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Songs. Musical compositions.

 Subject
Subject Source: Local sources
Scope Note: Musical compositions, typically relatively short, consisting of words, melody and, often but not necessarily, other elements of musical arrangement. The words, which may be sung with or without instrumental accompaniment, may be specific to the music, lyrics, or the music may be composed to accompany existing words, such as those of a poem.

Found in 411 Collections and/or Records:

Seven diaries of Patrick Cadell, Keeper of Manuscripts, National Library of Scotland.

 File
Identifier: Acc.11641
Scope and Contents

Includes memorandum of matters outstanding on his leaving and a copy of a song, composed and sung by Timothy Lawrence, at Mr Cadell`s leaving party in 1990.

Dates: 1983-1990.

Seventy-seven pieces of music, dances, songs, and Scots airs, for violin., [Circa 1675.]

 Item
Identifier: MS.9454
Scope and Contents

Apparently in the same hand as GD45/26/104 in the Scottish Record Office, and as parts of MS.5778. Composers named are [Davis] Mell, [John?] Bannister, Mr Baptist (Lully?), Mr Clayton, and [Robert] Smith. The pieces 'Belle Rese' and 'Borry Royall' (folios 6 verso-7) are also in MS.9455, folios 41, 41 verso, while two others, 'Prelude' by Mell (folios 3 verso-4) and 'Borrie Fountaine Blowe' (folio 12) are also in MS.5779, folios 8 and 11 verso, 12.

Dates: [Circa 1675.]

Sheets of music, undated, containing copies of songs and dances in various hands., 1st half of 19th century.

 File
Identifier: MS.21759
Scope and Contents

The pieces are undated, but folios 9-10 are watermarked 1825, and folios 11 and 17 1835 and 1837 respectively.

Dates: 1st half of 19th century.

Song and music book of Margaret, wife of Lieutenant-Colonel Honourable Adolphus Frederick Cathcart, containing songs (arranged for voice and keyboard) and dances.

 Item
Identifier: MS.21764
Scope and Contents Many of the pieces are unattributed and many of the rest are poems taken from published sources set to music by members of the Cathcart family and their friends. Several pieces are private compositions being inscribed 'not to be given away' or 'not to be copied'.The book was given by Lieutenant-Colonel Cathcart to his wife in 1835, according to inscriptions in her hand inside the front cover and on the first flyleaf. It contains pieces copied by her until about 1840 (folio 113)....
Dates: 1835-?1840.

Song book of Mary Selina Gladstone.

 Item
Identifier: Acc.13530

Song collections of Reverend William Matheson., Undated.

 Sub-Series
Identifier: Acc.9711 Box 11(1)-12(6)
Scope and Contents From the Fonds:

Concern Gaelic language and literature, and the family and general history of Lewis and Harris, North and South Uist and Wester Ross.

Dates: Undated.

Song settings for solo voice by G W Crawford, arranged in alphabetical order of title., [?1892-?1941.]

 File
Identifier: MS.21924
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Song settings of Ian Whyte., Mid 20th century.

 File
Identifier: MS.22089
Scope and Contents

The contents are as follows:

(i) Original settings of poems with pianoforte accompaniment (folio 1);

(ii) Arrangements of traditional Scottish and other airs and of poems of Burns, chiefly for solo voice and piano (folio 32);

(iii) Words and unaccompanied melodies of various Scottish airs (folio 89);

(iv) Copies of two tunes from early sources written in the same hand as that of, and on sheets probably taken from, MS.22093 (folio 96).

Dates: Mid 20th century.

‘Song to the Tune of Logan Water’ by James Boswell, concerning certain legal proceedings before the Court of Session., 1770.

 Item
Identifier: Adv.MS.2.1.15(x), folios 37-38
Scope and Contents From the Collection:

The manuscript has been compiled from various sources. See the particular descriptions. Letters of presentation by or on behalf of the donors are included.

Dates: 1770.

Songbook containing the words of 150 popular Scottish, Irish, French and Dutch ballads.

 Item
Identifier: MS.6299
Scope and Contents There is an index on folio 1; the songs begin on folio 5.The Scottish songs appear to come mainly from Allan Ramsay's ‘Tea table miscellany’ and David Herd's ‘Ancient and modern Scottish songs’ (1776), though some of the songs may have been picked up by ear, as they include a very debased version of Henry Carey's 'Sally in our alley' (folio 17 verso) and "My heart's in the Highlands" in an apparently unknown version different from that of Burns (folio 81 verso)....
Dates: 18th century.

Songs, airs from oratorios, minuets, etc., written out at the end of an imperfect copy of ‘Lessons on the practice of singing, with an addition of the church tunes, in four parts, and a collection of hymns ; canons, airs and catches, for the improvement of beginners', by Cornforth Gilson (Edinburgh, 1759).

 Item
Identifier: MS.633
Scope and Contents

On the first end-paper and on the fly-leaves (folios i, ii) there are quotations of poetry about music. The date of the manuscript is probably not much later than the date of publication of the book.

Dates: [1759, or after.]

'Songs and verses' by Lady Frances Anna Maria Elliot and Mary, Countess of Minto., 1839.

 File
Identifier: MS.12837
Scope and Contents From the Series:

As well as material of inherent literary or intellectual interest, the papers in this section, deriving from various members of the family, provide a record of entertainment and leisure in the late eighteenth and early nineteenth centuries.

Dates: 1839.

'Songs, Book Two', undated, a collection of words and music by Joe Corrie., Mid 20th century.

 File
Identifier: MS.26535
Scope and Contents From the Series:

Joe Corrie wrote music for many of his verses, and they were performed at concerts and on the radio.

Dates: Mid 20th century.

Songs by Joe Corrie., 1962-1963, undated.

 Series
Identifier: MSS.26534-26540
Scope and Contents

Joe Corrie wrote music for many of his verses, and they were performed at concerts and on the radio.

Dates: 1962-1963, undated.

Songs by Joe Corrie., 1962-1963, undated.

 File
Identifier: MS.26540
Scope and Contents From the Series:

Joe Corrie wrote music for many of his verses, and they were performed at concerts and on the radio.

Dates: 1962-1963, undated.

Songs collected and arranged by Duncan M Morison, Stornoway.

 File
Identifier: MS.14977
Scope and Contents The contents are as follows.(i) “Gur fhada ris na dh’fhuirich mi”, 7 stanzas. ‘Lewis Spinning Song’. Also at middle of folio 3 verso (folio 1 recto);(ii) “Dh’fhalbhainn leat do Mhiabhaig an Uig”, 5 stanzas. With English translation in Hector MacIver’s hand (bottom of folio 3 verso) (folio 2 verso);(iii) “Mairi bheag bhan na suidhe air an làr”, 2 stanzas. “Child Bridesmaid’s Plaint” (folio 3 verso);(iv) ‘When Alexander oor King was deid’, 1...
Dates: 1932-1938.

Songs for voice and piano, 1905 and earlier, by Sir John B McEwen (autograph)., 1905, undated.

 File
Identifier: MS.6298, folios 15-31
Scope and Contents

The contents include: three settings of Verlaine (translated by Ashmore Wingate), published as ‘Three songs’ (1906); "Love's but a dance" (1906) to words by Austin Dobson; and unpublished settings of poems by Justin McCarthy and Arthur Symons.

Dates: 1905, undated.

Songs for voice and piano by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21972-21974
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]