Showing Browse Resources: 51 - 68 of 68
Manuscripts of the song, "An Immorality" and preliminary draft score of "Obliques", both of Thea Musgrave.
Microfilm of autograph score of the overture “Tam o' Shanter”, Opus 51, by Malcolm Arnold, bearing several marks from use in performance.
Music by Ian Whyte, mostly autograph, including most of his second symphony, and scraps of many of his orchestral and vocal works.
Music manuscript for the harp of Frances E Moray-Stirling, of Abercairnie.
Music manuscripts of Tom McCourt.
Mostly in connection with ballad operas.
Music of Robert Crawford for string quartet.
Operatic, instrumental, and vocal music by Learmont Drysdale (died 1909), much of it in the composer's autograph.
Original manuscript of "The Ship o' the Fiend", a ballad for Orchestra, Opus 5, composed by Hamish MacCunn.
The ballad is preceded by a version, in Hamish MacCunn's hand, of the verse ballad that inspired the music, i.e., 'The Daemon Lover', number 243 of ‘The English and Scottish popular ballads’. A pencilled note records two performances in 1888.
Papers from the library of St Benedict`s Abbey, Fort Augustus.
Includes:
patristic texts, 1080, of Marianus at Regensburg
"Rule of St Benedict", 15th century
Book of Hours, late 15th century, with the signature of Mary of Guise
fragments of music, 15th century to 16th century, from the Inverness song-school
Papers, including manuscript and typescript drafts of plays, operas, novels, short stories, sketches and correspodence, of William McArthur.
Including manuscript and typescript drafts of plays, operas, novels, short stories, and sketches, and circa 500 letters to, and copies of letters of McArthur, mostly concerning the broadcasting of his works.
Papers of Sir George Henschel.
Comprising manuscript scores of musical compositions, including the opera "Nubia", concert programmes, press notices, and letters and copies of letters to Henschel from correspondents including: Princess Louise, A J Balfour, Gordon Bottomley, and Sir D Y Cameron.