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Musical compositions.

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: General term for the creation and conceptual arrangements of music into works to be performed.

Found in 185 Collections and/or Records:

Orchestral parts of the Triumphal march from the Second Suite in C major, and draft full score of the first section of ‘At the ball’, by G W Crawford., [?1892-?1941.]

 File
Identifier: MS.21905
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Orchestral, vocal and other music scores of Ian Whyte., 1947-1951, undated.

 Sub-Series
Identifier: MSS.22082-22093
Scope and Contents From the Series:

Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.

Except where otherwise stated the music is written as for keyboard.

Dates: 1947-1951, undated.

Orchestration by James Skinner Paterson of a selection of tunes by James Scott Skinner., Late 19th century-1st quarter of 20th century

 File
Identifier: MS.21678
Scope and Contents From the Series: The papers consist of the transcriptions, arrangements, and research notes compiled by John Murdoch Henderson between the mid 1920s and his death in 1972. Henderson's particular interest was in music for the Scottish fiddle, and in addition to extensive work on the older sources of such music, he was an authority on the compositions of his contemporaries, who seem frequently to have sought his advice. In addition to his own material, the collection contains many autograph compositions of...
Dates: Late 19th century-1st quarter of 20th century

Papers of John Douglas Hamilton Dickson., [1885]-1958.

 Sub-Series
Identifier: Acc.9770/18-22
Scope and Contents From the Series:

John Douglas Hamilton Dickson, WS, was president of the Edinburgh Bach Society and chairman of the Reid Symphony Orchestra, amongst other musical interests. He was the son of James Douglas Hamilton Dickson.

Dates: [1885]-1958.

Papers of the Edinburgh Harmonists’ Society., 1829-1961, undated.

 Series
Identifier: MSS.21643-21664
Scope and Contents

The Edinburgh Harmonists’ Society was founded in 1822 as the direct successor to the Catch Club and thereby of the Edinburgh Musical Society which began in 1728. It continued until 1950, when it became part of the Edinburgh Musical Society to which it transferred its papers and above all its valuable library, much of which had belonged to the Catch Club.

Dates: 1829-1961, undated.

Parts for cello or bass of arrangements of various pieces by John Davidson., [?1871-?1926.]

 File
Identifier: MS.22033
Scope and Contents

Gatherings of leaves from an account book (possibly the same as MS.22031) cut down to stubs on which are mounted sheets and some bifolia containing the music, contained within two sheets of card used as covers.

Dates: [?1871-?1926.]

Parts for first violin of arrangements of various (including some operatic) pieces by John Davidson., [?1871-?1926.]

 File
Identifier: MS.22030
Scope and Contents

An account book, from which many leaves have been cut or torn out, the surviving leaves of which were cut down to stubs on which were mounted the single sheets and bifolia (some of which are fragmentary) on which the music is written.

Dates: [?1871-?1926.]

Parts for second violin of arrangements of various pieces by John Davidson., [?1871-?1926.]

 File
Identifier: MS.22031
Scope and Contents

Gatherings of leaves from an account book cut down to stubs on which are mounted sheets and some bifolia containing the music, contained within two cut-down sheets of card used as covers, the upper cover being part of a calendar for 1925.

Dates: [?1871-?1926.]

Parts for viola of arrangements of various pieces by John Davidson., [?1871-?1926.]

 File
Identifier: MS.22032
Scope and Contents

Gatherings of leaves from an account book (possibly MS.22030) written between 1892 (folio 1 verso) and 1899 (folio 49) cut down to stubs on which are mounted sheets and some bifolia containing the music, contained within two covers of thin blue card.

Dates: [?1871-?1926.]

Parts of various works for two violins by John Davidson, on gatherings of leaves stitched together., [?1871-?1926.]

 File
Identifier: MS.22047
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Photostats of Scottish music made from the originals in the British Museum., 17th century.

 File
Identifier: MS.1781
Scope and Contents The contents are as follows.(i) ‘A Scotch Tune by Mr. Purcell’, for violin or flute (circa 1694-1697) (Add.MS.35043);(ii) ‘A Scotch Tune’, for violin or flute (circa 1694-1697) (Add.MS.35043);(iii) ‘A New Scotch Tune’, for violin or flute (circa 1694-1697) (Add.MS.35043);(iv) ‘A Scottes Jigge’, for treble viol (?) (17th century) (Add.MS.15118);(v) ‘Scotch Aire’, for harpsichord (late 17th century) (Add.MS.17855);(vi) ‘A...
Dates: 17th century.

'Pieces de viole de Mʳ Marais’., [Before 1685.]

 Item
Identifier: MS.9465
Scope and Contents From the Sub-Series: The two volumes both contain, though in a slightly different order, the same fifty-nine pieces for bass viol by Marin Marais. Thirty-three of the pieces appear in the first two books of ‘Pièces à une et à deux violes’ (1686 and 1701), and one piece is in the third book of 1711. The remainder are otherwise unknown.These volumes have both been carefully compiled. The principal difference between them is that MS.9466, in addition to the editorial marking common to both, also has...
Dates: [Before 1685.]

'Pieces de viole de Mʳ Marais’., [Before 1685.]

 Item
Identifier: MS.9466
Scope and Contents From the Sub-Series: The two volumes both contain, though in a slightly different order, the same fifty-nine pieces for bass viol by Marin Marais. Thirty-three of the pieces appear in the first two books of ‘Pièces à une et à deux violes’ (1686 and 1701), and one piece is in the third book of 1711. The remainder are otherwise unknown.These volumes have both been carefully compiled. The principal difference between them is that MS.9466, in addition to the editorial marking common to both, also has...
Dates: [Before 1685.]

'Pieces de viole de Mʳ Marais', compiled before 1685., [Before 1685.]

 Sub-Series
Identifier: MSS.9465-9466
Scope and Contents The two volumes both contain, though in a slightly different order, the same fifty-nine pieces for bass viol by Marin Marais. Thirty-three of the pieces appear in the first two books of ‘Pièces à une et à deux violes’ (1686 and 1701), and one piece is in the third book of 1711. The remainder are otherwise unknown.These volumes have both been carefully compiled. The principal difference between them is that MS.9466, in addition to the editorial marking common to both, also has...
Dates: [Before 1685.]

Poems, verse and music of Moultrie R Kelsall., 1923-1941, undated.

 Series
Identifier: Acc.7716/152-154
Scope and Contents From the Fonds:

Including scripts of plays, short stories, articles, talks, broadcast scripts of radio and television documentaries, and associated correspondence.

Dates: 1923-1941, undated.

Score, and short score and parts, undated, for 'Iona' and 'Meditations' by W B Moonie., 1st quarter of 20th century-3rd quarter of 20th century.

 File
Identifier: MS.21994
Scope and Contents

The contents are as follows:

(i) Portions of orchestral score of ‘Iona’, a work for voice, or voices, and orchestra (folio 1);

(ii) Parts for 1st and 2nd violin of (folio 10), and extra portion in short score (folio 16) for insertion into, ‘Meditations’ for piano and string orchestra.

Dates: 1st quarter of 20th century-3rd quarter of 20th century.

Scores and parts for two pieces of music by Maude Beswick., Mid 20th century.

 File
Identifier: MS.21636
Scope and Contents

The contents are as follows:

(i) 'Three Impressions' for cello and piano, undated, score and separate cello part (folio 1);

(ii) 'Midsummer Eve', suite for flute and piano, undated, score, separate flute part, and piano 1 of an arrangement for two pianos (folios 5).

Dates: Mid 20th century.