Programmes.
Found in 272 Collections and/or Records:
Touring production files of 'Revolting peasants' by Patrick Prior., 1991, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Road' by Jim Cartwright., 1989, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Scotland matters', collaborative show featuring writing by Peter Nardini, Anne Mario di Manbro, John Binnie and others., 1992, undated.
Additional authors include: Rona Munro; Vivian Adam; Stuart Brown; Jan Natanson; Iain Heggie; and Gurmeet Mattu.
Touring production files of ‘The grapes of wrath’ by John Steinbeck, adapted by Frank Galati., 1994, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The incredible Brechin beetle bug' by Matt McGinn., 1985-1986, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The lament for Arthur Cleary' by Dermot Bolger., 1992, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The news at when ...?'., 2001, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The resistible rise of Arturo Ui' by Bertolt Brecht, translated by Ralph Manheim., 1991, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The salt wound' by Stephen Greenhorn., 1994-1995, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'The sash' by Hector MacMillan., 1989, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Tongues' by Sam Shepard and Joseph Chaikin, and new writing inspired by it, a collaboration between Birds of Paradise Theatre Company and 7:84 Theatre Company (Scotland)., 1997, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Twilight shift' by Jackie Kay., 1993, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Valley song' by Athol Fugard., 1998, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Twenty-seven handbook editions of programmes., 1960-1982.
Correspondence, drafts, notes, and working papers of Philip D Thomson of and concerning '100 Years of Hibs' (Edinburgh, 1975), being the centenary history of Hibernian Football Club co-written with Gerald Docherty. With circa 1000 Hibernian Football Club match programmes, photographs, 27 scrapbooks, fanzines and epherma, 1933-93, of and relating to Hibernian FC and Scottish football in general.
Typescript, 1969, of the play, 'The sword', by Stewart Conn, containing a programme for 'Victims', a production for the Edinburgh Festival Fringe by Edinburgh University Dramatic Society in 1970., 1967, 1969-1970.
Typescript of a stage version of James Leslie Mitchell's, 'Lewis Grassic Gibbon', 'Sunset song' by Ian S Munro, with a programme and photographs of the production at Aberdeen, 1964., 1964.
After her husband's death, Rebecca ('Ray') Mitchell continued to encourage interest in James Leslie Mitchell's work, particularly through new editions and films, and her papers reflect this activity.
Typescript of the play, 'Broche', by Stewart Conn, containing a programme for the production by Edinburgh University Dramatic Society., 1966, undated.
Typescript of the play, 'Mission boy', by Stewart Conn, containing a programme., 1996.
Typescripts of librettos by Ian Rankin; with related developmental notes and published programmes., 2007-2008.
Typescripts of one-act plays by Margaret Noël-Paton., ?1932-?1945, undated.
Typescripts of 'Sawney Bean', by Bill Watson and Robert Nye, with Traverse theatre programmes., 1969.
174 letters, 1965-1974, mostly of Scottish authors to Robert Nye on literary matters.
Manuscript and typescript drafts, 1970, of a play, 'Sawney Bean', by Nye and William Watson.
Typescript drafts, 1971, of a play, 'Visakha', by Nye.