In November 1942, George Campbell Hay went to North Africa with the Ordnance Corps. During his service there he learnt French, Arabic and Italian. By 1945 he was in Italy, and in the autumn of that year he was transferred to the Education Corps and posted to Greece before being sent home in 1946. His notebooks contain poetic, linguistic and political material in several languages.

In November 1942, George Campbell Hay went to North Africa with the Ordnance Corps. During his service there he learnt French, Arabic and Italian. By 1945 he was in Italy, and in the autumn of that year he was transferred to the Education Corps and posted to Greece before being sent home in 1946. His notebooks contain poetic, linguistic and political material in several languages.

In November 1942, George Campbell Hay went to North Africa with the Ordnance Corps. During his service there he learnt French, Arabic and Italian. By 1945 he was in Italy, and in the autumn of that year he was transferred to the Education Corps and posted to Greece before being sent home in 1946. His notebooks contain poetic, linguistic and political material in several languages.

The papers consist chiefly of Christopher Murray Grieve’s literary papers, but there is also material relating to his family and affairs.

Alastair Reid both wrote poetry himself and translated work by Pablo Neruda, Jorge Luis Borges and others. MSS.27446-27448 contain his own poems, and MSS.27449-27457 his translations.

Used in the writing of "The Stuarts".

Aside from, though related to, his work with 7:84, John McGrath was involved in the study of political theatre, and was himself the subject of many articles, papers and dissertations. Much of the material listed in this section falls into this category, though there is also some that might equally well have been incorporated into the main 7:84 sequence, and vice-versa. There is some overlap with, and duplication of, items in the main sequence.

On the whole, the notebooks were used for quotations from English, Italian, Gaelic and Greek writers, as well as for many Gaelic expressions, customs, etc., which William Sharp evidently considered for possible inclusion in his own writings. The notebooks contain lists and arrangements of stories, poems, etc., as well as outlines and rough drafts of particular works.

On the whole, the notebooks were used for quotations from English, Italian, Gaelic and Greek writers, as well as for many Gaelic expressions, customs, etc., which William Sharp evidently considered for possible inclusion in his own writings. The notebooks contain lists and arrangements of stories, poems, etc., as well as outlines and rough drafts of particular works.

On the whole, the notebooks were used for quotations from English, Italian, Gaelic and Greek writers, as well as for many Gaelic expressions, customs, etc., which William Sharp evidently considered for possible inclusion in his own writings. The notebooks contain lists and arrangements of stories, poems, etc., as well as outlines and rough drafts of particular works.

On the whole, the notebooks were used for quotations from English, Italian, Gaelic and Greek writers, as well as for many Gaelic expressions, customs, etc., which William Sharp evidently considered for possible inclusion in his own writings. The notebooks contain lists and arrangements of stories, poems, etc., as well as outlines and rough drafts of particular works.

On the whole, the notebooks were used for quotations from English, Italian, Gaelic and Greek writers, as well as for many Gaelic expressions, customs, etc., which William Sharp evidently considered for possible inclusion in his own writings. The notebooks contain lists and arrangements of stories, poems, etc., as well as outlines and rough drafts of particular works.

On the whole, the notebooks were used for quotations from English, Italian, Gaelic and Greek writers, as well as for many Gaelic expressions, customs, etc., which William Sharp evidently considered for possible inclusion in his own writings. The notebooks contain lists and arrangements of stories, poems, etc., as well as outlines and rough drafts of particular works.

Recipes, tests, firing schedules, samples, sketches, and other papers of Margery Clinton relating to the production of pottery, her masters' thesis, and her book, 'Working with lustres'.

The notebook is undated, but doubtless compiled at the same time as MS 20576. Most of the volume is blank.