Melodies.
Found in 136 Collections and/or Records:
Copies of songs, dances, and other tunes, made by members, relatives, and friends of the family of Brown, residing at Linkwood, Elgin., [Circa 1808.]
The music is chiefly arranged for pianoforte, except MS.3378, which is for violin.
Copies of songs, dances, and other tunes, made by members, relatives, and friends of the family of Brown, residing at Linkwood, Elgin., [Circa 1835], 1872-1874.
The music is chiefly arranged for pianoforte, except MS.3378, which is for violin.
Copies of songs, dances, and other tunes, made by members, relatives, and friends of the family of Brown, residing at Linkwood, Elgin., 1837.
The volume is endorsed 'Music copied for me by the Band Master of the Band of the 2nd Battalion Rifle Brigade, Corfu, 1837. H. Brown'.
Copies of tunes by various 20th-century composers, chiefly from the Aberdeen area, submitted to John Murdoch Henderson for his information or comment, with a few earlier scraps., Early 20th century-mid 20th century.
Corrected proof copy of ‘Flowers of Scottish melody’ by John Murdoch Henderson., 1935.
Detailed valuations of the parish of St Ninians., [?1795]-1825.
With Scots tunes for flute inserted on folios 46 verso-70.
'Early Scottish melodies’ (Edinburgh, 1900) by John Glen, with additions and corrections in the form of notes, marginal and inserted., 1900.
Many of the notes are in the autographs of Frank Kidson and Thomas Davidson Cook. They are mainly textual, dealing with sources, language, spelling, etc., but some scores of tunes are given.
‘Early Scottish melodies’ (Edinburgh, 1900) by John Glen, with additions and corrections in the form of notes, marginal and inserted; with variants of the words and music of ‘Over the Water to Charlie’., 1900.
Many of the notes are in the autographs of Frank Kidson and Thomas Davidson Cook. They are mainly textual, dealing with sources, language, spelling, etc., but some scores of tunes are given.
Full score, undated, of suite ‘Four Highland airs’, for orchestra; apparently an early work., ?1st quarter of 20th century.
Some of the scores are incomplete.
Groups of undated songs, untitled tunes, and notes by Joe Corrie., Mid 20th century.
Joe Corrie wrote music for many of his verses, and they were performed at concerts and on the radio.
'Harmonised tunes', being a collection of tunes by older composers, with an attempt to arrange them for string quartet, undated., 1st half of 20th century.
Instrumental parts of a collection of Scottish and English airs., [1813, or after.]
The airs are written on paper watermarked 1813; many of the airs are incomplete.
Instrumental parts of a collection of Scottish and English airs., [1813, or after.]
The airs are written on paper watermarked 1813; many of the airs are incomplete.
Instrumental parts of a collection of Scottish and English airs., [1813, or after.]
The airs are written on paper watermarked 1813; many of the airs are incomplete.
Instrumental parts of a collection of Scottish and English airs., [1813, or after.]
The airs are written on paper watermarked 1813; many of the airs are incomplete.
Instrumental parts of a collection of Scottish and English airs., [1813, or after.]
The airs are written on paper watermarked 1813; many of the airs are incomplete.
Instrumental parts of a collection of Scottish and English airs., [1813, or after.]
The airs are written on paper watermarked 1813; many of the airs are incomplete.
Instrumental parts of a collection of Scottish and English airs., [1813, or after.]
The airs are written on paper watermarked 1813; many of the airs are incomplete.
Instrumental parts of a collection of Scottish and English airs., [1813, or after.]
The airs are written on paper watermarked 1813; many of the airs are incomplete.
'Lessones for ye Violin', a collection of twenty-eight pieces for violin, including dances, marches, a set of variations, and Scots airs., [Circa 1680.]
A portion has been partly chewed by mice (folios 14-20), but half the table of contents remains (folio 20) and the name Archibald Murray (folio 20 verso).
The anonymous prelude on inverted folios 11 verso-12 is that attributed in MS.9454, folios 3 verso-4, to [Davis] Mell.
Manuscript copy of ‘Collection of original Scotch tunes for the violin’, published by John Young., [Circa 1720.]
The manuscript was copied in the late nineteenth century (see note on folio i verso).