Prints. Visual works.
Found in 264 Collections and/or Records:
Series of two prints by W H Lizars - Reduced plan of harbour showing the practicability of its extension by wet docks - Sunderland, Tyne and Wear - surveyed by Robert Stevenson., 1829.
Series of two prints - Chart of entrance to river - Tees, River - surveyed by Palliser Thomson., 1815.
Series of two prints - Coast to Hampshire for navigation - Lincoln - surveyed by Robert Stevenson., 1818.
Series of two prints - Diagram of castle; Huntly fishing - Huntly, Aberdeen - surveyed by D and T Stevenson., 1861.
Series of two prints - Estuary - Cromarty, Firth, Ross., 1837.
Series of two prints - West coast of England and Solway Firth - Solway Firth - surveyed by Commander G G Robinson., 1837.
Series of two tracings - Harbour - proposed improvements - St. Monans, Fife - surveyed by D and T Stevenson., 1884.
Small black and white prints and contact prints of photographs for 'Ring of bright water', by Gavin Maxwell., Undated.
Includes manuscripts and typescripts of published works, including 'Ring of bright water' and 'The rocks remain', and photographs, drawings and notes, together with literary, business and personal correspondence.
With business records of Gavin Maxwell Enterprises, including correspondence and accounts.
'The Scots hippo', a series of seven prints by Alasdair Gray.
Three prints by J Bartholomew - Harbour - St. Monans, Fife - surveyed by D and T Stevenson., 1884.
Typescripts of seven short stories by Mollie Hunter, with original cover artwork for "The Third Eye" (Glasgow, 1988).
Typescripts, with some manuscript corrections, of the following stories, all undated:
The Last Pict
Saint Columba and the Loch Ness Monster
How Loch Ness Got Its Name
The Very Weird Tale of Moon Eye
Tales from the Glen
The Tall Tale of Ten Frogs
The Story of Deirdre
Including original artwork by William Grandison for the cover of The Third Eye (Glasgow: Drew, 1988).
Volume containing chiefly prints, with a few drawings, and water-colour sketches by Bartolomeo Pinelli, Henri L'Evêque, and many anonymous artists., [?1827.]
The images are nearly all of Italian scenes, and seem to have been collected during a tour of Italy in 1827.
Volume containing prints, drawings, and water-colour sketches by Bartolomeo Pinelli, Henri L'Evêque, and many anonymous artists., [?1827.]
The images are nearly all of Italian scenes, and seem to have been collected during a tour of Italy in 1827.
Volumes containing prints, drawings, and water-colour sketches by Bartolomeo Pinelli, Henri L'Evêque, and many anonymous artists., [?1827.]
The images are nearly all of Italian scenes, and seem to have been collected during a tour of Italy in 1827.