Skip to main content

Negatives. Photographs.

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Photographs in which the tones or colors are reversed from their appearance in nature, usually on a transparent support of celluloid, acetate, or on paper, intended for the purpose of producing positive prints. For finished prints in which tones or colors are reversed, see "negative prints." When a glass plate is painted or drawn on and a photographic print made from it, use "clichés-verre."

Found in 157 Collections and/or Records:

Photographs and negatives showing David Steel with his parents., Undated.

 File
Identifier: Acc.13477/119
Scope and Contents From the Collection: The collection comprises school papers, 1943-1959, and material relating to his time at Edinburgh University, 1957-1962; files relating to elections, 1961-circa 1990s; political papers, 1954-1981, mainly concerning constituency politics; manuscript diary of the Lib-Lab Pact, 1977-1978; files relating to his involvement in the Scottish Constitutional Convention, 1988-1998, including minutes of meetings and related correspondence; files relating to Scottish politics, 1992-1999, including...
Dates: Undated.

Photographs and sketches by John Kirk., 1843-1915, circa 1964, undated.

 Series
Identifier: Acc.9942/39-48
Scope and Contents

Items 39 and 45 not received by the National Library of Scotland.

Dates: Majority of material found within 1843-1915, circa 1964, undated.

Photographs, colour negatives and 35mm slides of cheque production at George Waterston and Sons., Circa 2000.

 File
Identifier: Acc.12235/257
Scope and Contents From the Record Group: The business records, 1768-2002, of George Waterston and Sons, Ltd, Edinburgh, specialist printers, manufacturing and retail stationers, and sealing wax manufacturers. The papers also include material relating more particularly to the Waterston family.In addition to business records, the collection includes papers relating to the Waterston family or to the history of the business collected by various family directors, series of family and business photographs, sample specimens of...
Dates: Circa 2000.

Photographs, contact prints and negatives of 'Angels in America' by Tony Kushner., Undated.

 File
Identifier: Acc.12911/78
Scope and Contents From the Series:

Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.

Dates: Undated.

Photographs, contact prints and negatives of 'Born guilty' based on the work of Peter Sichrovsky., Undated.

 File
Identifier: Acc.12911/73
Scope and Contents From the Series:

Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.

Dates: Undated.

Photographs, contact prints and negatives of 'Caledonia dreaming' by David Greig., Undated.

 File
Identifier: Acc.12911/96
Scope and Contents From the Series:

Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.

Dates: Undated.

Photographs, contact prints and negatives of "It's not enough"., Undated.

 File
Identifier: Acc.12911/191
Scope and Contents From the Fonds:

This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.

Dates: Undated.

Photographs, contact prints and negatives of 'Talking bollocks'., Undated.

 File
Identifier: Acc.12911/187
Scope and Contents From the Fonds:

This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.

Dates: Undated.

Photographs, contact prints and negatives of 'Valley song' by Athol Fugard, also containing photographs from the 1998 tours of ‘Dissent’ and ‘Talking bollocks’, and of the ‘Inverurie residency’., 1998.

 File
Identifier: Acc.12911/84
Scope and Contents From the Series:

Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.

Dates: 1998.

Photographs, contact prints and negatives of ‘Whispers of water and yarns’ by Lara Jane Bunting., Undated.

 File
Identifier: Acc.12911/203
Scope and Contents From the Fonds:

This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.

Dates: Undated.

Photographs, contact prints and negatives 'Revolting peasants' by Patrick Prior., Undated.

 File
Identifier: Acc.12911/28
Scope and Contents From the Series:

Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.

Dates: Undated.

Photographs of the 7:84 Theatre Company (Scotland)., Circa 1980-2002.

 Sub-Series
Identifier: Acc.12911/279-283
Scope and Contents From the Fonds:

This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.

Dates: Circa 1980-2002.

Photographs, slides and negatives of Tom Weir., 1950-1994, undated.

 Series
Identifier: Acc.13059/337-485
Scope and Contents

The photographs here are mostly taken by Weir and are organised into series relating to his mountaineering expeditions, a large series of photographs organised by place, a series of mono prints, then colour prints and finally negatives.

Papers found within each series have been placed at the end of their specific sequence.

Dates: 1950-1994, undated.

Photographs, slides, transparencies and scans relating to the work and activities of Alasdair Gray; with related digital and analogue media.

 Record Group
Identifier: Acc.13950 Box 1(1)-Box 9
Scope and Contents Includes slides, transparencies and photographs of artworks of Alasdair Gray and some of his friends and contemporaries, as well as audiovisual and digital material. The photo albums of images of Hillhead and the west end of Glasgow were likely collected to act as source materials for the Hillhead SPT subway mural.Many of the slides, transparencies and photographs found here were collated for use in 'A life in pictures' (Canongate, 2009), and some were previously deposited with...
Dates: 1896-2011.

Portraits, mainly black and white and colour prints, with some slides and negatives., 1956-1996, undated.

 File
Identifier: Acc.13477/122
Scope and Contents From the Collection: The collection comprises school papers, 1943-1959, and material relating to his time at Edinburgh University, 1957-1962; files relating to elections, 1961-circa 1990s; political papers, 1954-1981, mainly concerning constituency politics; manuscript diary of the Lib-Lab Pact, 1977-1978; files relating to his involvement in the Scottish Constitutional Convention, 1988-1998, including minutes of meetings and related correspondence; files relating to Scottish politics, 1992-1999, including...
Dates: 1956-1996, undated.

Ring binder containing photographic transparencies, most unmounted, and negatives by Chris Horobin and Marshall Anderson relating to The Attic Archive., Undated.

 File
Identifier: Acc.13227 Box 45
Scope and Contents

The photographs feature artists, artworks and studios. Artists included are Robin Crozier, Steve Dilworth, James Hawkins and Shona MacInnes.

Dates: Undated.

Touring production files of 'Angels in America' by Tony Kushner., 1996, undated.

 Sub-Series
Identifier: Acc.12911/74-78
Scope and Contents From the Series:

Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.

Dates: 1996, undated.

Touring production files of 'Born guilty' based on the work of Peter Sichrovsky., 1995, undated.

 Sub-Series
Identifier: Acc.12911/67-73
Scope and Contents From the Series:

Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.

Dates: 1995, undated.

Touring production files of 'Caledonia dreaming' by David Greig., 1997-2000, undated.

 Sub-Series
Identifier: Acc.12911/89-97
Scope and Contents From the Series:

Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.

Dates: 1997-2000, undated.

Touring production files of 'Revolting peasants' by Patrick Prior., 1991, undated.

 Sub-Series
Identifier: Acc.12911/26-28
Scope and Contents From the Series:

Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.

Dates: 1991, undated.

Touring production files of 'Valley song' by Athol Fugard., 1998, undated.

 Sub-Series
Identifier: Acc.12911/82-84
Scope and Contents From the Series:

Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.

Dates: 1998, undated.