Poetry.
Found in 2789 Collections and/or Records:
Typescript copies of holograph poems of Sir Walter Scott., ?1825, [1827, or after], undated.
The poems are as follows:
'The Bonnets of Bonnie Dundee', ?1825, slightly differing from the published version;
'When, noble Duke, in joy we met', probably referring to the cheering of Wellington by sailors at Sunderland, 1827;
'Fantastic maid, whose step from dewy morn', undated.
Typescript copies of poems by William Hay of Trefriw, all apparently unpublished, dedicated to his daughter Elizabeth.
Typescript copy of collection of poems of Gorman Benton, "Report from Java 1976".
Typescript copy of Thomas Mathison's ‘The Goff. An Herio-comical Poem in three Cantos’, with a commentary, 1946, by C B Clapcott, showing that the poem describes an actual golf match played on Leith Links in 1743.
Typescript, 'Daunder oan the Mune, poems in Scots and English by Janet Paisley'; with annotations by Janet Paisley., Undated.
This is a box list of the papers of Janet Paisley, as received by the Library. No attempt has been made currently to review the order of the papers, to date them or to otherwise interpret them. The aim of the box list is to facilitate access in advance of any fuller arrangement and description.
Typescript draft of 'Garland for the winter solstice' by Ruthven Todd., [1961, or before.]
The draft includes a number of poems which did not appear in the published version, together with notes (folio 49) and a later contents list (folio 51).
Typescript drafts and final version of Alan Bold, "Scottish National Anthem".
Typescript drafts of three plays and 24 poems of Donald Campbell.
Typescript, marked up by the printer, of ‘Selected poems' by Christopher Murray Grieve, 'Hugh MacDiarmid'., 1934.
The pages containing 'The Eemis Stane', 'Country Life', 'A Fool sings', and 'Yet hae I silence' are missing.
Typescript miscellaneous poems of William Soutar with titles from A-E., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript miscellaneous poems of William Soutar with titles from F-O., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript miscellaneous poems of William Soutar with titles from P-S., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript miscellaneous poems of William Soutar with titles from T-The K., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript miscellaneous poems of William Soutar with titles from The L-The W., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript miscellaneous poems of William Soutar with titles from Tho-Y., [1917-1942.]
William Soutar's output of work, most of it produced during the last thirteen bed-ridden years of his life, is quite remarkable. Apart from his regular and lively correspondence, and his poetry both in English and in Scots, he left a long sequence of diaries and journals, as well as a record of his dreams extending over more than twenty years.
Typescript of a poem entitled "Cataloguing Manuscripts" of Angela McSeveney.
Typescript of an early version of ‘Conflict’ by William Soutar., 1923.
Of the poems in this typescript only 'Flesh', 'Moths', 'The Sleepers', and 'Address To My Dead Body' are contained in the published volume, the remainder being apparently unpublished.
Typescript of an early version of ‘Conflict’ by William Soutar., 1923.
Of the poems in this typescript only 'Flesh', 'Moths', 'The Sleepers', and 'Address To My Dead Body' are contained in the published volume, the remainder being apparently unpublished.
Typescript of "An Edinburgh Love Story", poems by Mary Canvin and Trevor Morrison.
Typescript of ‘But the Earth abideth’ by William Soutar., [1943, or before.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.
Typescript of ‘Conflict’ by William Soutar., [1931, or before.]
The typescript is of a later version of the text than that in MSS.8565-8567.
Typescript of ‘Gleanings by an undergraduate’ by William Soutar., [1923, or before.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.
Typescript of ‘In the time of tyrants’ by William Soutar., [1939, or before.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.