Slides. Photographs.
Found in 226 Collections and/or Records:
Photographic slides concerning missionary activities of the Church of Scotland, Department of World Mission and Unity.
Photographic slides from military exercises taken by James Johnston., Circa.1976-1979
Photographic slides of a Liberal dinner and dance., February 1981.
Photographic slides of Christopher Kenneth Mylne.
The photographic slides here consist of 8 boxes of 35mm slides, 1 box of mendium format slides and one folder of slides. The images are mostly of birds, with some of landscapes.
Photographic slides of Elizabeth Mantell, missionary in Malawi.
Elizabeth worked as a Church of Scotland missionary nurse in Mlanje Mission, Malawi 1966-1971, then as a sister tutor in Ekwendeni Mission, Malawi 1983-1996. Elizabeth used this set of annotated slides to illustrate talks on her work in Malawi which she gave when home on furlough. Subjects covered include schools, nurses, the church and visits to Zomba. `Grace sufficient` by Rev. David J. Randall, published in 2009, tells the story of Elizabeth`s life.
Photographic slides of Tom Weir., 1960-1994.
Photographic slides relating to various theatre productions., Undated.
Photographs and slides., 1904-c. 1980
Photographs and slides by Don MacCaskill., 1960s-2000.
Photographs and slides of craft-work including work by Tim Stead, D Cohen and Elaine Dick., Undated.
Includes papers concerning the closure of the Scottish Craft Centre, the move from Acheson House in 1990, and the proposed Scottish Craft Council, 1991.
Photographs and slides of Edinburgh International Festival performances and events.
Photographs and slides of 'Glasgow generations'., Undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Photographs and slides of performances and events at the Edinburgh International Festival.
Photographs and slides of 'There is a happy land' by John McGrath., Undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Photographs, colour negatives and 35mm slides of cheque production at George Waterston and Sons., Circa 2000.
Photographs, contact prints and 35mm slides of 'Dissent' by Stephen Greenhorn., Undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Photographs, mostly 35mm slides, of paper reel machinery and operations of George Waterston and Sons., 1996.
Photographs of battlefield tour and general slides from staff college Camberley taken by James Johnston., 1971-1972
Photographs of the cycling and mountaineering expeditions of Fanny Bullock Workman and Dr William Hunter Workman, 1894-1912, undated.
Lectures, articles, photographs, miscellaneous papers relating to cycling and mountaineering activities. With trunks and articles of clothing.
Photographs of the predecessor bodies of Deaf Action., 1901-circa 2000, undated.
Photographs of the Scottish Craft Centre., 1934-1990, undated.
Photographs, slides and contact prints of 'Gorbals story' by Robert McLeish., Undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.