Songs. Musical compositions.
Found in 165 Collections and/or Records:
Musical compositions of Ronald Center and a miscellany of papers of Center and his wife Evelyn.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Nineteenth-century copies of songs, dances, and other tunes, both traditional and contemporary, made by members, relatives, and friends of the family of Brown, residing at Linkwood, Elgin.
The music is chiefly arranged for pianoforte, except MS.3378, which is for violin.
Notebook entitled "Song Tunes I and II", compiled by Francis Collinson.
Notebook with hand-written staves throughout, containing music for keyboard consisting of dances, some songs and a few marches, all written apparently soon after 1750.
"O the Ewe-bughting`s Bonnie", a song by Charles Sharpe of Hodam, with notes by Charles Kirkpatrick Sharpe.
Papers, 1846-1983 and undated, of and concerning James F Dickie, fiddler.
Includes correspondence, photographs and music.
With letters and music, 1888-1924 and undated, of James Scott Skinner, and music, 1935-1968 and undated, of John Murdoch Henderson.
Papers and translations collected by the Highland Society of Scotland Ossian Committee and its successor the Committee on Celtic Literature.
Papers, chiefly Gaelic, of Duncan Campbell, Inverness (1826-1916).
Papers obtained by William Forbes Skene from the Reverend Mackintosh MacKay of Laggan (1800-1873).
Papers of and concerning John Corrie.
Includes poems, songs and correspondence.
Papers of and concerning the poet George Campbell Hay (1915-1984).
Papers of and relating to Harry Lauder.
Papers, circa 1900-1935, of and relating to Sir Harry Lauder. Includes scripts of `patter`, songs and music by Lauder and other writers; draft of `Immortal Memory` speech given by Lauder in Boston, USA, 1915; letter, 1917, of Hannen Swaffer, editor of `The Weekly Dispatch`, praising Lauder`s appearance on the London stage after his son`s death in action in France in December 1916.
Papers of Dr Kenneth Macleod.
Includes songs, poems, sermons and correspondence.
Papers of George Chalmers, the antiquary.
Papers of John MacCallum, policeman, Glasgow.
Includes Gaelic songs and music.
Papers of Lady Evelyn Stewart-Murray (1868-1940).
Papers of Major-General Douglas Neil Wimberley relating to the 51st (Highland) Division in the First and Second World Wars.
Maps, accounts, diaries, lectures and other papers, mainly concerning operations, 1942-1943, of the 51st (Highland) Division in North Africa and Sicily, together with a smaller quantity of associated post-war correspondence and some papers, 1918, concerning the Division in the First World War.
Papers of Morris Blythman, pseudonym Thurso Berwick.
Includes songs written or collected by Blythman and papers concerning Hugh MacDiarmid and John Maclean.
Papers of Rose Ethel Bassin, Licentiate of the Royal Academy of Music, Associate of the Royal College of Music (1889-1974), music-teacher, song-collector, and biographer of Frances Tolmie.
Papers of the playwright and author, Joe Corrie (1894-1968).
Joe Corrie worked as a miner in Fife and Ayrshire, and many of his plays and stories are set in mining communities. He was a prolific writer who published a number of plays, several collections of poetry, and two novels, as well as numerous stories and articles in newspapers. Many of his plays were popular with amateur dramatic groups.
Papers of the Reverend William Matheson.
Concern Gaelic language and literature, and the family and general history of Lewis and Harris, North and South Uist and Wester Ross.
Papers of the Rymour Club, Edinburgh, which existed from 1903 to 1947, its object being the collection of Scottish ballads, popular rhymes, proverbs, and the like.
Papers of the Sutherland Estates.
This deposit comprises special items from the Sutherland archives as listed in the agreement of 19 March 1978.
Photocopies of a collection of music books.
Most of the music books are of unknown ownership but all may be of northern Scottish provenance. They are all undated but appear to belong to the first half of the nineteenth century.