Typescripts.
Found in 3766 Collections and/or Records:
Corrected typescript drafts of play, 'A great reckonin', by Ian Brown, containing typescript proposal and copies of letters., 1992-2001, undated.
This play was first performed at Perth Theatre in 2000.
Originally entitled ‘Another Orpheus’.
Corrected typescript drafts of play, 'Beatrice', by Ian Brown., Undated.
This play was first performed by the Monstrous Regiment Theatre Company at the Traverse Theatre in 1989.
Corrected typescript drafts of play, 'Beatrice', by Ian Brown, containing typescript draft and typescript project proposal., Circa 1989, undated.
This play was first performed by the Monstrous Regiment Theatre Company at the Traverse Theatre in 1989.
Corrected typescript drafts of play, 'Joker in the pack', by Ian Brown., Circa 1983, undated.
This play was first performed at the Edinburgh Festival Fringe in 1983.
Corrected typescript drafts of play, 'Margaret', by Ian Brown., Circa 2000.
This play was first performed at the Gateway Theatre, Edinburgh, in 2000.
Corrected typescript drafts of play of Stewart Conn, "The King".
With a copy of a review of the play.
Corrected typescript drafts of play, 'The Scotch play', by Ian Brown., Undated.
This play was first performed at Perth Theatre in 1991.
Originally entitled ‘Harry Lauder’.
Corrected typescript drafts of play, 'The Scotch play', by Ian Brown, containing revised typescript and letter of Joan Knight., Circa 1991, undated.
This play was first performed at Perth Theatre in 1991.
Originally entitled ‘Harry Lauder’.
Corrected typescript drafts of play, 'Wasting reality', by Ian Brown., 1991-1992, undated.
This play was first performed at Perth Theatre in 1992.
Originally entitled ‘The house that Jack built’.
Corrected typescript drafts of play, 'Wasting reality', by Ian Brown, containing typescript proposal and some stray draft pages., Circa 1992, undated.
This play was first performed at Perth Theatre in 1992.
Originally entitled ‘The house that Jack built’.
Corrected typescript drafts of `Points in time: an autobiography` by Dr William Johnstone, and related materials.
Corrected typescript drafts of the libretto of Ian Brown, "Rune", music by John Maxwell Geddes.
Corrected typescript for `On the swirl of the tide`, 1992.
Files of papers relating to the literary output of Don and Bridge MacCaskill.
Corrected typescript of a dramatization in four parts by Robert McLellan of Sir Walter Scott's novel, ‘Waverley’, broadcast in the series 'This is my country'., 1957.
Apart from the plays written specially for radio, such as ‘The Carlin Moth’ and 'As ithers see us', Robert McLellan also wrote a number of short pieces, often as part of a larger series. Many of these were broadcasts for schools. He also contributed to programmes such as 'Scottish Life and Letters', and wrote for television.
Corrected typescript of ‘A handful of earth’ by William Soutar., [1936.]
The papers consist of thirty-six sets of loose-leaf quarto sheets, each corresponding to a published volume. Each set has clearly been copied from earlier versions of the poems, and, in some cases, is the final copy used by the publisher.
Corrected typescript of a lecture given by Annie Grey on Robert Burns., [Circa 1896.]
Corrected typescript of a lecture given by Annie Grey on Sir Walter Scott., Late 19th century.
Corrected typescript of a lecture given by Annie Grey on Sir Walter Scott., Late 19th century.
Corrected typescript of a short story of Naomi Mitchison, "The Red Fellows".
Corrected typescript of a talk 'Spooks, sorcery and superstition' by Nancy Brysson Morrison., 1934.
Notes for and some manuscripts of Nancy Brysson Morrison's books and shorter works.
Corrected typescript of an unpublished novel by Sydney Goodsir Smith, titled, 'Bottled Peaches ... by Agamemnon Culpeper'., 1936.
Born in New Zealand and educated in England, Sydney Goodsir Smith's first poems were in English, but he began writing in Scots in about 1940 and published several volumes of poetry. He also wrote for the stage, radio and television, as well as editing works of Robert Burns and Robert Fergusson. All these interests are reflected in his papers, but his work as an art critic survives in only a few fragmentary items.