Parts. Scores.
Found in 104 Collections and/or Records:
Music of John Davidson for violin and piano., [?1871-?1926.]
Music of W B Moonie., 1918, [circa 1920].
Musical compositions and other papers, 1871-1926, undated, of John Davidson; and correspondence and compositions [circa 1883- circa 1917], undated, of James Scott Skinner.
Musical compositions and other papers, chiefly undated, of John Davidson., 1871-1926, undated.
Musical compositions of Ronald Center., Mid 20th century-[?1973], undated
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Musical compositions of Ronald Center and a miscellany of papers of Center and his wife Evelyn.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Orchestral and some vocal parts, undated, of the operetta 'A broken coupling' by J A Moonie, with words by George Peacock and W W Macfarlane., 4th quarter of 19th century-1st quarter of 20th century.
Orchestral music of G W Crawford., [?1892-?1941.]
Orchestral parts, for strings, woodwind and horn, of 'Prepare ye to serve'., 1st quarter of 20th century-3rd quarter of 20th century.
Many of the parts are written on the backs of copies of the last sheet of an unidentified printed work apparently for keyboard, possibly by Leonard Butler.
Orchestral parts of the Triumphal march from the Second Suite in C major, and draft full score of the first section of ‘At the ball’, by G W Crawford., [?1892-?1941.]
Orchestral parts, undated, of a setting of ‘Tullochgorum’., 1st quarter of 20th century-3rd quarter of 20th century.
Some of the scores are incomplete.
Orchestral parts, undated, of the opera 'Christian the pilgrim' by J A Moonie, with words arranged by George Peacock from Bunyan's "Pilgrim's Progress"., 4th quarter of 19th century-1st quarter of 20th century.
Parts and score of the piano quintet in G by W B Moonie., 1918.
Parts for cello or bass of arrangements of various pieces by John Davidson., [?1871-?1926.]
Gatherings of leaves from an account book (possibly the same as MS.22031) cut down to stubs on which are mounted sheets and some bifolia containing the music, contained within two sheets of card used as covers.
Parts for first violin of arrangements of various (including some operatic) pieces by John Davidson., [?1871-?1926.]
An account book, from which many leaves have been cut or torn out, the surviving leaves of which were cut down to stubs on which were mounted the single sheets and bifolia (some of which are fragmentary) on which the music is written.
Parts for operatic works of James A Moonie., 4th quarter of 19th century-1st quarter of 20th century.
Parts for piano (conductor) and full score of numbers 2-4 of an arrangement for the BBC Octet of the orchestral suite, undated, 'Land of the heather’., 1st quarter of 20th century-3rd quarter of 20th century.
Some of the scores are incomplete.
Parts for second violin of arrangements of various pieces by John Davidson., [?1871-?1926.]
Gatherings of leaves from an account book cut down to stubs on which are mounted sheets and some bifolia containing the music, contained within two cut-down sheets of card used as covers, the upper cover being part of a calendar for 1925.
Parts for String quartet [number 1] by Ronald Center., [1964, or before.]
The manuscript contains parts for violin I and II, viola and cello.
Parts for viola of arrangements of various pieces by John Davidson., [?1871-?1926.]
Gatherings of leaves from an account book (possibly MS.22030) written between 1892 (folio 1 verso) and 1899 (folio 49) cut down to stubs on which are mounted sheets and some bifolia containing the music, contained within two covers of thin blue card.
Parts of 'Quatuor No 1' in B flat by John Davidson., [?1871-?1926.]
Parts of various works for two violins by John Davidson, on gatherings of leaves stitched together., [?1871-?1926.]
Piano reduction and string parts for the overture of ‘George and the dragon’ by G W Crawford., [?1905.]
The work was written in or about 1905 (MS.21937, folio 32 verso; cf. MS.21939, folio 45).
Piano score and part, 1916, of ‘Epitaph’ by G W Crawford, a song scena apparently an expanded setting of words derived from poetry by ‘Morgan Douglas’; followed by the libretto, undated, of ‘Artemis’ by Edward Oxenford., 1916, undated.
The libretto is possibly in the hand of Edward Oxenford.
Piccolo parts of Scottish dance tunes., Early 20th century-mid 20th century.
Each volume contains a number of additional pieces on loose sheets which have been tipped in, but the latter half of each volume is blank.