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Comic operas. Operas (Musical compositions)

 Subject
Subject Source: Other Source
Scope Note: Operas that portray humorous situations and characters, with much spoken dialogue. Source: 'Concise Oxford English dictionary', 11th edition (Oxford, 2004).

Found in 22 Collections and/or Records:

Full score of ‘The duenna’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21946
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of the overture to ‘The Grand Lama’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21949
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full scores and piano reductions of ’The duenna’ by G W Crawford, a comic opera in three acts using Sheridan’s play as the libretto., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21946-21947
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full scores of the opening chorus, act I, number 1, and the procession and dance, of ‘The Grand Lama’ by G W Crawford; with a piano reduction of an opening chorus with words by Lewis Spence, apparently from another work with the same title., [?1892-?1941.]

 File
Identifier: MS.21951
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Libretto and vocal score of ‘The speed cop’, a comic opera in a prologue and three acts by G W Crawford, with libretto by Clement J Bundock., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21956-21957
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Libretto, apparently in the hand of James McLaurin with additions and alterations in another hand, to ‘The Grand Lama’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21948
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Music of G W Crawford for stage works., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21936-21967
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Scores and piano reductions of ‘The Grand Lama’, a comic opera in three acts by G W Crawford, with libretto by James N McLaurin., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21948-21951
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Typescript carbon copy of the libretto by Clement J Bundock of ‘The speed cop’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21956
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]