Snapshots.
Found in 20 Collections and/or Records:
Correspondence, notebooks, notes and papers of Helen Haldane, née Spurway, second wife of J B S Haldane., 1934-1976, undated.
Correspondence, papers and notebooks chiefly of John Scott Haldane.
Amongst the papers and notebooks are some belonging to others which had come into the possession of J S Haldane.
Correspondence, papers and notebooks of J B S Haldane and correspondence and papers of his second wife Helen, née Spurway.
Miscellaneous snapshots, containing some of ‘Out here’., ?2002.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Miscellany, chiefly undated, of snapshots, portrait photographs, picture postcards and photographic copies of graphs and other work., Late 19th century-early 20th century.
Some items have dates or may be dated between 1911 and 1929, but most are undated, of the late nineteenth or early twentieth century.
Miscellany of papers of Ronald Center and his wife, Evelyn., Mid 20th century-1988.
The contents are as follows:
(i) Snapshots of Ronald Center and his wife (folio 1);
(ii) Letters and cards written to them between 1945 and 1988 (folio 3);
(iii) Press-cuttings and photocopies of press-cuttings concerning Center and his music (folio 17)
(iv) Photographs of musicians playing his works (folio 13).
Musical compositions of Ronald Center and a miscellany of papers of Center and his wife Evelyn.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Outreach and collaborative production files of "Election 99: 7:84’s alternative Scottish election campaign’/‘Outside Broadcast’"., Undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Outreach and production files of 'New frontiers', a collaborative outreach project with young people of Castlemilk and Berlin., 1992-1994, undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Photographs, contact prints and snapshots, labelled ‘Berlin 1994’, probably relating to ‘New Frontiers’., 1994, undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Photographs of the 7:84 Theatre Company (Scotland)., Circa 1980-2002.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Photographs, snapshots and drawings chiefly of, or concerning the work of, Helen Haldane., [?1945-?1967.]
The contents are as follows: (i) Photographs of newts and fish used in experimental work at University College, London (cf MS.20649) between 1945 and 1956 (folio 1); (ii) Snapshots of Helen Haldane and colleagues taken in October 1960 at Gangapur (folio 98); (iii) Various snapshots taken in unidentified circumstances (folio 113); (iv) Photographs and drawings concerning Haldane’s paper on tortoises, a copy of the text of which is at MS 20653, folio 174 (folio 151).
Production photographs and snapshots of "Election 99: 7:84’s alternative Scottish election campaign’/‘Outside Broadcast’"., Undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Production photographs and snapshots of 'Factory girls' by Frank McGuinness., Undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Production photographs and snapshots of ‘Gilt’ by Stephen Greenhorn, Rona Munro and Isabel Wright., Undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Production photographs and snapshots of ‘Reasons to be cheerful’ by Martin McCardie., Undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Factory girls' by Frank McGuinness., 1982, 2002, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Gilt' by Stephen Greenhorn, Rona Munro and Isabel Wright., 2003, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of ‘Reasons to be cheerful’ by Martin McCardie, from the book by Mark Steel., 2004, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The news at when ...?'., 2001, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.