Drawings. Visual works.
Found in 1221 Collections and/or Records:
Sketchbook containing drawings in pencil and water-colour of scenes in the Allied camp during the Crimean campaign, 1854-1856.
The sketchbook also includes two sketches of officers at a court martial in 1850 (folio 29) and a plan of a battery near Sebastopol, 1855-1856 (folio 31 verso).
Sketchbook containing drawings pasted in., 1846-1863, undated.
A number of leaves have been cut out at the front of the volume, and single leaves have been cut out at various places throughout.
Sketchbook of drawings in water-colour, pen and pencil by Arthur Elliot, Worthing, including scenes in Scotland and some in Hastings and Guildford, on the Rhine, and in Biarritz, Pau, and Argelès.
Sketchbook of Mrs Kirkpatrick, Edinburgh, containing pencil and wash drawings of Scottish and Swiss views.
Sketchbook of Thomas Henry Graham of views recording a tour in Scotland and northern England
Sketchbook of twenty-two water-colour drawings of flowers by Anne E Nasmyth, wife of the engineer, James Nasmyth.
Sketchbook of views of scenes in Scotland, England and Wales of Hannah Crichton Stuart
Sketchbook of water-colour and pencil drawings of scenes in Scotland, England and Wales of Hannah Stuart. Places depicted include Goodrich Castle, Caerphilly Castle, Mount Stuart, Rothesay Bay, Loch Lomond, Inversnaid, Inverary, Kenilworth Castle, Culzean Castle, Dalquharran and Taymouth Castle
Sketchbook of water-colour drawings, notes and plans by Thomas Scott, Earlston, chiefly of Scottish buildings in the Border area.
Sketchbooks., 1791-1910.
Sketchbooks of Frank H. Young, Civil Engineer, Edinburgh.
Four of the five sketchbooks contain humorous pen and ink drawings of domestic, street, railway and sporting scenes. There are several drawings of scenes on a visit to Ballater and Braemar of July 1890. One sketchbook is devoted entirely to scenes outside and inside the Music Hall, Edinburgh.
Sketches and drawings by various members of the Minto family., [Circa 1777]-1843, undated.
As well as material of inherent literary or intellectual interest, the papers in this section, deriving from various members of the family, provide a record of entertainment and leisure in the late eighteenth and early nineteenth centuries.
Sketches by Frances Pelly for inclusion in Bridget MacCaskill`s `A private sort of life`. With a covering letter., 2002.
Files of papers relating to the literary output of Don and Bridge MacCaskill.
Sketches, drawings, and designs for bookplates, letter heads and illustrations by Walter Reid.
Sketches, drawings and other visual material., [1935-2006].
Small sketch-book of Agnes Ranken., 1846-1853.
The drawings, made in pencil, consist entirely of landscapes. Many are of Highland lochs, but there are also scenes from the Lake District and from the Matlock area in Derbyshire.
Songbook containing the words of 150 popular Scottish, Irish, French and Dutch ballads.
Ten drawings of Edinburgh trades and characters by David Allan.
The Melrosian Annual, 1888
‘The works of Robert Burns’ edited by W Scott Douglas (Edinburgh, 1877-1879); originally in seven volumes, it has been expanded to thirteen by the insertion of letters, manuscripts, engravings, etchings and drawings relating to Robert Burns and his work., 1796-1809, 1877-1879.
The insertions include poems and letters in the poet's hand (MS.15957, folio 13; MS.15958, folios ii, 19; MS.15959, folio 18; MS.15960, folio 5; MS.15967, folios 9, 13, 14); letters, 1796-1809, from his brother Gilbert about the family; and correspondence, 1798-1800 of James Currie about an edition of the poems.
‘The works of Robert Burns’ edited by W Scott Douglas (Edinburgh, 1877-1879); with index to the manuscript insertions., 1877-1879, 1914.
The Cowie manuscripts include the final version of ‘The gentle shepherd, a Scots pastorall comedy’ by Allan Ramsay (MS.15972).
Thirty-five unidentified drawings, and tracings., 19th century-mid 20th century.
A group of about 2500 plans, chiefly made by Messrs Stevenson. Their business was concerned chiefly with sea-works, lighthouses, harbours, canals and river courses, and the plans reflect this interest, although there are some items relating to railways and bridges.
Thirty-seven pen and pencil drawings, in some cases with further sketches on the reverse side, by John Harden., 1803-1810.
The drawings are nearly all figure-groups executed either at Queen Street, Edinburgh, or at Brathay Hall, Windermere. The majority depict family gatherings, often caught playing cards or chess, sometimes in the company of friends like the Learmonths in Edinburgh or the Lloyds at Brathay Hall (see MS.8872). In most cases, a brief description, based on information supplied by the Clay family, has been added.
Thirty water-colours and drawings by John Harden., 1809-1810.
The majority of the water-colours and drawings are landscapes, chiefly executed in the Edinburgh area or in Aberdour, Fife, during an extended visit to Scotland in 1809-1810, but there are also two drawings of fishwives, perhaps at Newhaven, and another entitled 'Bottling Whiskey' (see MS.8872).
Nine black and white photographs of landscapes now in the National Gallery of Scotland are also included.