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Orchestral music.

 Subject
Subject Source: Other Source
Scope Note: Musical compositions specifically composed or arranged for orchestra, regardless of the notation in which they are recorded. Source: 'The new Grove dictionary of music and musicians', 2nd edition (Oxford, 2001).

Found in 61 Collections and/or Records:

Autograph scores of musical compositions by David Stephen, Director of Music to the Carnegie Trust, Dunfermline.

 Series
Identifier: MSS.22153-22162
Scope and Contents

Most of the compositions appear to be unpublished.

Dates: 1899-1943, undated.

Ballet and dance music for orchestra by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21925-21931
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Drafts, sketches and fragments of identified works by Ronald Center., Mid 20th century-[?1971], undated.

 Sub-Series
Identifier: MSS.22187-22190
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century-[?1971], undated.

Drafts, sketches and fragments of musical compositions of Ronald Center., 1951-1973, undated.

 Sub-Series
Identifier: MSS.22187-22193
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: 1951-1973, undated.

Final versions of musical compositions of Ronald Center., Mid 20th century-[?1973], undated.

 Sub-Series
Identifier: MSS.22171-22186
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century-[?1973], undated.

Full score and piano reduction of ‘The magic mirror’ by G W Crawford, an overture to a musical play by W R Meredith., [?1892-?1941.]

 File
Identifier: MS.21899
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and piano reduction of ‘The red flag’ by G W Crawford., [?1892-?1941.]

 File
Identifier: MS.21898
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and reduction of Symphony number 1 by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21881-21882
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and reduction of Symphony number 3 in A minor by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21883-21884
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and reductions of ‘Undine’ by G W Crawford., 1939.

 Sub-Series
Identifier: MSS.21893-21894
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1939.

Full score of ‘Cinderella’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21925
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of ‘Coriolanus’ by G W Crawford., [1930, or before.]

 File
Identifier: MS.21888
Scope and Contents From the Sub-Series:

A typed programme note tipped in at the front (folio 1) of MS.21888 records that the first performance of the work was given in the Usher Hall, Edinburgh, 1930, and the second (and first broadcast) performance was given at Bournemouth, 1932. A fragment of the printed programme records the other works played.

Dates: [1930, or before.]

Full score of 'Macbeth' by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21892
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of Symphony number 5 in B flat by G W Crawford; apparently the first movement only., [?1892-?1941.]

 Item
Identifier: MS.21887
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score, piano reduction and piano condensation of ‘Coriolanus’ by G W Crawford., [1930, or before.]

 Sub-Series
Identifier: MSS.21888-21889
Scope and Contents

A typed programme note tipped in at the front (folio 1) of MS.21888 records that the first performance of the work was given in the Usher Hall, Edinburgh, 1930, and the second (and first broadcast) performance was given at Bournemouth, 1932. A fragment of the printed programme records the other works played.

Dates: [1930, or before.]