Scope and Contents From the Record Group:

Includes personal documents, publishing agreements, royalty statements and related correspondence. These papers are mostly concerned with the administration of James Leslie Mitchell's (Lewis Grassic Gibbon) literary estate following his death in 1935, firstly by his wife, Ray Mitchell, and subsequently by his daughter, Rhea Martin.

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With manuscript score of the music, and correspondence concerning the work and its performance at the Stirling Festval, 1973, and Edinburgh International Festival, 1974.

Scope and Contents From the Series:

With manuscript score of the music, and correspondence concerning the work and its performance at the Stirling Festval, 1973, and Edinburgh International Festival, 1974.

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Literary papers of Ron Butlin, including various drafts of an unpublished novel titled `The Invisible Woman`, and papers relating to `No More Angels`(2007).

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The work was written in or about 1905 (MS.21937, folio 32 verso; cf. MS.21939, folio 45).

Scope and Contents The copy contains two printed summaries of the plot tipped in at the front (folios i-ii) and numerous stage directions written on leaves tipped in throughout the volume and in the margins of the printed pages, as well as alterations to the text, for an unidentified apparently late nineteenth-century French production.The volume is signed by Ernest Marchand (deleted) and Francois Runaio on the upper cover which is inscribed 'Travrata mise en Scène n[o]. 2', and by Marchand on page...

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The first version of the libretto of Act I, written apparently in the hand of James McLaurin, with alterations in the same hand, mostly in red ink (folio 1), and a typed copy of the dramatis personae, synopsis of the work and the libretto (as revised) of the entire work, with amendments (mostly brief) and a few additions (some quite large).

Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...

Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...

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With correspondence concerning the opera`s production and performances.

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The contents are as follows:

(i) 'Die Erschaffung Adam und Eva' in the form of a libretto (folio 1);

(ii) 'Haubt Relation über das Churfürstenthum Bayern' (folio 17);

(iii) Miscellaneous verses (folio 69).

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This series contains manuscripts and typescripts of, and associated working papers for, various other creative works of Ian Rankin. The working papers include development and editorial notes. Administrative papers and correspondence relating to some of the works are also included.

Scope and Contents From the Fonds: These papers, the surviving archive of the Edinburgh Society of Musicians, run from the foundation of the Society in 1887 - though it includes a small amount of earlier material - to 1982, and in addition to providing a very full account of the Society's own history, it contains much concerning the history of music-making in Edinburgh in the 20th Century. Included in the collection are the papers of the Edinburgh Harmonists' Society which could trace its descent from the Edinburgh Musical...

Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...

Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...

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The work was completed in 1969. The greater part of the notebook is blank.

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The libretto is possibly in the hand of Edward Oxenford.

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Some of the scores are incomplete.

Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...