Orchestral music.
Found in 61 Collections and/or Records:
Full score, reduction and parts for Symphony number 4 in A minor, ‘The Scottish’, by G W Crawford., [?1892-?1941.]
Full score, undated, of 'Woodland scene', a tone picture for orchestra., 1st quarter of 20th century-3rd quarter of 20th century.
Some of the scores are incomplete.
Full scores, piano reductions and parts for miscellaneous orchestral dance music by G W Crawford., [?1892-?1941.]
The contents are as follows:
(i) ‘Apache dance, full score (folio 1) and piano reduction (folio 7);
(ii) ‘Waltz illuminations’ (formerly entitled ‘Fascination’), full score (folio 9) and piano reduction (folio 27);
(iii) ‘Moodbeams waltz', full score (folio 31) and piano reduction (folio 47);
(iv) Valse lente ‘A vision of home’, various parts (folio 53).
‘Gossamer waltz’ by G W Crawford., [?1892-?1941.]
Lachrimae for string orchestra, undated, by Ronald Center., Mid 20th century.
The work was previously entitled 'Requiem for an artist’.
‘Margherita waltz’, opus 7, by G W Crawford., [?1892-?1941.]
333 x 260 millimetres.
Miscellaneous orchestral music of G W Crawford., [?1892-?1941.]
Miscellaneous orchestral music of G W Crawford., [?1892-?1941.]
Miscellaneous orchestral music of Ian Whyte., Mid 20th century.
Miscellaneous orchestral music of Ian Whyte., Mid 20th century.
The contents are as follows:
(i) Rhapsody: the first part in full score, the remainder in short score (folio 1);
(ii) Scots march: two different settings of the opening in full score, and the complete work in short score (folio 23);
(iii) Symphonic dances (folio 34);
(iv) Concert waltz (folio 36 verso);
(v) Sections apparently of three unidentified works for orchestra chiefly in full score (folios 41, 47, 54).
Music for string orchestra by Ronald Center., Mid 20th century.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Musical compositions of Ronald Center., Mid 20th century-[?1973], undated
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Musical compositions of Ronald Center and a miscellany of papers of Center and his wife Evelyn.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
‘Nocturne for string orchestra, to the memory of Dylan Thomas’, undated, by Ronald Center., [Circa 1953.]
The nocturne is undated, but doubtless circa 1953.
Orchestral and band music of David Stephen., 1913-1940, undated.
Most of the compositions appear to be unpublished.
Orchestral and band music of David Stephen., 1927-1940, undated.
The contents are as follows:
(i) Short score, with instrumentation indicated in red ink, of 'Sinfonietta', an orchestral work in three movements, 1927-1928 (folio 1);
(ii) Full score of 'A Scottish pastoral', an orchestral work in one movement, 1940 (folio 15);
(iii) Full score of 'In honorem' a work in one movement for band (folio 25), undated but would appear to have been composed during or shortly after the First World War.
Orchestral music of G W Crawford., [?1892-?1941.]
Orchestral music of Ian Whyte., Mid 20th century.
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.
Orchestral, vocal and other music scores of Ian Whyte., 1947-1951, undated.
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.
Orchestral, vocal and other music scores of Ian Whyte, and papers and music of his son, Don Whyte, chiefly undated.
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.
Overtures of G W Crawford., [?1892-?1941.]
Piano reduction and piano condensation of ‘Coriolanus’ by G W Crawford., [1930, or before.]
The piano reduction (folio 1) is written on two staves with solo parts written on the extra stave above. The piano condensation of winds (folio 13) is written on two staves with parts for other instruments on the extra stave above.
Piano reduction and reduction of wind parts of 'Undine' by G W Crawford., [1939.]
Piano reduction of ‘Europa’ by G W Crawford., [?1916.]
Described as ‘A symphonic poem for full orchestra on the European War of 1914-1917’ [sic]) (MS.21890, page 1).
According to a typed programme note (MS.21890, folio i) the work was composed in 1916.