Illuminated manuscripts.
Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Handwritten manuscripts that have been decorated with gold or silver, brilliant colors, designs, or miniature pictures. Although prevalent in Islamic and Asian societies, the longest tradition of illuminating manuscripts was in Christian medieval Europe, from the 6th-16th centuries, when the art was superseded by printed illustrations. Generally, the manuscripts were both 'historiated', or decorated with relevant paintings, and 'illuminated' in its original sense, meaning decorated with calligraphic initial capital letters using gold leaf. Over time, the term 'illuminated' came to refer to any illustration or decoration in a manuscript. Illuminated manuscripts played a major role in the development of art, partly because of the manuscript's portability in carrying artistic developments from one region to another.
Found in 1 Collection or Record:
15th-century manuscript of the 'Mirror of the Blessed Life of Jesus Christ', a translation by Nicholas Love of the Pseudo-Bonaventure 'Meditationes Vitae Christi'.
Item
Identifier: Adv.MS.18.1.7
Scope and Contents
15th-century manuscript produced in England, probably London. The volume contains the 'Myrrour of the Blessed Lyf of Jesu Christ', a translation by Nicholas Love, Prior of Mount Grace Charterhouse in Yorkshire, of the Pseudo-Bonaventure 'Meditationes vitae Christi'. The work dispenses meditative and doctrinal comment on scripture and is made up of 63 chapters in 7 sections, each representing a day of the week. The manuscript was produced for Edmund Grey, 4th Baron Grey of Ruthin,...
Dates:
1445 - 1465