Choral music.
Found in 24 Collections and/or Records:
Arrangements of "A Scottish Cantata or Choral-Ballad ‘Lochinvar’" by G W Crawford, being settings of the poem by Sir Walter Scott., [?1892-?1941.]
Autograph scores of musical compositions by David Stephen, Director of Music to the Carnegie Trust, Dunfermline.
Most of the compositions appear to be unpublished.
Choral music of David Stephen., [?1899], 1920.
Most of the compositions appear to be unpublished.
Choral music of G W Crawford., [?1892-?1941.]
Choral settings, undated, of a few poems and some religious texts, chiefly for soprano, alto, tenor and bass, with, in some cases, accompaniment, usually organ, by Ronald Center., Mid 20th century.
All settings are undated, but the ink used indicates that at least some were composed about 1950.
Drafts, sketches and fragments of identified works by Ronald Center., Mid 20th century-[?1971], undated.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Drafts, sketches and fragments of musical compositions of Ronald Center., 1951-1973, undated.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Final versions of musical compositions of Ronald Center., Mid 20th century-[?1973], undated.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Full score of a setting of ‘The ship’, 'a choral epilogue' for two soprano voices (or choirs), chorus and orchestra, with words by Edward Albert., [?1931.]
The work was composed for the Masque of the Edinburgh Merchant Company, 16 and 17 December 1931. A score of the work with piano accompaniment was published the same year.
Full score of ‘Missa Solemnis’, Opus 4, by David Stephen, for solo voices, chorus and orchestra., [?1899.]
A proof copy of the title page is pasted inside the front cover (the work was published in 1899).
The text of the Mass is written in an imitation Gothic hand on the flyleaves.
In addition to the conductor’s markings in blue pencil, numerous brief corrections and additions have been written or pasted in throughout. Folio 11 is a half-sheet tipped in, and folios 38 and 85 each consist of two leaves stuck together.
Heavily corrected setting for voices and piano, interleaved with a fair copy of the full score of a setting for baritone solo, chorus and orchestra, of the ballad 'Sir Patrick Spans' by David Stephen., 1920.
Apparently composed, or completed, in 1920, according to a deleted note at folio 48. The orchestral accompaniment in short score was published the same year.
An anglicized printed copy of the ballad, with numerous amendments in ink restoring the original Scots words, is at folio 2.
Many substantial corrections to the keyboard version are written on fragments of paper pasted to the leaves, and folio 28 is an addition written on a scrap of paper tipped in.
‘Lochinvar’ by G W Crawford, a setting for chorus and orchestra., [?1892-?1941.]
Music for parish church choirs composed by the Revd Richard Evans, Director of Music at St Andrew's Episcopal Church, St. Andrews.
Music for voices by G W Crawford., [?1892-?1941.]
Musical compositions of Ronald Center., Mid 20th century-[?1973], undated
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Musical compositions of Ronald Center and a miscellany of papers of Center and his wife Evelyn.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Photocopies of autograph scores of four choral works by Shena Fraser.
Settings by G W Crawford of various songs for choirs and other groups of voices., [?1892-?1941.]
Sketches and drafts of identified piano and choral works of Ronald Center., [?1951-?1966.]
Some works are written on conventional paper, but many are written on the backs of duplicated programmes of concerts and recitals given by his pupils at Huntly Gordon School at various times between 1951 and 1966.
A contents list has been provided (folio i). The dates are those of the sheets on which the sketches have been written.
Sketches and drafts of Ronald Centre for identified choral works, works for string orchestra, string quartets numbers 2 and 3, and a suite for solo cello., [?1957-?1971.]
A contents list has been provided (folio i): the dates are those of the sheets (concert or recital programmes, and wedding stationery) on the backs of which the sketches have been drafted.