Songs. Musical compositions.
Found in 246 Collections and/or Records:
Songs of G W Crawford with titles beginning P-W, followed by songs composed by others., [?1892-?1941.]
A contents list has been placed at the front of each volume.
‘Songs of Robert Burns’ (London, 1903), edited by J C Dick, with additions and corrections in the form of notes, marginal and inserted., 1903.
Many of the notes are in the autographs of Frank Kidson and Thomas Davidson Cook. They are mainly textual, dealing with sources, language, spelling, etc., but some scores of tunes are given.
'Songs, Part One', undated, a collection of words and music by Joe Corrie., Mid 20th century.
Joe Corrie wrote music for many of his verses, and they were performed at concerts and on the radio.
'Songs, Part Three', undated, a collection of words and music by Joe Corrie., Mid 20th century.
Joe Corrie wrote music for many of his verses, and they were performed at concerts and on the radio.
Songs, scores, press cuttings and miscellaneous items., 1894-1947, undated.
Songs, Scottish and English, with words., 18th century.
Songs (some with words) and dances., Early 19th century.
The song, 'Come, Spanish ladies, gaily dance' (folio 21 verso) is in the hand of Charles Kirkpatrick Sharpe.
Songs (some with words) and other compositions, bound with engraved music in an album bearing on a label 'Anna Eliza Scott'., 1822.
Anna Eliza Scott’s name also occurs with the date 1822 on the first piece in the volume.
Songs, some with words; with airs composed and arranged by Alexander Wood Inglis., Late 19th century-early 20th century.
The airs composed and arranged by Alexander Wood Inglis were found loose, and have been pasted in (folio 8).
'Songs', undated, a collection of words and music in three parts by Joe Corrie., Mid 20th century.
Joe Corrie wrote music for many of his verses, and they were performed at concerts and on the radio.
Songs, undated, chiefly in the autograph of Lady Nairne., Late 18th century-mid19th century.
Songs, with words, and pieces for the pianoforte., ?18th century-?19th century.
The 'Dornie MSS' being the Gaelic song and verse collections of Captain Alexander Matheson, Dornie., Mid 19th century.
Concern Gaelic language and literature, and the family and general history of Lewis and Harris, North and South Uist and Wester Ross.
The Gaelic song collection of Amy Murray, in 2 volumes., Undated.
Containing circa 102 songs and airs.
The music and verse collection of William Ross, Inspector of Gaelic schools, containing fiddle and other music and verse, some of the latter of Lewis provenance., [?Circa 1860].
Concern Gaelic language and literature, and the family and general history of Lewis and Harris, North and South Uist and Wester Ross.
Three letters of the Earl of Buchan, including a tracing of a manuscript song of James Thomson., 1792, 1817, 1823.
Traditional Scottish songs and dances, one with directions for dancing, arranged for keyboard; and three pieces by D von Esch: an aria (vocal line and keyboard accompaniment but no words), a hornpipe, and a fancy., [1827, or after.]
The music is undated, but the paper of folio 4 is watermarked 1827.
Transcripts and notes, I, early 20th century, partly typewritten, concerning the ‘Forty-five., 1685-1700, 1745-1747, 1802.
Two parodies of poems, 1818, of John Dryden and of 'Monk' Lewis by William Clapperton, teacher of French in Edinburgh, and translations, 1821, of Scots songs into Latin by James Beattie, writer in Edinburgh., 1818, 1821.
There are notes on the authors (folios 6, 15) by George R Kinloch.
Two songs by Hamish MacCunn (autograph), with words by G Moore: 'Keep your tears for me', and 'When twilight dews are falling soft'., 1885, undated.
Two untitled, undated, music books containing collections of songs by Joe Corrie., Mid 20th century.
Joe Corrie wrote music for many of his verses, and they were performed at concerts and on the radio.
Typescript of 'There was a Lad', a play by Joe Corrie about Robert Burns in three acts, with songs., [Circa 1960.]
Most of the typescripts are undated, and relatively few have been published. Some of the one-act plays were written for amateur drama groups competing in Scottish Community Drama festivals. Joe Corrie sometimes wrote more than one play with the same plot, and he would alter an act of a longer play to make it a one-act play in its own right. He also adapted some of his stage plays for broadcasting.
Typescripts of poems and songs by Joe Corrie., 1949-1966, undated.
Joe Corrie wrote a large number of poems, some of which were published in newspapers or in his collections of poetry, Rebel poems’ (London, 1932), “The Image o' God” (Edinburgh, 1937), and ‘Scottish pride’ (Newton Stewart, 1955).
Typescripts of poems and songs with titles from A-M by Joe Corrie., 1949-1966, undated.
Joe Corrie wrote a large number of poems, some of which were published in newspapers or in his collections of poetry, Rebel poems’ (London, 1932), “The Image o' God” (Edinburgh, 1937), and ‘Scottish pride’ (Newton Stewart, 1955).
Typescripts of poems and songs with titles from N-Y by Joe Corrie., 1949-1966, undated.
Joe Corrie wrote a large number of poems, some of which were published in newspapers or in his collections of poetry, Rebel poems’ (London, 1932), “The Image o' God” (Edinburgh, 1937), and ‘Scottish pride’ (Newton Stewart, 1955).