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Subject: Portraits.
Type
Archival Object
101
Collection
42
Subject
Letters. Correspondence.
65
Notes.
39
Printed materials. Object genre.
30
Photographs.
29
Press cuttings. Information artifacts.
26
Copies. Derivative objects.
21
Albums.
16
Correspondence.
16
Documents.
15
Manuscripts.
15
Publications.
15
Engravings. Prints.
14
Poetry.
14
Typescripts.
13
Illustrations. Layout features.
11
Sketches.
11
Caricatures.
10
Drawings. Visual works.
10
Transcripts.
10
Lists.
9
Signatures. Names.
8
Genealogical tables. Genealogies.
7
Microfilms.
7
Watercolours. Paintings.
7
Biographies.
6
Articles.
5
Excerpts.
5
Genealogies.
5
Indexes. Reference sources.
5
Songs. Musical compositions.
5
Black-and-white prints. Prints on paper.
4
Extracts.
4
Obituaries.
4
Photocopies.
4
Photograph albums.
4
Proofs. Printed matter.
4
Speeches. Documents.
4
Travel journals.
4
Annotations.
3
Autobiographies.
3
Bibliographies.
3
Diaries.
3
Drafts. Documents.
3
Histories.
3
Holographs. Autographs.
3
Inscriptions.
3
Lectures.
3
Maps. Cartographic materials.
3
Reports.
3
Scrapbooks.
3
Accounts.
2
Cartoons. Humourous images.
2
Certificates.
2
Christmas cards.
2
Coats of arms. devices (symbols).
2
Commonplace books.
2
Declarations.
2
Dedications. Documents.
2
Descriptions. Documents.
2
Ephemera.
2
Family papers.
2
Graphs.
2
Invitations.
2
Invoices.
2
Landscapes. Representations.
2
Memoirs.
2
Memoranda Book.
2
Memorandums.
2
Notebooks.
2
Novels.
2
Offprints.
2
Petitions.
2
Photogravures. Prints.
2
Picture postcards.
2
Plates.
2
Programmes.
2
Proposals.
2
Prospectuses.
2
Psalms. Songs (document genre).
2
Receipts. Financial records.
2
Reminiscences.
2
Rules. Instructions.
2
Sketchbooks.
2
Snapshots.
2
Stats. Copies.
2
Subscription lists.
2
Telegrams.
2
Title pages.
2
Treatises.
2
Warrants. Permissions.
2
Abstracts. Summaries.
1
Account books.
1
Anecdotes.
1
Architectural drawings.
1
Autographs (manuscripts).
1
Ballads.
1
Circulars. Fliers.
1
Commissions. Permissions.
1
Covenants.
1
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'Art of the black-and-white artist, and the wood-engraver, with some beautiful examples, collected by John A. Hipkins.', Late 19th century-early 20th century.
'Lives of the most eminent British painters, sculptors, and architects', by Allan Cunningham, various editions, (London, 1830-1839), 6 volumes, interleaved, with original letters to the author and others (1829-1837), copies of letters (1710-1830) and notes in the autograph of his son Francis, printed cuttings, and portraits.
'Lives of the most eminent British painters, sculptors, and architects', volume ii, 2nd edition (London, 1830) by Allan Cunningham., 1830.
'Lives of the most eminent British painters, sculptors, and architects', volume iii, (London, 1830) by Allan Cunningham., 1830.
'Lives of the most eminent British painters, sculptors, and architects', volume iv, (London, 1831) by Allan Cunningham., 1831.
'Lives of the most eminent British painters, sculptors, and architects', volume v, 3rd edition (London, 1839) by Allan Cunningham., 1839.
'Lives of the most eminent British painters, sculptors, and architects', volume vi, (London, 1833) by Allan Cunningham., 1833.
'On Monograms' by John Sliegh, criticizing John E Hodgkin, 'Monograms'., Late 19th century.
'Pirate' by Sir Walter Scott, first edition (Edinburgh, 1822), with anonymous manuscript 'Remarks', 1822, assigning the authorship to Scott, and related material inserted.
'Pirate' by Sir Walter Scott, first edition, volume 1 (Edinburgh, 1822), with anonymous manuscript 'Remarks', 1822, assigning the authorship to Scott, and a portrait of Scott inserted., 1822.
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