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Suites. Musical compositions.

 Subject
Subject Source: Other Source
Scope Note: A set of instrumental compositions to be played in succession; also, a set of pieces from an opera or musical arranged as one instrumental work. Source: 'Concise Oxford English dictionary', 11th edition (Oxford, 2004).

Found in 24 Collections and/or Records:

Chamber music, undated, of Ronald Center., Mid 20th century.

 Sub-Series
Identifier: MSS.22179-22185
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century.

Drafts, sketches and fragments of identified works by Ronald Center., Mid 20th century-[?1971], undated.

 Sub-Series
Identifier: MSS.22187-22190
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century-[?1971], undated.

Drafts, sketches and fragments of musical compositions of Ronald Center., 1951-1973, undated.

 Sub-Series
Identifier: MSS.22187-22193
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: 1951-1973, undated.

Full score of 'Cromer' suite for orchestra., 1916-1917, 1922, 1936.

 File
Identifier: MS.21986
Scope and Contents

According to a note at folio i the greater part of the work was sketched in 1916-1917 when W B Moonie was billeted in Cromer, to which town the work is dedicated. It was completed in 1922 (folio 57).

A photogravure of an unidentified interior is pasted inside the front cover and a press-cutting, 1936, showing the ruins of Inchmahome Priory is pasted inside the back cover.

Dates: 1916-1917, 1922, 1936.

Full score of Suite Number 1 in A minor by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21904
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of the suite ‘In varying moods’ by G W Crawford, with piano reduction at the foot of each leaf., [?1892-?1941.]

 Item
Identifier: MS.21906
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

'Hebridean suite' by John Davidson., [?1871-?1926.]

 Item
Identifier: MS.22062
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Music of John Davidson for piano., [?1871-?1926.]

 Sub-Series
Identifier: MSS.22058-22069
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Musical compositions of Ronald Center., Mid 20th century-[?1973], undated

 Sub-Series
Identifier: MSS.22171-22193
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century-[?1973], undated

Musical compositions of Ronald Center and a miscellany of papers of Center and his wife Evelyn.

 Series
Identifier: MSS.22171-22194
Scope and Contents

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century-1988, undated.

Opening sections apparently of the first and third movements of a suite for piano and quantities of miscellaneous unidentified music of Ian Whyte., Mid 20th century.

 File
Identifier: MS.22092
Scope and Contents From the Series:

Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.

Except where otherwise stated the music is written as for keyboard.

Dates: Mid 20th century.

Piano suite 'Antediluvia', undated, by Maude Beswick., Mid 20th century.

 Item
Identifier: MS.21639
Scope and Contents From the Fonds: These papers, the surviving archive of the Edinburgh Society of Musicians, run from the foundation of the Society in 1887 - though it includes a small amount of earlier material - to 1982, and in addition to providing a very full account of the Society's own history, it contains much concerning the history of music-making in Edinburgh in the 20th Century. Included in the collection are the papers of the Edinburgh Harmonists' Society which could trace its descent from the Edinburgh Musical...
Dates: Mid 20th century.

‘Suite for solo violoncello’ by Ronald Center., Mid 20th century.

 Item
Identifier: MS.22185
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century.