Scope and Contents

One piece is dated 1874 (page 200).

Scope and Contents

Only the first leaf of the volume survives. To this have been added a number of printed and manuscript leaves and fragments found loosely enclosed in other volumes (folio i, and what follows).

Scope and Contents

Pieces are dated between 1854 (page 113) and 1856 (page 191).

Scope and Contents

The volume lacks the flyleaves and the first leaf of music.

Pieces are dated between 1874 (folio 75) and 1893 (folio 93).

Scope and Contents

Pieces are dated between 1861 (page 21) and 1868 (page 197).

Scope and Contents

Pieces are dated between 1861 (page 43) and 1868 (page 189).

Scope and Contents Although incomplete, the collection shows the very wide range of music which this small church, under the patronage of the Duke of Buccleuch, was able to perform. The music is of the standard English cathedral repertoire, consisting of eighteenth- and nineteenth-century services and anthems, with the works of Handel, Boyce and Maurice Greene predominating, but including a few earlier anthems, notably by Gibbons and Purcell. The collection was begun soon after the foundation of the church in...

Scope and Contents From the Sub-Series: Although incomplete, the collection shows the very wide range of music which this small church, under the patronage of the Duke of Buccleuch, was able to perform. The music is of the standard English cathedral repertoire, consisting of eighteenth- and nineteenth-century services and anthems, with the works of Handel, Boyce and Maurice Greene predominating, but including a few earlier anthems, notably by Gibbons and Purcell. The collection was begun soon after the foundation of the church in...

Scope and Contents From the Sub-Series: Although incomplete, the collection shows the very wide range of music which this small church, under the patronage of the Duke of Buccleuch, was able to perform. The music is of the standard English cathedral repertoire, consisting of eighteenth- and nineteenth-century services and anthems, with the works of Handel, Boyce and Maurice Greene predominating, but including a few earlier anthems, notably by Gibbons and Purcell. The collection was begun soon after the foundation of the church in...

Scope and Contents From the Sub-Series: Although incomplete, the collection shows the very wide range of music which this small church, under the patronage of the Duke of Buccleuch, was able to perform. The music is of the standard English cathedral repertoire, consisting of eighteenth- and nineteenth-century services and anthems, with the works of Handel, Boyce and Maurice Greene predominating, but including a few earlier anthems, notably by Gibbons and Purcell. The collection was begun soon after the foundation of the church in...

Scope and Contents From the Sub-Series: Although incomplete, the collection shows the very wide range of music which this small church, under the patronage of the Duke of Buccleuch, was able to perform. The music is of the standard English cathedral repertoire, consisting of eighteenth- and nineteenth-century services and anthems, with the works of Handel, Boyce and Maurice Greene predominating, but including a few earlier anthems, notably by Gibbons and Purcell. The collection was begun soon after the foundation of the church in...

Scope and Contents From the Sub-Series: Although incomplete, the collection shows the very wide range of music which this small church, under the patronage of the Duke of Buccleuch, was able to perform. The music is of the standard English cathedral repertoire, consisting of eighteenth- and nineteenth-century services and anthems, with the works of Handel, Boyce and Maurice Greene predominating, but including a few earlier anthems, notably by Gibbons and Purcell. The collection was begun soon after the foundation of the church in...

Scope and Contents From the Sub-Series: Although incomplete, the collection shows the very wide range of music which this small church, under the patronage of the Duke of Buccleuch, was able to perform. The music is of the standard English cathedral repertoire, consisting of eighteenth- and nineteenth-century services and anthems, with the works of Handel, Boyce and Maurice Greene predominating, but including a few earlier anthems, notably by Gibbons and Purcell. The collection was begun soon after the foundation of the church in...

Scope and Contents From the Sub-Series: Although incomplete, the collection shows the very wide range of music which this small church, under the patronage of the Duke of Buccleuch, was able to perform. The music is of the standard English cathedral repertoire, consisting of eighteenth- and nineteenth-century services and anthems, with the works of Handel, Boyce and Maurice Greene predominating, but including a few earlier anthems, notably by Gibbons and Purcell. The collection was begun soon after the foundation of the church in...

Scope and Contents A large choirbook containing the Sanctorale (folio 1), the Temporale from Christmas Eve to Corpus Christi (folio 75), 'In consecratione ecclesiae' (folio 136) and the Creed (folio 139). The Sanctorale includes offices for the feasts of Saints Peter Martyr, Antonino, Archbishop of Florence (canonised in 1523), Catherine of Sienna, Dominic (translation and feast), Vincent Ferrer, and Thomas Aquinas. The manuscript is illuminated throughout with large red and blue initials on penwork...

Scope and Contents

Folio 42 is an image of the joined folios captured using a strong light that has been shone through the folios. It shows the content of folio 108 verso superimposed over that of 109 recto. See D Stevens in ‘Musica Disciplina’, volume xiii, page 156 note.