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Full manuscript scores, 1930 and 1932, of Norman Porteous, "Britannia Invicta", a march for orchestra, and "The Mad Dog of Islington", a musical satire for chorus and orchestra.

 File
Identifier: Acc.8048
Scope and Contents

With photocopy of letter, 1979, of Sir Adrian Boult to Elizabeth Crosby Cook, concerning Porteous.

Dates: 1930-1979.

Musical compositions of Ronald Center and a miscellany of papers of Center and his wife Evelyn.

 Series
Identifier: MSS.22171-22194
Scope and Contents

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century-1988, undated.

Papers and correspondence of Douglas Charles Parker.

 Series
Identifier: MSS.21551-21561
Scope and Contents D C Parker was an able amateur musician, and a professional writer on music, both as critic (1919-1934) on the ‘Evening Times’ of Glasgow, and as the biographer of Georges Bizet, and a contributor to many musical periodicals. His main enthusiasms were for the music of Wagner, Elgar, the French composers of the late 19th century, and for opera in general. His correspondence extends from his early contacts with Massenet and Saint Saëns, through to modern conductors such as Colin Davis. His...
Dates: 1902-1970.