Skip to main content

Vocal scores.

 Subject
Subject Source: Other Source
Scope Note: Arrangements of ensemble compositions including voices, in which the instrumental parts are reduced for piano (normally solo) or organ, while the vocal parts appear on separate staves. Source: 'The new Grove dictionary of music and musicians', 2nd edition (Oxford, 2001).

Found in 45 Collections and/or Records:

Autograph score of William Wallace, "Songs by Heine".

 Item
Identifier: Acc.13997
Content Description

Presentation autograph score of William Wallace's arrangements for voice and piano of six poems by Heinrich Heine. Dated 1888, and inscribed to "Mrs Young". Contains arrangements of the following: 1. Ein Jüngling liebt ein Mädchen; 2. Wenn zwei von einander scheiden; 3. Ich hab im Traume geweinet; 4. Ich stand in dunkeln Träumen; 5. Vergiftet sind meine Lieder; 6. Mädchen mit dem rothen Mündchen.

Dates: 1888

Autograph vocal scores of works by Hamish MacCunn.

 Series
Identifier: MSS.21979-21980
Dates: [Before 1890, before 1891.]

Choir arrangement of the song 'A Mhàiri bhàn òg, 's tu 'n òigh th' air m' àire' by Donnchadh Bàn Mac-an-t-Saoir., undated; ca. 1980

 Item
Identifier: Acc.13695/77
Scope and Contents

A choir arrangement for four voices by an unidentified arranger. Comprises 50 bars. Previous arrangements for four voices can be found in 'A' Choisir-Chiùil' (London & Glasgow, 1900), 53, arranged by Archibald Ferguson, and in 'Coisir a' Mhòid' I, 1896-1910 (Paisley, [1912]), 4, arranged by W.H. Murray. 5 sheets.

Dates: undated; ca. 1980

Choral music of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21920-21923
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and vocal score of ‘Gehazi’, a ‘dramatic sacred cantata in two acts, the words written and adapted from the Bible’ [from the Second Book of Kings] by G W Crawford., 1892.

 Sub-Series
Identifier: MSS.21958-21959
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1892.

Full score and vocal score of incidental music of G W Crawford for 'Zoe the Gypsy', with words by Lewis Spence., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21965-21966
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full scores and vocal score of ‘The lady of the lake’, an opera in four acts adapted by G W Crawford from the poem by Sir Walter Scott., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21952-21955
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Gaelic songs, 1956-1958 and undated

 File
Identifier: Acc.14003/19
Scope and Contents A small number of Mòd programmes and texts of Gaelic songs written down by Farquhar Macintosh. The Mòd programmes are: An Comunn Gàidhealach, 'Mòd 1956: Earrann na h-Oigridh'; An Comunn Gàidhealach, 'Orain-aon-neach leabhar IX, Mòd 1956, Na Leargaidh Ghallda; An Comhlan Gaidhealach, Knightswood and District Highland Association, Ninth Annual Juvenile Mod, 25 January 1958 (at which Macintosh was an adjudicator).The Gaelic songs texts, in Macintosh's hand, are: Two...
Dates: 1956-1958 and undated

Incidental music of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21963-21967
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Libretto and vocal score of ‘The speed cop’, a comic opera in a prologue and three acts by G W Crawford, with libretto by Clement J Bundock., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21956-21957
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Miscellaneous musical stage works of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21958-21962
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Music for parish church choirs composed by the Revd Richard Evans, Director of Music at St Andrew's Episcopal Church, St. Andrews.

 Item
Identifier: Acc.14267
Content Description Photocopies and print-outs of manuscript or typeset choral music composed by the Reverend Richard Evans, Director of Music from 1995-2020 at St. Andrew's Episcopal Church, St. Andrews. The compilation was edited in 2020 by Dr Jane Pettegree, Choir Director, to celebrate Evans's retirement and 25 years in post. It includes a biographical note of the composer.The volume contains: St Margaret's Mass, St Andrew's Liturgy (2018), Evensong Preces and Responses (2016), Choral Amens,...
Dates: 2020