File primarily contains letters from individuals, but also includes copy letters of Edith Simon. Identified correspondents include Brian Smith, Artsure; possibly Adrianne Reed, Compton Gallery; Gwenn McCreath, Festival Times; 'Tom'; 'Philip'; Erica Bright, The Scottish Arts Council; Paul S. Nesbitt, Transvan; possibly 'April' Taylor; Lady Kathleen Liddell Hart; 'Gillian'; Morna Chambers, Wildcat Stage Productions Ltd.; 'Sara', The Observer; possibly 'Bella' Kaufman; Anne McLaren, Medical Research Council; possibly Miss J. Sainsbury, The Society for the Protection of Animals in North Africa; 'Bob'; S. Hardy, London Transport; Thelma Seear; possibly Geoff Herbert; Monica Pidgeon; possibly 'Bob' Learmanth; Mrs. Jeanne Collins, Bache Halsey Stuart Shields Inc.; Margaret McGavin, Scottish Society of Women Artists; Thomas Wilson, The Henderson Gallery; possibly Alec Tiranti, Alec Tiranti Ltd.; 'Nell'; Pierre Levie; Keith Grant, Dust Jewellery Ltd.; possibly Ingram Tennant; possibly Peter Day, Plant Breeding Institute, Cambridge; Blanche Marvin; K.J. Sykes, Nottinghamshire Area Health Authority (Teaching); possibly Semund Remoy; Paul Nesbitt, Transvan; Denys Hadden, Plant Breeding Institute, Cambridge; Lothian Health Board; 'D.H.'; James Day, The Church of Scotland Home Board; 'Jeanne'; possibly 'Julia'; possibly Keith Brown; 'Sue'; H.H. Rogers, Plant Breeding Institute, Cambridge; Dr. C.W. Fishburne, Edinburgh University Students' Association; Astley Ainslie Hospital; Judith Segal, Bodleian Library Oxford; Cherry Lucas, O.T.G. Productions Ltd.; Ray Waterhouse, The British Artists Show; and Inga Beth Heiden.

File also includes a didactic note for 'The Sheep Shearer' sculpture; a newsletter for the Society for the Protection of Animals in North Africa (June 1980); an exhibition programme for 'Sculpture at Landmark' in Carrbridge, Inverness (undated); a news cutting advertising an artist's residency at the Gardner Centre for the Arts, Sussex University (undated); a brief for a sculpture competition at Queen's Medical Centre, Nottingham; promotional flyers for the Scottish Committee for Arts and Disability; a promotional flyer for the exhibition 'Maverick or Who's Afraid of Edith Simon?' (May 1987); a copy of an illustrated Christmas card likely to have been designed by Edith Simon; manuscript notes by Edith Simon regarding a competition entry; worklists for paintings and sculptures with associacted prices; and a flyer concerning an 'international visual artists exchange programme', with an attached participation form.