includes papers relating to 'Red Deer in Velvet', 'About Shepherding', 'First Foot', 'Nature Photography' and 'Birds of a Town'.
Typescript drafts of 'The Gabriel Hounds'., 1966.
Typescript drafts of ‘The last heir’ by Stephen Phillips: miscellaneous subsidiary material, mostly fragments of scenes, rough drafts, and notes, in typescript and in various hands., 1907-1908.
The volume also contains three letters to John Martin-Harvey.
Typescript drafts of ‘The last heir’ by Stephen Phillips: rejected version of Act II Scene 2; and miscellaneous subsidiary material., 1907-1908.
The first four drafts (MSS.7151-7157) are entitled 'The bride of Lammermoor'.
Typescript drafts of ‘The last heir’ by Stephen Phillips: version 5, the complete play with revisions in the hands of Alfred Rivers and John Martin-Harvey., 1907-1908.
Act III Scene 2 is denoted as Act IV Scene 1.