Page proofs. Proofs (printed matter).
Found in 100 Collections and/or Records:
Page proofs of Alexander Scott's collection of poems, 'Cantrips', [1968, or before.]
The comedy was first produced by the Citizens' Theatre, Glasgow, in 1954, and later broadcast and televised.
Page-proofs of ‘Cleg Kelly’ by Samuel Rutherford Crockett, as it appeared in the ‘Cornhill magazine’, July 1895-March 1896, with extensive manuscript corrections by the author.
The proofs represent a subsequent and almost final revision of the manuscript (see MS.6517).
Page proofs of 'Collected poems' by Robert Garioch, with manuscript corrections by Sutherland., 1976.
Robert Sutherland (1909-1981) who wrote under the name 'Robert Garioch', was educated in Edinburgh and, after the war of 1939-1945 when he was a prisoner in Italy and Germany, became a schoolteacher in Kent. He returned to Edinburgh in 1959, where he taught and worked for the School of Scottish Studies in the University.
Page proofs of ‘Forest voices and other poems in English’ by Edith Anne Robertson., [1969, or before.]
The proofs differ from the published text, but the few manuscript corrections which they contain were not made in the final version. Pages 1-5 and about four pages at the end are missing.
Page proofs of "Going up to Sotheby's" (London: Granada, 1982), by Muriel Spark., 1982.
Page proofs of ‘Ivanhoe’, ‘Tales of my landlord' ('The bride of Lammermoor' and 'A legend of Montrose’), and ‘The Abbot’ by Sir Walter Scott, with extensive corrections and additions in Scott’s hand., [1819, or before; 1820, or before.]
Page proofs of ‘Ivanhoe’, ‘Tales of my landlord' ('The bride of Lammermoor' and 'A legend of Montrose’), and ‘The Abbot’ by Sir Walter Scott, with extensive corrections and additions in Scott’s hand; with original binding., [1819, or before; 1820, or before.]
Page proofs of 'Niger: the life of Mungo Park' by James Leslie Mitchell, 'Lewis Grassic Gibbon'., 1933.
James Leslie Mitchell usually wrote at a typewriter, and few manuscripts survive. For the sake of economy, he frequently used the blank versos of his typescripts for another work at a later date.
Page proofs of ‘Quentin Durward’ by Sir Walter Scott, with extensive corrections and additions in Scott’s hand., [1823, or before.]
‘Quentin Durward’, proof pages corresponding to: volume ii, pages 3-331; volume iii, pages 3-357.
Page proofs of 'Scottish scene' by James Leslie Mitchell, 'Lewis Grassic Gibbon'., [1934, or before.]
James Leslie Mitchell usually wrote at a typewriter, and few manuscripts survive. For the sake of economy, he frequently used the blank versos of his typescripts for another work at a later date.
Page proofs of 'Scottish scene' by James Leslie Mitchell, 'Lewis Grassic Gibbon'., [1934 or before.]
James Leslie Mitchell usually wrote at a typewriter, and few manuscripts survive. For the sake of economy, he frequently used the blank versos of his typescripts for another work at a later date.
Page proofs of 'Scottish scene' by James Leslie Mitchell, 'Lewis Grassic Gibbon'., [1934 or before.]
James Leslie Mitchell usually wrote at a typewriter, and few manuscripts survive. For the sake of economy, he frequently used the blank versos of his typescripts for another work at a later date.
Page-proofs of 'Selected poems of William Dunbar', edited by Christopher Murray Grieve, 'Hugh MacDiarmid'., 1950.
Page proofs of the first editions of novels or portions of novels of Sir Walter Scott with extensive corrections and additions in Scott's hand.
Page proofs of ‘The fortunes of Nigel’, and ‘Quentin Durward’, by Sir Walter Scott, with extensive corrections and additions in Scott’s hand., [1822, or before; 1823, or before.]
Page proofs of ‘The fortunes of Nigel’ by Sir Walter Scott, with extensive corrections and additions in Scott’s hand., [1822, or before.]
Page proofs of 'The Oxford book of Scottish verse', edited by John MacQueen and Tom Scott., [1966, or before.]
The comedy was first produced by the Citizens' Theatre, Glasgow, in 1954, and later broadcast and televised.
Page proofs of 'The rock and the bird' by Sydney Durward Tremayne, with a few manuscript corrections., [1955, or before.]
Sydney Durward Tremayne, who was born in Ayr, worked for provincial newspapers before becoming a leader-writer for the ‘Daily Mirror’, the ‘Daily Herald’ and the ‘Sun’; he also published several small collections of poems. Apart from his autobiography, the papers do not concern his work as a journalist.
Page proofs of 'The swans of Berwick' by Sydney Durward Tremayne, with a few manuscript corrections., [1962, or before.]
Sydney Durward Tremayne, who was born in Ayr, worked for provincial newspapers before becoming a leader-writer for the ‘Daily Mirror’, the ‘Daily Herald’ and the ‘Sun’; he also published several small collections of poems. Apart from his autobiography, the papers do not concern his work as a journalist.
Page proofs of 'The turning sky' by Sydney Durward Tremayne, with manuscript corrections., [1969, or before.]
Sydney Durward Tremayne, who was born in Ayr, worked for provincial newspapers before becoming a leader-writer for the ‘Daily Mirror’, the ‘Daily Herald’ and the ‘Sun’; he also published several small collections of poems. Apart from his autobiography, the papers do not concern his work as a journalist.
Page proofs of volume I of ‘The history of Scotland’ by Sir Walter Scott, with extensive additions and corrections by Scott.
Page proofs, undated, of "Kirk O'Field" by Edward Albert., [1925, or before.]
The papers consist chiefly of manuscripts and typescripts of Edward Albert's educational works, manuscripts and typescripts of his works of fiction, and his correspondence.
Page proofs, with corrections in the author's hand, of ‘A letter on the proposed change of currency' by Sir Walter Scott, writing as 'Malachi Malagrowther'., [1826, or before.]
In the descriptions, references to publication generally give only the earliest traceable place and date.
Page proofs, with corrections, of volumes I and II of Homer's 'Iliad', printed by Robert and Andrew Foulis, Glasgow, 1756., [1756, or before.]
Papers chiefly typescripts of the publications of James Leslie Mitchell, 'Lewis Grassic Gibbon'., 1922-[1935, or before.]
James Leslie Mitchell usually wrote at a typewriter, and few manuscripts survive. For the sake of economy, he frequently used the blank versos of his typescripts for another work at a later date.