Showing Browse Resources: 1 - 9 of 9
Correspondence and papers of Salis Daiches, including some of his wife Flora, son Lionel, and other members of the Daiches family.
Correspondence, articles, reports, and photographs of and concerning Duncan Macrae, with related theatre programmes, press cuttings and playscripts.
Correspondence, speeches, diaries, photographs and papers of Alastair Trevor Clark, mostly relating to his work as a civil servant in Nigeria, Hong Kong and the Solomon Islands.
The papers concern Alastair Trevor Clarkâs writing and colonial duties from the beginning of his career in 1949 until the end of his professional career in 1990. They relate to colonial relations within Nigeria and other countries including Hong Kong and the Solomon Islands. The papers comprise letters, manuscript, articles, printed material, maps, government documents, despatches, press cuttings, photographs and reprints of articles.
Musical compositions and other papers, 1871-1926, undated, of John Davidson; and correspondence and compositions [circa 1883- circa 1917], undated, of James Scott Skinner.
Papers of and concerning Edith Macarthur, actor, including playscripts, production photographs, press cuttings and programmes.
The papers span Edith Macarthur's long career on stage and screen. They include playscripts, photographs, programmes and reviews of many of the plays in which she featured, along with some scripts and other memorabilia relating to her wide range of television work.
Papers of and concerning Joseph Hislop.
Including notes, sketches, typescripts of broadcast talks, photographs, correspondence, press cuttings and concert and opera programmes.
Papers of and concerning Lex McLean, mostly relating to his career in entertainment.
Script of 'Lanark' by Alastair Cording, adapted from the novel by Alasdair Gray, with photographs and printed material relating to a production by TAG Theatre Company.
Script and related materials for the 1995 production of 'Lanark', by Alasdair Gray, based on a script by Alastair Cording.
The production by the TAG Theatre Company opened at the Edinburgh Festival in August 1995, before touring Scotland from September to November 1995, ending at the Citizens Theatre, Glasgow.