Musical compositions.
Found in 185 Collections and/or Records:
Copies of manuscript music of Georges Bizet and Percy Grainger., 1943-1954.
The contents are as follows: (i) Negative photostats of the manuscript full score of Bizet's 'Valse avec Choeur' in G major; with other fragments (Paris Conservatoire MSS 428 and 431) (folio 1); (ii) Photocopies of the autograph manuscripts of pieces, 1943-1954, by Percy Grainger: Two Faroese dances, and 'Walking tune' for piano duet, 'Bristol town' for piano 6 hands, and "The widow's party" for piano solo prepared for the projected "Music lover's Grainger" (folio 79).
Corrected proof copy of ‘Flowers of Scottish melody’ by John Murdoch Henderson., 1935.
Correspondence and musical compositions of James Scott Skinner; with other material, including some of John Davidson., [Circa 1883-circa 1917], undated.
Correspondence and papers concerning, and music for, the film 'Bonnie Prince Charlie' produced by London Film Productions, Ltd., 1947-1948.
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.
Correspondence, essays, cuttings and other papers of Alexander MacDonald., 1886-1962, undated.
Drafts, sketches and fragments of identified works by Ronald Center., Mid 20th century-[?1971], undated.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Drafts, sketches and fragments of musical compositions of Ronald Center., 1951-1973, undated.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Drafts, sketches and fragments of unidentified works by Ronald Center., Mid 20th century-[?1973].
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Fair copy of 'Thomas the Rhymer' by William Bowie which was submitted for the degree of Doctor of Music at Durham University in 1961, and further sketches and fair copies of unpublished works arranged chronologically., ?1958-?1969.
Final or fair copies of compositions, 1958-1964, by Martin Dalby., 1958-1969.
The compositions are preceded (MS.22142, folio ii) by a typescript list of Martin Dalby's compositions to 1968 with additions in ink to 1969.
Most of the compositions are vocal, being settings of poems or scriptural texts, with or without keyboard accompaniment.
Final or fair copies of compositions by Martin Dalby., 1964-1967.
The compositions are preceded (MS.22142, folio ii) by a typescript list of Martin Dalby's compositions to 1968 with additions in ink to 1969.
Most of the compositions are vocal, being settings of poems or scriptural texts, with or without keyboard accompaniment.
Final versions of musical compositions of Ronald Center., Mid 20th century-[?1973], undated.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
"Folies d'Espagne" and other pieces for bass viol by Marin Marais, compiled before 1685., [Before 1685.]
In this version of the 'Folies' there are twenty-eight couplets of which eleven do not appear in the version published by Marin Marais in his second book (1701). The volume contains a further twenty-three pieces of which three appear in Marais's first book (1686), and the remainder are otherwise unknown.
Full score and piano reduction of "A blot in the 'Scutcheon", a melodrama in three acts by G W Crawford, setting poetry by Robert Browning., 1919.
The work is apparently unpublished, although intended for publication, or at least printing (MS.21940, folio 1 verso).
Full score and piano reduction of ‘A Scottish lassie’ by G W Crawford., [?1892-?1941.]
Full score and setting for small orchestra, undated, of ‘Song of the glen’, a tone idyll, opus 34, number 2., [Circa 1928.]
The contents are as follows:
(i) Full score (folio 1);
(ii) Setting for small orchestra (strings, piano, organ, flute and clarinet) (folio 14).
Opus 34, number 2 is apparently unpublished. Opus 34, number 1 was published in 1928.
Full score (i.e. two scores bound together) of Two Scottish Scenes, 'By the Ingle Neuk' and 'Lads and Lassies' by ‘Edina’ (G W Crawford, the pseudonym being overwritten with the composer's name)., 1939
The pseudonym is overwritten by the composer’s name.
The date ‘Dec 1939’ is on page 43.
Full score of "A blot in the 'Scutcheon" by G W Crawford., 1919.
The work is apparently unpublished, although intended for publication, or at least printing (MS.21940, folio 1 verso).
Full score of Act 1, Scene 2 and Act 2 of “A blot in the ‘Scutcheon” by G W Crawford., 1919.
The work is apparently unpublished, although intended for publication, or at least printing (MS.21940, folio 1 verso).
Full score of Act 3 of “A blot in the ‘Scutcheon” by G W Crawford., 1919.
The work is apparently unpublished, although intended for publication, or at least printing (MS.21940, folio 1 verso).
Full score of brass band setting of 'Perthshire echoes'., 1st quarter of 20th century.
Fragments of the title page of a different, unidentified, edition are pasted to folio i. A photogravure of W B Moonie, apparently from the same source, is pasted to folio iv.
Full score of overture and incidental music of G W Crawford to ‘Cardinal Beaton’, a drama by W Roberton., [?1892-?1941]
A leaf is tipped in at folio 28, containing music to replace that cancelled on folio 27 verso.
Full score of the Prelude and Act 1, Scene 1 of “A blot in the ‘Scutcheon” by G W Crawford., 1919.
The work is apparently unpublished, although intended for publication, or at least printing (MS.21940, folio 1 verso).
Full score, undated, of a work in three movements for piano quartet entitled 'Fantasy Quintet' by David Stephen., Early 20th century.
Most of the compositions appear to be unpublished.
Full scores of an arrangement for string quartet and of a 'special' arrangement for strings (omitting viola), organ and timpani of 'Perthshire echoes'., 1st quarter of 20th century.
Some of the scores are incomplete.