Watercolours. Paintings.
Found in 115 Collections and/or Records:
Volume containing watercolour sketches, photographs, maps and geological notes of John Francis Campbell, recording a visit he made to North America in the autumn of 1864., 1864.
The volumes reflect, in his detailed descriptions, watercolours and sketches, Campbell’s interest in people, art, science and sport. In the later journals, his interest in geology and meteorology predominates, with particular emphasis on the effects of glaciation observed in various countries.
The sketches usually occur in chronological sequence with notes below each giving the date, place and other additional information.
Volume containing watercolours, photographs, notes and printed items relating to John Francis Campbell`s travels from 1865-1868., 1858-1868.
Volume of watercolour sketches and photographs with brief geological or meteorological notes made by John Francis Campbell on his journey to India in 1876-1877 in continuation of his world tour., 1876-1877.
Campbell also includes rubbings of ornamental tiles from some of the Indian temples he visited.
At the end of the volume there are a few photographs of Windsor Castle (folios 127-129).
Volume of watercolour sketches by John Francis Campbell made on his trip to Norway and Sweden in 1849., 1849.
The volumes reflect, in his detailed descriptions, watercolours and sketches, Campbell’s interest in people, art, science and sport. In the later journals, his interest in geology and meteorology predominates, with particular emphasis on the effects of glaciation observed in various countries.
The sketches usually occur in chronological sequence with notes below each giving the date, place and other additional information.
Volumes containing prints, drawings, and water-colour sketches by Bartolomeo Pinelli, Henri L'Evêque, and many anonymous artists., [?1827.]
The images are nearly all of Italian scenes, and seem to have been collected during a tour of Italy in 1827.
"Watch, Quarter, and Station Bills; Boats' Crews, and Signals; Orders & Regulations, &ca. &ca. &ca. of His Majesty's Ship Forte", with water-colour pictures of ships and evolutions, and plans of the decks and cabins., 1820-1824.
Water-colour paintings by William Gibb, the originals of the illustrations to ‘The Royal House of Stuart’., 1888-1889, undated.
Most of the paintings are undated, but the dates 1888 and 1889 are found on a few.
Water-colour paintings by William Gibb, the originals of the illustrations to ‘The Royal House of Stuart’., 1888-1889, undated.
Also included is a painting of the keys of Lochleven Castle and of the Edinburgh Tolbooth (Plate XLI).
Watercolour of a woman of pariah caste carrying a loaded basket; probably one of a series of scenes of Indian life painted for Europeans by the Patna artist Sewak Ram (circa 1770-circa 1830)., [Circa 1810.]
Watercolour painting and other drawings and sketches., Undated.
With documents, 1782-1930, concerning his family.
Watercolour paintings, by Thomas Brown of Waterhaughs and Lanfine, volume 1., ?1830-1850.
The paintings are chiefly of Edinburgh and other places in Scotland; several were made in Corfu and Malta, and some in Italy, Sicily, and other Continental countries. According to a note of the donor (Adv.MS.34.8.1, folio iii), they were probably made between 1830 and 1850.
They are mounted - apparently not in chronological, and certainly not in topographical, order - in three albums, each of which contains a list of contents at the beginning.
Watercolour paintings, by Thomas Brown of Waterhaughs and Lanfine, volume 2., ?1830-1850.
The paintings are chiefly of Edinburgh and other places in Scotland; several were made in Corfu and Malta, and some in Italy, Sicily, and other Continental countries. According to a note of the donor (Adv.MS.34.8.1, folio iii), they were probably made between 1830 and 1850.
They are mounted - apparently not in chronological, and certainly not in topographical, order - in three albums, each of which contains a list of contents at the beginning.
Watercolour paintings, by Thomas Brown of Waterhaughs and Lanfine, volume 3., ?1830-1850.
The paintings are chiefly of Edinburgh and other places in Scotland; several were made in Corfu and Malta, and some in Italy, Sicily, and other Continental countries. According to a note of the donor (Adv.MS.34.8.1, folio iii), they were probably made between 1830 and 1850.
They are mounted - apparently not in chronological, and certainly not in topographical, order - in three albums, each of which contains a list of contents at the beginning.
Watercolour sketches chiefly by members of the Balfour and Ellice families, with a few in pencil and a few by other people., 1823-1852, undated.
The collection consists chiefly of correspondence and papers relating to politics, especially colonial matters, and to estate and family affairs. Both Edward Ellice and his son were influential Liberal Members of Parliament who owned substantial estates in Scotland, Canada, America and the West Indies.