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Overtures. Musical compositions.

 Subject
Subject Source: Other Source
Scope Note: An orchestral piece at the beginning of a musical work; also, an independent orchestral composition in one movement. Source: 'Concise Oxford English dictionary', 11th edition (Oxford, 2004).

Found in 31 Collections and/or Records:

Full score and piano reduction of ‘The magic mirror’ by G W Crawford, an overture to a musical play by W R Meredith., [?1892-?1941.]

 File
Identifier: MS.21899
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and piano reduction of ‘The red flag’ by G W Crawford., [?1892-?1941.]

 File
Identifier: MS.21898
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of the overture of ‘The lady of the lake’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21952
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of the overture to ‘The Grand Lama’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21949
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Incidental music of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21963-21967
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Miscellaneous collection of instrumental music by Learmont Drysdale., [1893-1898.]

 File
Identifier: MS.3212
Scope and Contents

Includes a piano score of the overture 'Herondean' (folio 32), a Maypole dance from 'The Red Spider' (folio 3), and duplicates of MS.3207: Ballade, for violin and piano (folio 9).

Dates: [1893-1898.]

Miscellaneous orchestral music of Ian Whyte., Mid 20th century.

 File
Identifier: MS.22083
Scope and Contents The contents are as follows:(i) Overture 'Dublin days' (folio 1);(ii) Overture 'Jolly beggars' (folio 9);(iii) Ode for orchestra (folio 14);(iv) Tone poem or scherzo “Tam o' Shanter”: two versions of the opening in full score and two versions in short score of the complete work (folio 22);(v) An untitled tone poem (folio 51);(vi) The opening of a tone poem 'Marmion' (folio 65);(vii) A fanfare, with various...
Dates: Mid 20th century.

Music and papers on music, chiefly undated, of F G Scott., [1913-1951.]

 File
Identifier: MS.22019
Scope and Contents The contents are as follows:(i) Short score of the overture ‘Renaissance’ (folio 1);(ii) Settings of songs (folio 12) and various musical compositions and transcriptions (folio 34);(iii) Letter and draft prospectus, 1944, of William Maclellan (folio 55);(iv) Lectures (folio 61);(v) Notes and other writings on music (folio 68);(vi) Extracts from music reference books (folios 100).Some of the musical...
Dates: [1913-1951.]

Music of John Davidson chiefly for string quartet., [?1871-?1926.]

 Sub-Series
Identifier: MSS.22022-22046
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Music of John Davidson for piano., [?1871-?1926.]

 Sub-Series
Identifier: MSS.22058-22069
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Orchestral music of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21881-21910
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Orchestral music of Ian Whyte., Mid 20th century.

 Sub-Series
Identifier: MSS.22082-22084
Scope and Contents From the Series:

Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.

Except where otherwise stated the music is written as for keyboard.

Dates: Mid 20th century.

Overture 'Ali Baba' by John Davidson., [?1871-?1926.]

 Item
Identifier: MS.22060
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Overture to ‘Cardinal Beaton’, a drama by W Roberton, arranged by G W Crawford for brass band., [?1892-?1941.]

 Item
Identifier: MS.21934
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Overtures of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21896-21901
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]