Photocopies.
Found in 1156 Collections and/or Records:
Scripts of the 7:84 Theatre Company (Scotland)., 1935-1938, 1965, 1970, 1982-1984, undated.
Includes material concerning productions, administration and publicity.
Shelf list of Hew Morrison's Gaelic books in the National Library of Scotland., ca. 1935-1936.
Shelf list of Morrison's Gaelic book collection, photocopied from the National Library of Scotland's shelf catalogue which was probably compiled shortly after the collection arrived in the Library in 1935.
Single letters and small collections of letters.
Six letters, 1938-1961, of Hugh MacDiarmid to Glyn Jones, on literary matters, and photocopy of a letter, 1939, of MacDiarmid to Keidrych Ryhs.
Includes 70 letters and copies of letters, 1965-1986, of and to Glyn Jones, mostly concerning to the controversy over Hugh MacDiarmid`s poem, "Perfect".
Slides of various parts of Africa, with photocopies of catalogues., [1950-1971].
Some numbers within each record may be missing.
Small collections of correspondence and papers of and to members of the Haldane family.
Song texts, mostly photocopies, with some music staff and solfa notation.
Speech on ‘Scott in Iceland’., 1979.
Speech given by Magnusson as President of the Edinburgh Sir Walter Scott Club. File also contains notes and photocopied essay.
Speeches and research notes on Icelandic history, literature, and culture., 1936-2006.
Files contain reseach notes relating to Magnusson's interests, the bulk of which are on Scotland and Iceland. Research notes on Vikings were kept separate by Magnusson.
Speeches, photocopies of essays, and pamphlets on Patrick Geddes., 1996-2004.
For SNH.
The Clan Gregor Centre archive.
The Television and Radio work of Magnus Magnusson., 1961-2006.
The Television work of Magnus Magnusson., 1961-2006.
Touring production files of 'Born guilty' based on the work of Peter Sichrovsky., 1995, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Caledonia dreaming' by David Greig., 1997-2000, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Cave dwellers' by Nicola McCartney., 2002, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Dissent' by Stephen Greenhorn., 1998, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Factory girls' by Frank McGuinness., 1982, 2002, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Marching on' by Gary Mitchell., 2001, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The salt wound' by Stephen Greenhorn., 1994-1995, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Valley song' by Athol Fugard., 1998, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Transcripts and texts of interviews with John McGrath and Elizabeth MacLennan, containing a photocopy of an article 'The theory and practice of political theatre' by John McGrath, possibly published in 'Theatre Quarterly'., 1978-1982.
Aside from, though related to, his work with 7:84, John McGrath was involved in the study of political theatre, and was himself the subject of many articles, papers and dissertations. Much of the material listed in this section falls into this category, though there is also some that might equally well have been incorporated into the main 7:84 sequence, and vice-versa. There is some overlap with, and duplication of, items in the main sequence.
Transcripts, circa 2007, of correspondence, 1939-1943, between Private David MacKenzie and his wife, Elizabeth, during his service as an army clerk in Northern Africa in the Second World War; with related ephemera.
Includes photocopies of souvenir programmes and "The Torch" newsheet.
Translations and photocopied essays on the Færeyinga Saga., 1998.
File also includes pamphlets on the Faroe Islands.