Floppy disks. Magnetic disks.
Found in 53 Collections and/or Records:
Loose 3.5" floppy disks and a zip disk containing drafts and copies of works of Alasdair Gray., 1999-2004, undated.
Zip disk is a back-up of 'Anthology of prefaces' and has an accompanying note from EmDee Productions.
Magazine files and content files of 'Cencrastus' magazine., 1989-2004.
Manuscript and typescript drafts of 'One green bottle or the fragile summit', a screenplay based on the novel 'One green bottle' by Elizabeth Coxhead. Also containing Amstrad disks., 1992-1994, undated.
Manuscript and typescript drafts of 'Tickly mince and The pie of Damocles', with annotations throughout of Alasdair Gray and Tom Leonard, with a floppy disk, annotated 'Tickly mince etc Tom Leonard'., 1997, undated.
Includes a letter, 1997, of Alasdair Gray to Tom Leonard, Liz Lochhead, Jim Kelman, Sheena McGregor and Angela Mullane explaining the decision not to publish 'Tickly mince and The pie of Damocles'.
Manuscript drafts, corrected typescripts and proofs of 'A history maker', by Alasdair Gray.
Drafts, proofs and some source materials and correspondence for 'A history maker', by Alasdair Gray.
Alasdair Gray's own manuscript drafts are accompanied by typescript transcriptions produced by his typist Scott Pearson, which are then in turn heavily annotated and corrected by Gray. These annotations then inform the next set of manuscript drafts, giving a unique insight into how the book developed and grew.
Outreach and collaborative production files of 'Just pretending' created with mct theatre company., 2000, undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Outreach and collaborative production files of 'SeXshunned', Glasgay festival 2004., 2004, undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Papers of Janet Adam Smith relating to her autobiography., 1914-1998, undated.
Correspondence, personal and literary papers, published articles and reviews, mountaineering papers, and photographs, circa 1911-2013, of Janet Adam Smith (1905-1999), author, journalist and mountaineer.
Photographs and contact prints of '24 hours', also containing floppy disc, entitled ’24 hours image., Undated.
Additional authors include: Ernie Kyle; Frank Shields; and Rhiannon Tise.
Photographs and contact prints of 'Just pretending'; with floppy disc, labelled ‘Wedding photo’., Undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Photographs, contact prints, CD ‘rehearsal shots’, and floppy disc "'Marching on’ photoshop TIFF"., Undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Photographs, slides, transparencies and scans relating to the work and activities of Alasdair Gray; with related digital and analogue media.
Printout of autobiography by Janet Adam Smith from diskette, containing pages 1-85 and notes., Undated.
Correspondence, personal and literary papers, published articles and reviews, mountaineering papers, and photographs, circa 1911-2013, of Janet Adam Smith (1905-1999), author, journalist and mountaineer.
Proofs, corrected by Thom Nairn, of 'Skies of sand', by D Smith; with photocopied reviews of 'The stone moon', an earlier collection of poems by D Smith., 2008.
Includes a 3.5 inch floppy disc.
SLA Multimedia., 1980-2004.
Three Amstrad disks containing text of 'One green bottle'., Undated.
Tour file of 'Borderland' by Andrew Doyle, containing schedules, staging information, two floppy discs and rehearsal notes., Undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Tour file of 'Private agenda', containing prop lists, set plans, stage management and rehearsal notes, and venue information., Undated.
Set plans contain possible Kilmarnock plan on floppy disc.
Touring production files of '24 hours' by Frances Corr, Deirdre Heddon, Jess Kerr and others., 1997-1998, 2000, undated.
Additional authors include: Ernie Kyle; Frank Shields; and Rhiannon Tise.
Touring production files of 'Boiling a frog' by Christopher Brookmyre, adapted for the stage by Christopher Deans., 2005, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Borderlands' by Andrew Doyle., 2005, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of "Can't pay? Won't pay" by Dario Fo., 2003, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Factory girls' by Frank McGuinness., 1982, 2002, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Marching on' by Gary Mitchell., 2001, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Private agenda'., 2004, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.