Poetry.
Found in 1531 Collections and/or Records:
Typescript miscellaneous poems of William Soutar with titles from A-E., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript miscellaneous poems of William Soutar with titles from F-O., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript miscellaneous poems of William Soutar with titles from P-S., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript miscellaneous poems of William Soutar with titles from T-The K., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript miscellaneous poems of William Soutar with titles from The L-The W., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript miscellaneous poems of William Soutar with titles from Tho-Y., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript of an early version of ‘Conflict’ by William Soutar., 1923.
Of the poems in this typescript only 'Flesh', 'Moths', 'The Sleepers', and 'Address To My Dead Body' are contained in the published volume, the remainder being apparently unpublished.
Typescript of an early version of ‘Conflict’ by William Soutar., 1923.
Of the poems in this typescript only 'Flesh', 'Moths', 'The Sleepers', and 'Address To My Dead Body' are contained in the published volume, the remainder being apparently unpublished.
Typescript of ‘But the Earth abideth’ by William Soutar., [1943, or before.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.
Typescript of ‘Conflict’ by William Soutar., [1931, or before.]
The typescript is of a later version of the text than that in MSS.8565-8567.
Typescript of ‘Gleanings by an undergraduate’ by William Soutar., [1923, or before.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.
Typescript of ‘In the time of tyrants’ by William Soutar., [1939, or before.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.
Typescript of "Olaf's son", books XI-XVI, 'final revision', by George Donald Valentine, with manuscript corrections., [1936, or before.]
Typescript of "Olaf's son", books XI-XVI, 'final revision', by George Donald Valentine, with manuscript corrections., [1936, or before.]
Typescript of poem 'Granny Twomey', by Brendan Kennelly, printed in 'Broadsheet' edition seven., March 1970.
Typescript of poem of 'The dream of Britain'., Undated.
Typescript of 'Selected poems' by William Soutar., [Before 1944.]
Many of the poems appear individually in William Soutar's published works, while the remainder are apparently unpublished.
Since, in MSS.8599-8603, there are a considerable number of unpublished poems, they have been indicated by an asterisk in the contents lists which Soutar compiled for these volumes.
Typescript of 'Speaking for Scotland' by Christopher Murray Grieve, 'Hugh MacDiarmid', with a copy of MacDiarmid's covering letter to the editor., [1946, or before.]
The typescript includes two poems which were omitted from the edition, 'Ho my little sparrow' and 'The Soaring Bird'. There is also a manuscript copy of 'Two Memories' (folio 68).
Typescript of 'Spindrift', a collection of poems by Margaret Noël-Paton, made after 1967., [1934, or before]-[1967, or after.]
Typescript of the 1933 edition of ‘Seeds in the wind’ by William Soutar., [1933, or before.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.
Typescript of the 1933 edition of ‘Seeds in the wind’ by William Soutar., [1933, or before.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.
Typescript of the 1933 edition of ‘Seeds in the wind’ by William Soutar., [1933, or before.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.
Typescript of ‘The expectant silence’ by William Soutar., [Before 1944.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.
Typescript of "The Life and Works of John MacDonald (Iain Lom)", 1945
Typescript of ‘The solitary way’ by William Soutar., [1934, or before.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.