Musical compositions.
Found in 240 Collections and/or Records:
'Compositions and arrangements by Alexander Wood Inglis (Alessandro Selva), dating from about 1862 to 1879'., ?1862-1879.
Compositions and arrangements of John Davidson for organ., [?1871-?1926.]
Many of the pieces appear elsewhere in the collection.
Compositions of Lieutenant-Colonel Alexander Ewing, author of ‘Jerusalem the Golden’., 1860-1876, undated.
The lyrics of some of the pieces were written by the composer's wife, Juliana Horatia Ewing.
Compositions of Lieutenant-Colonel Alexander Ewing, author of ‘Jerusalem the Golden’., 1866, undated.
The lyrics of some of the pieces were written by the composer's wife, Juliana Horatia Ewing.
Compositions of Lieutenant-Colonel Alexander Ewing, author of ‘Jerusalem the Golden’, consisting of part-songs, anthems, exercises for the choir, and solos.
The lyrics of some of the pieces were written by the composer's wife, Juliana Horatia Ewing.
Concert programmes, with music played, and other musical compositions of William Bowie., 1958-1966.
The contents are as follows: programme, 1958, of a ceremony at the Royal High School commemorating Robert Ferguson, with a sketch of music played (folio 1); programme, 1965, of concert at the School with music of some of the works played (folio 4); sketches and fair copies of some of William Bowie's published works arranged chronologically (folio 28), works intended for publication (folio 54); unpublished works, 1961-1966, arranged chronologically (folio 71).
Copies of manuscript music of Georges Bizet and Percy Grainger., 1943-1954.
The contents are as follows: (i) Negative photostats of the manuscript full score of Bizet's 'Valse avec Choeur' in G major; with other fragments (Paris Conservatoire MSS 428 and 431) (folio 1); (ii) Photocopies of the autograph manuscripts of pieces, 1943-1954, by Percy Grainger: Two Faroese dances, and 'Walking tune' for piano duet, 'Bristol town' for piano 6 hands, and "The widow's party" for piano solo prepared for the projected "Music lover's Grainger" (folio 79).
Corrected proof copy of ‘Flowers of Scottish melody’ by John Murdoch Henderson., 1935.
Correspondence and musical compositions of James Scott Skinner; with other material, including some of John Davidson., [Circa 1883-circa 1917], undated.
Correspondence and papers concerning, and music for, the film 'Bonnie Prince Charlie' produced by London Film Productions, Ltd., 1947-1948.
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.
Correspondence, essays, cuttings and other papers of Alexander MacDonald., 1886-1962, undated.
Correspondence, press cuttings and other papers concerning (and including some letters and papers of) James Scott Skinner, with some autograph music by him.
The contents are as follows:
(i) Correspondence and papers, 1883, [?1914-?1921], undated, of W Hean Findlay and George Short concerning (and including some letters and papers of) J Scott Skinner (folio 1);
(ii) Autograph music, 1914, undated, by Skinner (folio 154);
(iii) Press cuttings, 1917, 1923-1926, concerning Skinner, most of which are from the People's Friend, February-May 1923, containing an autobiographical account of Skinner (folio 168).
Drafts, sketches and fragments of identified works by Ronald Center., Mid 20th century-[?1971], undated.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Drafts, sketches and fragments of musical compositions of Ronald Center., 1951-1973, undated.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Drafts, sketches and fragments of unidentified works by Ronald Center., Mid 20th century-[?1973].
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Fair copy of 'Thomas the Rhymer' by William Bowie which was submitted for the degree of Doctor of Music at Durham University in 1961, and further sketches and fair copies of unpublished works arranged chronologically., ?1958-?1969.
Final or fair copies of compositions, 1958-1964, by Martin Dalby., 1958-1969.
The compositions are preceded (MS.22142, folio ii) by a typescript list of Martin Dalby's compositions to 1968 with additions in ink to 1969.
Most of the compositions are vocal, being settings of poems or scriptural texts, with or without keyboard accompaniment.
Final or fair copies of compositions by Martin Dalby., 1964-1967.
The compositions are preceded (MS.22142, folio ii) by a typescript list of Martin Dalby's compositions to 1968 with additions in ink to 1969.
Most of the compositions are vocal, being settings of poems or scriptural texts, with or without keyboard accompaniment.
Final, or fair copies of musical compositions, 1958-1967, by Martin Dalby, many in his autograph, arranged in chronological order.
The compositions are preceded (MS.22142, folio ii) by a typescript list of Martin Dalby's compositions to 1968 with additions in ink to 1969.
Most of the compositions are vocal, being settings of poems or scriptural texts, with or without keyboard accompaniment.
Final versions of musical compositions of Ronald Center., Mid 20th century-[?1973], undated.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
"Folies d'Espagne" and other pieces for bass viol by Marin Marais, compiled before 1685., [Before 1685.]
In this version of the 'Folies' there are twenty-eight couplets of which eleven do not appear in the version published by Marin Marais in his second book (1701). The volume contains a further twenty-three pieces of which three appear in Marais's first book (1686), and the remainder are otherwise unknown.
Full score and piano reduction of "A blot in the 'Scutcheon", a melodrama in three acts by G W Crawford, setting poetry by Robert Browning., 1919.
The work is apparently unpublished, although intended for publication, or at least printing (MS.21940, folio 1 verso).
Full score and piano reduction of ‘A Scottish lassie’ by G W Crawford., [?1892-?1941.]
Full score and setting for small orchestra, undated, of ‘Song of the glen’, a tone idyll, opus 34, number 2., [Circa 1928.]
The contents are as follows:
(i) Full score (folio 1);
(ii) Setting for small orchestra (strings, piano, organ, flute and clarinet) (folio 14).
Opus 34, number 2 is apparently unpublished. Opus 34, number 1 was published in 1928.
Full score (i.e. two scores bound together) of Two Scottish Scenes, 'By the Ingle Neuk' and 'Lads and Lassies' by ‘Edina’ (G W Crawford, the pseudonym being overwritten with the composer's name)., 1939
The pseudonym is overwritten by the composer’s name.
The date ‘Dec 1939’ is on page 43.