Illuminations (painting).
Found in 10 Collections and/or Records:
Diploma certifying the award of the insignia of office as Protonotary Apostolic to Giovanni Paolo Pongelli at Camerino, 1582., [1566, or after]-[1589, or after.]
With a copy of Giovanni Paolo Pongelli's doctoral diploma, 1582 (folio 11) and privilege of citizenship of Camerino, 1589 (folio 20). Illuminated with the arms of Pongelli and two cardinals.
'Festival Mass for full orchestra & chorus; a study in instrumentation, composed by William Wallace' (born 1860), in his autograph.
The composer gives a history (folio xiii) of the work, which was composed in 1886-1887 and, in part, scored in 1888 (see dates on various folios). Some parts are incomplete.
Interspersed with the music are unruled leaves, bearing illuminations, manuscript notes of the composer, etc., on folios i-ii, viii, x-xiii, xxv, xxvii verso, xxviii verso, xxxix, xliii, xlvii, li.
Gathering d (pages 33-48) of the Kelmscott Press edition of ‘Syr Perecyvelle of Gales’ (London, 1895), printed on vellum.
There are illuminated borders of flowers, foliage and stylised ivy leaves in pink, blue, green and gold, in imitation of mediaeval work. A letter of Robert Steele to the donor, 1939, is inserted, which states that the illumination was done under the direction of William Morris.
Illuminated diploma of Angelo Ripanti as a Knight of the Order of St George, Rome., 1603.
Illuminated initials cut from two or more Italian service books., Late 15th century.
Numbers 1-11 are small gold initials on coloured grounds; numbers 12-14 are from a large choirbook and incorporate coloured foliage on a gold ground.
Leaf from the Sanctoral of a noted breviary, probably of Sarum use., 15th century.
The leaf contains the offices from None on All Saints Day to the end of All Souls. These are followed by the collects for the feasts of St Leonard, the Four Crowned Martyrs, and St Theodore. In 1591 the leaf was being used as the cover of a 'Liber responsionum'.
Leaf possibly from a missal, containing a painting of the Crucifixion, possibly Bohemian work., [Circa 1400.]
In the lower part of the leaf, are the Virgin and other figures, and in the upper, angels with symbols of the sun, moon, stars and the pelican in her piety. The painting is on a tooled gold ground surrounded by scrolls of Biblical texts and medallions containing the prophets Isaiah and Jeremiah and the symbols of the Evangelists. The verso is blank.
Microfilm of works, 17th century, of Esther Inglis and a book of recipes, 1st half of 17th century-1735, 1879, started by Anna, Lady Elcho (died 1649).
Moral sentences, written as specimens of penmanship, by Esther Inglis., 17th century.
On folio 1 is a decorated G containing pictorial themes.