Annotations.
Found in 581 Collections and/or Records:
Catalogue of the art exhibition, 'An exhibition of Yugoslav modern primitive paintings' (Edinburgh, 1962), annotated by Sydney Goodsir Smith., 1962.
In some cases, the annotations formed the drafts of his reviews published in the ‘Scotsman’.
Catalogue of the art exhibition, 'Henry Lintott R.S.A. (1877-1965)' (Edinburgh, 1967), annotated by Sydney Goodsir Smith., 1967.
In some cases, the annotations formed the drafts of his reviews published in the ‘Scotsman’.
Catalogue of the art exhibition, 'Images populaires francaises' (Edinburgh, 1960), annotated by Sydney Goodsir Smith., 1960.
In some cases, the annotations formed the drafts of his reviews published in the ‘Scotsman’.
Catalogue of the art exhibition, 'Rodin' (Edinburgh, 1966), annotated by Sydney Goodsir Smith., 1967.
An exhibition shown at the Royal Scottish Museum in 1967.
Catalogue of the art exhibition, 'Rouault' (Edinburgh, 1966), annotated by Sydney Goodsir Smith., 1966.
In some cases, the annotations formed the drafts of his reviews published in the ‘Scotsman’.
Catalogue of the art exhibition, 'Sidney Nolan' (Durham, 1961), annotated by Sydney Goodsir Smith., 1961
In some cases, the annotations formed the drafts of his reviews published in the ‘Scotsman’.
Catalogues of art exhibitions annotated by Sydney Goodsir Smith., 1960-1974, undated.
In some cases, the annotations formed the drafts of his reviews published in the ‘Scotsman’.
Collection entitled 'Glengarry notes' compiled probably in the late nineteenth century consisting chiefly of extracts from printed sources together with some transcripts of documents in the Public Record Office, illustrating the history of Glengarry and some other parts of the Highlands from early times until the mid-nineteenth century., 1st half of 19th century.
Almost all of the material is typewritten, with numerous manuscript additions and corrections.
‘Comedy of errors’ by William Shakespeare (Cambridge, 1962), with manuscript corrections and annotations by John Dover Wilson., 1962.
Commonplace book in the hand of William Clydesdale., 1823, undated.
William Clydesdale was a Glasgow character and a fellow student of Thomas Muir, the political reformer (note inside front cover).
The commonplace book contains satirical, comic, and reflective verses by Clydesdale in Scots and English, some dated 1823, a few anecdotes, and annotations by Peter Mackenzie, author of ‘The life of Thomas Muir’ (Glasgow, 1831).
‘Confessio Fidei’ (Cambridge, 1659), interleaved, with manuscript annotations by Hugh MacKail.
Copies of Constantinus Harmenopoulos, “Πρόχειρον νόμων” (Paris, 1540), with manuscript notes and annotations by various scholars.
Seven copies of “Πρόχειρον νόμων, sive epitome juris civilis" with marginal annotations of collation and correction by various scholars of Esusciluce whose names are noted on each.
Copies of Edwin Muir, "First Poems" (1925) and "Chorus of the Newly Dead" (1926), the former inscribed by Muir to John and Dorothy Holms.
Both annotated by Beatrix Holms
Copies of George Douglas, ‘The house with the green shutters’ (London, 1902), and Fyodor Mikhailovich Dostoevsky ‘The possessed’ (London, 1913), with annotations by John MacDougall Hay., Early 20th century.
John MacDougall Hay became minister of Elderslie in 1909, but is best known for his work as a novelist and poet, particularly for his novel 'Gillespie' (London, 1914). He also wrote numerous articles for newspapers and periodicals.
Copies of "The Works of Robert Burns..." (Liverpool, 1800), and "Reliques of Robert Burns" (London, 1808), both annotated by Alexander Fraser Tytler.
Copy, annotated by Bessie MacArthur, of her 'Last leave' (Edinburgh, 1943)., 1943.
Copy-book and Latin exercises written by John, Robert and William Scott of Gilmanscleuch.
Comments on the manuscript by Sir J A H Murray are interspersed throughout the volume. Also included is his article, 'Concerning an old copy-book', in 'Leisure Hour', 1 January 1871.