Press cuttings. Information artifacts.
Found in 2208 Collections and/or Records:
Touring production files of 'Govan stories' by Peter Boyle, Elizabeth Crombie Reid, Martha Feeney and others., 1990, undated.
Additional authors include: Maureen Ferguson; Danny Guthrie; Peter Hutton; Bill Kidd; Kelly McCahill; David McTeague; and James Fullerton Miller.
Touring production files of 'Jump the life to come' by Noel Greig., 1992, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Marching on' by Gary Mitchell., 2001, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'No mean city' by Alex Norton., 1988, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Phoenix' by Roy Macgregor., 1993-1994, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Private agenda'., 2004, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of ‘Reasons to be cheerful’ by Martin McCardie, from the book by Mark Steel., 2004, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Revolting peasants' by Patrick Prior., 1991, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Road' by Jim Cartwright., 1989, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Scotland matters', collaborative show featuring writing by Peter Nardini, Anne Mario di Manbro, John Binnie and others., 1992, undated.
Additional authors include: Rona Munro; Vivian Adam; Stuart Brown; Jan Natanson; Iain Heggie; and Gurmeet Mattu.
Touring production files of ‘The grapes of wrath’ by John Steinbeck, adapted by Frank Galati., 1994, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The incredible Brechin beetle bug' by Matt McGinn., 1985-1986, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The lament for Arthur Cleary' by Dermot Bolger., 1992, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The news at when ...?'., 2001, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The resistible rise of Arturo Ui' by Bertolt Brecht, translated by Ralph Manheim., 1991, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The salt wound' by Stephen Greenhorn., 1994-1995, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Tipping point' by Davey Anderson., 2005, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Tongues' by Sam Shepard and Joseph Chaikin, and new writing inspired by it, a collaboration between Birds of Paradise Theatre Company and 7:84 Theatre Company (Scotland)., 1997, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Twilight shift' by Jackie Kay., 1993, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Valley song' by Athol Fugard., 1998, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Transcripts of the Lauderdale correspondence, British Museum Add.MSS.23113-23138 and 23243-23251, made by George Vere Irving., 1656-1662.
Inserted are letters of George Vere Irving and Adam Sim, and a note by David Douglas, the Edinburgh publisher.
Travel diaries, journal letters and papers chiefly of Robert Graham., 1781-1849.
Travel journals of Neil Munro., 1901-1904.
The contents are as follows. (i) Journal of Neil Munro's visit to Canada, 1903 (folio 2). The later entries are wrongly dated 1904. Travelling with a group of journalists, Munro crossed the country by train from Quebec to Victoria and back. His journal is illustrated with newspaper cuttings and photographs. (ii) Journal of a tour to Italy, 1904 (folio 48); (iii) Journal of a visit to the Outer Hebrides, 1901 (folio 60).
Two commonplace books of George Glen Napier.
Containing quotations from Tennyson`s "In Memorium", press cuttings and commentaries.
Two cuttings from the ‘Ayr Advertiser’, originally kept with Adv.MS.20.6.17, the second of which has a complete list of local signatures thereof., 1874.
Three of the covenants, Adv.MSS.20.6.14, 20.6.15, and 20.6.19, were probably signed in Edinburgh. The remaining four were all subscribed locally; in each case, the local signatures are preceded by the signatures, presumably written in beforehand in Edinburgh, of various noblemen, lairds, burgesses, and ministers of the Tables. Those dated 1638 lack the Glasgow Determination; those dated 1639 include it.