Portraits.
Found in 154 Collections and/or Records:
Miscellaneous portraits and prints of the Faculty of Advocates., ?19th century-?20th century.
Miscellaneous printed papers of and relating to Sir Charles Dalrymple., 1854-1914.
Miscellany, chiefly undated, of snapshots, portrait photographs, picture postcards and photographic copies of graphs and other work., Late 19th century-early 20th century.
Some items have dates or may be dated between 1911 and 1929, but most are undated, of the late nineteenth or early twentieth century.
Miscellany of papers concerning the Ellice family., 1799-1815, undated.
The contents are as follows: (i) Correspondence, chiefly with George Chalmers, and notes, on antiquarian topics, 1799- 1815, undated (folio 1); (ii) Papers, 1741-1803, undated, concerning the Ellice family, consisting of typed biographical accounts (some incomplete) and copies of portraits of members of the family (folio 75); (iii) A small quantity of unrelated papers, 1844-1921, undated, found loosely enclosed in other parts of the collection (folio 216).
Music books and papers of Robert Moir (died 1869), who was President of the Edinburgh Church-Music Society and subsequently Conductor of Music at St Magnus' Cathedral, Kirkwall.
‘Napoleonic autographs’., 1783-1846.
Notes by Sir Hew Dalrymple of manuscripts relating to the Queensberry family., 17th century-early 20th century.
The main sources have apparently been the Reports of the Historical Manuscripts Commission, but original manuscripts, particularly those owned by the Duke of Buccleuch, seem also to have been consulted. Many of the manuscripts have been transcribed at length. The subjects dealt with are the private and public interests of the Queensberry family; there are several notes on furnishings, with particular reference to pictures, and reproductions of portraits have been laid down throughout.
Notes by Sir Hew Dalrymple of manuscripts relating to the Queensberry family., 17th century-early 20th century.
Notes by Sir Hew Dalrymple of manuscripts relating to the Queensberry family., 17th century-early 20th century.
'On Monograms' by John Sliegh, criticizing John E Hodgkin, 'Monograms'., Late 19th century.
The volume contains monograms devised by John Sliegh, postcards written by him, 1871-1874, a notice of him by Miss Hipkins (folio iii), and sketches of him by John A Hipkins (folio 11).
Outsize items., 1936-2000, undated.
Papers of Robert Moir., 1537-1862, undated.
Pen and nib in leather case belonging to Sir Walter Scott, given by him to Maria Edgeworth., 1823, 1825.
The pen is inscribed ‘Sir Walter Scott's pen given to Maria Edgeworth, August 14th 1825’.
There is also a small framed portrait of Sir Walter Scott's daughter, Sophia Lockhart, by Watson, 1823, also given to Maria Edgeworth, at Abbotsford.
Pencil portraits by James Marshall, solicitor, of the five panels in the trial of the Glasgow Cotton Spinners., 1838.
Pencil sketches, 1894-1897, by the Edinburgh artist Murray Macdonald throughout the trade catalogue, 1892, of Winsor and Newton Ltd., London.
Almost all the sketches are unidentified portraits and caricatures.
Personal correspondence and papers of and concerning Joan Leigh Fermor., 1936-[2009], undated.
Photograph album containing photographs and copies of portraits of Alexander Ellice and his wife Anne, née Russell, and several of their descendants., Late 18th century-19th century.
Family trees have been pasted into the album.
Photograph of Patrick Geddes by Furley Lewis., 1909.
Photographs of musicians and performances associated with Aberdeen., 1895-1934.
Photographs of musicians, many of them signed., [Circa 1880-circa 1940.]
Photographs of Parliament House, with various portraits drawn by J S Leadbetter, Queens Counsel.
Photographs of portraits of various theatre actors and actresses taken by various photographers., Undated.
'Pirate' by Sir Walter Scott, first edition (Edinburgh, 1822), with anonymous manuscript 'Remarks', 1822, assigning the authorship to Scott, and related material inserted.
'Pirate' by Sir Walter Scott, first edition, volume 1 (Edinburgh, 1822), with anonymous manuscript 'Remarks', 1822, assigning the authorship to Scott, and a portrait of Scott inserted., 1822.
The manuscript 'Remarks' are on folios 3 verso-51 verso and 279-280. The portrait of Scott is on folio 2 verso.