Simon, Edith (writer and artist) (1917-2003)
Dates
- Existence: 1917-2003 - 2003
Biography
Edith Simon was born on 18 May 1917 in Berlin, Germany, to Walter and Grete Simon. Educated at the Fürstin-Bismarck Gymnasium, she showed a talent for art and history, and enjoyed early success with the publication of her drawings whilst still only 10 years old. Her father Walter, a decorated Great War veteran and successful businessman, moved with his young family to London when Edith was just 15, as the political climate in Germany became increasingly threatening. Edith, alongside her younger sister Inge, arrived in the British capital in 1932.
Edith studied for a short time at both the Slade School of Fine Art and the Central School of Art and Design. She also became an early member of the Artists International Association (AIA), which formed in London in 1933.
Writing Career
Embarking on her professional writing career, Edith’s first book was a children’s adventure story which she wrote and illustrated, titled Somersaults and Strange Company, published by Lawrence & Wishart in 1937. She had also begun working at this time as a book jacket illustrator, demonstrating her signature style and draughtsmanship. In 1938, she translated Arthur Koestler’s The Gladiators into English, which was published a year later. Her first novel, The Chosen, was published in 1940 by John Lane, The Bodley Head, when Edith was still only 23.
She would go on to author 17 books, including contemporary novels, historical novels, and histories, as well as contributing to edited collections. Her published work includes:
Somersaults and Strange Company (Lawrence & Wishart 1937)
The Gladiators by Arthur Koestler, (UK Johnathan Cape 1939; US Macmillan - New York 1939) (translated by Edith Simon)
The Chosen (The Bodley Head 1940)
Biting the Blue Finger (The Bodley Head 1942)
Wings Deceive (The Bodley Head 1944)
The Other Passion (The Bodley Head 1948)
The Golden Hand (UK edition Cassell & Co. Ltd. 1952; US edition G.P. Putnam's Sons 1951)
The Past Masters (UK edition Cassell & Co. Ltd. 1953; US edition 'The House of Strangers', G.P. Putnam's Sons 1953)
The Twelve Pictures (UK edition Cassell & Co. Ltd. 1956; US edition G.P. Putnam's Sons 1955)
The Sable Coat (Cassell & Co. Ltd. 1958)
The Piebald Standard: A Biography of the Knights Templar (UK edition Cassell & Co. Ltd. 1959; US edition G.P. Putnam's Sons 1959)
The Undying Past, ed. Orville Prescott (Doubleday 1961) (contributor)
The Great Forgery (UK edition Cassell & Co. Ltd. 1962; US edition Little, Brown & Co. 1962)
The Making of Frederick the Great (UK edition Cassell & Co. Ltd. 1963; US editions Little, Brown & Co., reprint Greenan Press)
Friedrich Der Grosse, Das Weiden eines Königs (Rainer Wunderlich Verlag, Hermann Leins, Tubingen, 1963)
The Book of Books – A Treasury of Great Bible Fiction, eds. Irwin R Blacker & Ethel H Blacker (Holt, Reinhart & Winston NY, 1965) (contributor)
The Reformation (Time-Life 1966)
Die Reformation von Edith Simon und der Redaktion der Time-Life (Time-Life 1967)
The Saints (UK edition Weidenfeld & Nicolson 1968; US edition Delacorte Press 1968)
Luther Alive (UK edition Hodder & Stoughton 1968; US edition Doubleday 1968)
The Anglo-Saxon Manner (Cassell & Co. Ltd. 1972)
The Makers of Modern Thought (Horizon Books American Heritage Books – subsidiary of McGraw Hill 1972) (contributor)
‘Frederick II the Great of Prussia’ (Encyclopaedia Britannica 1974) (contributor)
In addition, Edith also wrote two plays ‘The Inimitable’ and ‘Love Me, Scum’, neither of which were ever performed, and she completed a film script entitled 'A Perfect Marriage'.
It was in London in 1942 that Edith met the noted scientist Dr. Eric Reeve, whom she married that same year. The couple moved to Edinburgh in 1947 to facilitate Eric’s new role with Edinburgh University’s Genetics Department. They lived first at Mortonhall House, alongside a team of geneticists also working at the University. They would subsequently move to Roseberry Crescent, and Lansdowne Crescent, before settling permanently in Grosvenor Crescent. They had three children, Antonia (b.1950), Simon (b.1952), and Jessica (b. 1954).
Art Career
Edith returned to her artistic practice in the early 1970s, participating in an early exhibition at the Demarco Gallery in Edinburgh in 1970, followed by her first one-woman show at Gallerie Balans in Amsterdam in 1971 where she presented mobile sculptures and her signature papercut bas relief paintings. Edith would go on to stage and appear in over 50 exhibitions throughout her career. She experimented with and explored many mediums and forms including continuous line drawings, papercut bas relief scalpel paintings, rope sculptures, mobile and soft sculptures, sculptures in stained wood, ciment-fondue, vacuum formed perspex, cast polyester resin, cold-cast bronze, copper, aluminium, metal sheet, and carved plaster. She also utilised painted glass, as well as undertaking murals in paint and wood veneer. For over thirty years, she exhibited annually at the Edinburgh Festival, with her final show being held in 2001. [A full list of exhibitions (1970-2003) is available on the Edith Simon Gallery website cited below.]
In 1995, Edith contracted a respiratory infection which revealed an existing condition, widely known as emphysema. This necessitated the use of daily oxygen for the remainder of her life. Edith Simon died in Edinburgh on 7 January 2003.
Biographical information has been taken from ‘Moderation be Damned: Edith Simon’, published by Antonia Reeve in 2005, alongside the artist’s biographical note on the Edith Simon Gallery website, available at edith-simon.com.
Found in 19 Collections and/or Records:
Box 8 Box containing general correspondence to Edith Simon, bulk: 1961-1964, 1973-1975
Box 9 Box containing general correspondence to Edith Simon, 1976-1980
Box 11 Box containing general correspondence to Edith Simon, 1985-1987
Box 15 Box containing publishing-related correspondence to Edith Simon, and general personal correspondence from individuals, 1932-2001
Box containing papers regarding Edith Simon's writing and art career, and family life, 1947-?2003
Family and personal correspondence, 1932-1989
Correspondence in this sub-series includes personal letters sent to Edith Simon and Eric Reeve, alongside letters sent from the couple to family members and friends. Where copy letters are present from Edith herself this has been noted in individual files. Correspondents of note include Edith's parents Walter & Grete Simon, her sister Inge Goodwin, and friends Joan Feisenberger, Arthur Koestler, John Mair, and David Mindline.
Family and personal correspondence to Edith Simon, 1961-1968
Family and personal correspondence to Edith Simon, bulk: circa 1966, undated
Further professional and personal papers of Edith Simon and Dr Eric Reeve, including photographic and audiovisual materials.
Letter and Christmas cards of Edith Simon to Dr Joan Basden, with two photographs.
Letters of, and relating to, the Reeve Family, 1972-1976
File contains a letter from Antonia Reeve to her aunt Inge Goodwin; a letter from Jessica Reeve to her father Eric Reeve; a letter from Eric Reeve to Edith Simon; and a letter from Edith Simon to Dr. Downs of the British Steel Corporation concerning a sculpture project.
Letters of Edith Simon to her parents, Walter and Grete Simon, 1947-1949
File contains letters and illustrated greeting cards, and one card also from Inge Goodwin (née Simon) to her parents Walter and Grete.
Letters of the Reeve and Goodwin families, and others, to Walter and Grete Simon, 1951-1955
Letters of the Reeve family to Walter and Grete Simon, 1956-1959
File contains greeting cards and letters. Family correspondents include Edith and Eric Reeve and their children Antonia, Jessica, and Simon, writing individually and collectively to both Walter and Grete Simon. File also contains newspaper cuttings relating to Edith Simon's writing career.
Letters of the Reeve family to Walter and Grete Simon, 1960-1964
Family correspondents include Edith and Eric Reeve and their children Antonia, Jessica, and Simon, writing individually and collectively to both Walter and Grete Simon. File also includes a letter addressed to Walter and Grete from possibly 'Frank/Franz'; a short story entitled 'The Visitor' by Jessica Reeve; and a poem entitled 'The Jungle' by Simon Reeve (February 1963).
Papers concerning Edith Simon's writing career, 1940-1994
This series contains notebooks, manuscript drafts, typescript drafts, press cuttings, and research notes relating to Edith Simon's various writing projects, encompassing her books, plays, and screenplays, as well as some unrealised works.
The tete-a-beche style is used by Simon in most notebooks, writing from both ends of each volume.
Personal and professional correspondence of Edith Simon , 1930-2003
This series contains Edith Simon's personal and family correspondence alongside more professional communications with her literary agents, publishers, gallerists, and members of the public.
Personal and professional papers of Edith Simon
Professional correspondence, 1930-2003
Correspondence touches on Edith's writing and artistic careers, with letters from publishers, literary agents, and gallerists included, amongst others. Files titled as 'correspondence from individuals' have been placed in this sub-series rather than the previous 'family and personal correspondence' sub-series as the nature of the discussions therein appear to relate more specifically to Edith's professional projects.