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Psalters.

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to books or other document forms containing the Book of Psalms, which is composed of 150 psalms of the Old Testament. A psalter is usually divided into sections to be recited daily at Matins and Sunday Vespers, used as a liturgical book for the clergy in the Divine Office (forming the basis for the Breviary) or by the laity for private devotions. In addition to the psalms, psalters generally contain an ecclesiastical calendar, canticles, creeds, and the litany of the saints. King David and his court musicians were traditionally considered to be the authors of the psalms; the subjects of the psalms have to do with hymns in praise of God and pleas for help and mercy. In the Christian tradition, the psalms were interpreted with the Lord of the Old Testament understood to be Christ the Messiah. Various passages of individual psalms were seen as Christian metaphors and prefigurations. The Hebrew text of the psalms reached the Latin West by way of translations made by St. Jerome in the 4th century AD, two from the Greek version (the Septuagint) and one directly from the original language. The three versions, known respectively as the Roman, Gallican, and Hebrew Psalters. The psalter was one of the most frequently illustrated medieval texts in the West, beginning around 725 and flourishing between the 12th and 14th centuries. The text was often enhanced with precious ornament and images; however, psalms did not readily lend themselves to literal illustration, in contrast to the narrative portions of the bible. Consequently, their illustration was varied, both in format and in iconography. Most illuminated psalters were illustrated with decorated or historiated initials at the main divisions of the text.

Found in 1 Collection or Record:

Manuscript known as the 'Herdmanstoun Antiphonal', or 'Herdmanstoun Breviary'.

 Item
Identifier: Adv.MS.18.2.13A
Scope and Contents Manuscript known traditionally as the Herdmanstoun Breviary, but more correctly described as an Antiphonal. It was written in the north of England, possibly Northumberland, but later taken to Scotland and altered. It has been suggested by Höhler that the manuscript was possibly written for the college of canons founded at Chester-le-Street by Bishop Anthony Bek of Durham. Bannister speculates that the volume may have been brought to Scotland during the reign of David II (1329-1371). ...
Dates: Circa 1300