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Simon, Edith (writer and artist) (1917-2003)

 Person

Dates

  • Existence: 1917-2003 - 2003

Biography

Edith Simon was born on 18 May 1917 in Berlin, Germany, to Walter and Grete Simon. Educated at the Fürstin-Bismarck Gymnasium, she showed a talent for art and history, and enjoyed early success with the publication of her drawings whilst still only 10 years old. Her father Walter, a decorated Great War veteran and successful businessman, moved with his young family to London when Edith was just 15, as the political climate in Germany became increasingly threatening. Edith, alongside her younger sister Inge, arrived in the British capital in 1932.

Edith studied for a short time at both the Slade School of Fine Art and the Central School of Art and Design. She also became an early member of the Artists International Association (AIA), which formed in London in 1933.

Writing Career

Embarking on her professional writing career, Edith’s first book was a children’s adventure story which she wrote and illustrated, titled Somersaults and Strange Company, published by Lawrence & Wishart in 1937. She had also begun working at this time as a book jacket illustrator, demonstrating her signature style and draughtsmanship. In 1938, she translated Arthur Koestler’s The Gladiators into English, which was published a year later. Her first novel, The Chosen, was published in 1940 by John Lane, The Bodley Head, when Edith was still only 23.

She would go on to author 17 books, including contemporary novels, historical novels, and histories, as well as contributing to edited collections. Her published work includes:

Somersaults and Strange Company (Lawrence & Wishart 1937)

The Gladiators by Arthur Koestler, (UK Johnathan Cape 1939; US Macmillan - New York 1939) (translated by Edith Simon)

The Chosen (The Bodley Head 1940)

Biting the Blue Finger (The Bodley Head 1942)

Wings Deceive (The Bodley Head 1944)

The Other Passion (The Bodley Head 1948)

The Golden Hand (UK edition Cassell & Co. Ltd. 1952; US edition G.P. Putnam's Sons 1951)

The Past Masters (UK edition Cassell & Co. Ltd. 1953; US edition 'The House of Strangers', G.P. Putnam's Sons 1953)

The Twelve Pictures (UK edition Cassell & Co. Ltd. 1956; US edition G.P. Putnam's Sons 1955)

The Sable Coat (Cassell & Co. Ltd. 1958)

The Piebald Standard: A Biography of the Knights Templar (UK edition Cassell & Co. Ltd. 1959; US edition G.P. Putnam's Sons 1959)

The Undying Past, ed. Orville Prescott (Doubleday 1961) (contributor)

The Great Forgery (UK edition Cassell & Co. Ltd. 1962; US edition Little, Brown & Co. 1962)

The Making of Frederick the Great (UK edition Cassell & Co. Ltd. 1963; US editions Little, Brown & Co., reprint Greenan Press)

Friedrich Der Grosse, Das Weiden eines Königs (Rainer Wunderlich Verlag, Hermann Leins, Tubingen, 1963)

The Book of Books – A Treasury of Great Bible Fiction, eds. Irwin R Blacker & Ethel H Blacker (Holt, Reinhart & Winston NY, 1965) (contributor)

The Reformation (Time-Life 1966)

Die Reformation von Edith Simon und der Redaktion der Time-Life (Time-Life 1967)

The Saints (UK edition Weidenfeld & Nicolson 1968; US edition Delacorte Press 1968)

Luther Alive (UK edition Hodder & Stoughton 1968; US edition Doubleday 1968)

The Anglo-Saxon Manner (Cassell & Co. Ltd. 1972)

The Makers of Modern Thought (Horizon Books American Heritage Books – subsidiary of McGraw Hill 1972) (contributor)

‘Frederick II the Great of Prussia’ (Encyclopaedia Britannica 1974) (contributor)

In addition, Edith also wrote two plays ‘The Inimitable’ and ‘Love Me, Scum’, neither of which were ever performed, and she completed a film script entitled 'A Perfect Marriage'.

It was in London in 1942 that Edith met the noted scientist Dr. Eric Reeve, whom she married that same year. The couple moved to Edinburgh in 1947 to facilitate Eric’s new role with Edinburgh University’s Genetics Department. They lived first at Mortonhall House, alongside a team of geneticists also working at the University. They would subsequently move to Roseberry Crescent, and Lansdowne Crescent, before settling permanently in Grosvenor Crescent. They had three children, Antonia (b.1950), Simon (b.1952), and Jessica (b. 1954).

Art Career

Edith returned to her artistic practice in the early 1970s, participating in an early exhibition at the Demarco Gallery in Edinburgh in 1970, followed by her first one-woman show at Gallerie Balans in Amsterdam in 1971 where she presented mobile sculptures and her signature papercut bas relief paintings. Edith would go on to stage and appear in over 50 exhibitions throughout her career. She experimented with and explored many mediums and forms including continuous line drawings, papercut bas relief scalpel paintings, rope sculptures, mobile and soft sculptures, sculptures in stained wood, ciment-fondue, vacuum formed perspex, cast polyester resin, cold-cast bronze, copper, aluminium, metal sheet, and carved plaster. She also utilised painted glass, as well as undertaking murals in paint and wood veneer. For over thirty years, she exhibited annually at the Edinburgh Festival, with her final show being held in 2001. [A full list of exhibitions (1970-2003) is available on the Edith Simon Gallery website cited below.]

In 1995, Edith contracted a respiratory infection which revealed an existing condition, widely known as emphysema. This necessitated the use of daily oxygen for the remainder of her life. Edith Simon died in Edinburgh on 7 January 2003.

Biographical information has been taken from ‘Moderation be Damned: Edith Simon’, published by Antonia Reeve in 2005, alongside the artist’s biographical note on the Edith Simon Gallery website, available at edith-simon.com.

Found in 450 Collections and/or Records:

Typescript drafts, with annotations, concerning an unpublished novel, 1965-1966

 File
Identifier: Acc.13772/216
Scope and Contents

May possibly refer to an abandoned novel, provisionally entitled elsewhere in the collection as 'An Affair of Love'. File primarily contains annotated typescript drafts of chapters of the novel with further revised chapter drafts.

Dates: 1965-1966

Typescript, 'Murder at Mortonhall', by Edith Simon, December 1947

 File
Identifier: Acc.13772/220
Scope and Contents

Typescript is incomplete, and includes manuscript corrections. Title cover notes the name of The ARC Publishing Co. Ltd; Liberton. [Original archivist's note stated 'incomplete spoof on the Peter [Wimsey] novels.' Peter Wimsey was a fictional amateur detective.]

Dates: December 1947

Typescript notes, and revised typescript drafts, by Edith Simon concerning various chapters of an abandoned novel entitled 'An Affair of Love', October 1964-March 1966

 File
Identifier: Acc.13772/205
Scope and Contents

Typescript notes reviewing the dramatic core scenes of each chapter date from 31 October 1964, while the revised and annotated chapter typescripts date from September 1964-March 1966. Typescript drafts encompass Parts 2-4 of the proposed book, and concluding chapters. File also includes an incomplete two-page synopsis of the proposed book.

Dates: October 1964-March 1966

Typescript notes, chapter synopses, and draft chapter texts by Edith Simon concerning a writing project entitled 'Morals & Manners' [later 'The Saints']; accompanied by correspondence with publishers, July-December 1963

 File
Identifier: Acc.13772/162
Scope and Contents

Correspondents include David Higham, David Higham Associates Ltd., London; Nigel Nicholson, Weidenfeld & Nicholson Ltd., London; and Dr. Richard Friedenthal. Copy letters from Edith Simon are also present. This correspondence dates between July-November 1963. Typescript notes, chapter synopses, and chapter drafts date between January-December 1963.

Dates: July-December 1963

Typescript of a short story entitled 'Murder at Mortonhall', by Edith Simon, accompanied by an illustrated folder., December 1947

 File
Identifier: Acc.14390 Box 3 (6)
Scope and Contents The back cover of the included folder features the following manuscript inscription by the author: 'To the Communal Lifers of Mortonhall this volume is respectfully dedicated, on the occasion of their first collective Christmas, and in promotion of peace and goodwill amongst men - and women for that matter. Not to mention children. And cats.' The front cover illustration features representations of the resident families of Mortonhall at the time. The title page of the inner typescript...
Dates: December 1947

Typescript, 'Reverse Othello', including chapters 1-21, bulk: circa 1950

 File
Identifier: Acc.13772/193
Scope and Contents

326pp. Features a paper cover with a sticker naming the New York-based literary agency, Harold Ober Associates. Typescript also includes Edith Simon's signature and Edinburgh address of residence at that time, and some minor manuscript corrections.

Dates: Majority of material found within circa 1950

Typescript, 'Reverse Othello', including chapters 22-38, bulk: circa ?1950

 File
Identifier: Acc.13772/194
Scope and Contents

217pp. Features a paper cover with a sticker naming the New York-based literary agency, Harold Ober Associates. Typescript also includes Edith Simon's signature and Edinburgh addess of residence at that time, and some minor manuscript corrections.

Dates: Majority of material found within circa ?1950

Typescript screen treatment for 'The Twelve Pictures', by Edith Simon, bulk: 1960 onwards

 File
Identifier: Acc.13772/138
Scope and Contents

Typescript contains minor annotations by the author, and is accompanied by its original folder which bears the return address for TheatreWork (London) Ltd., 12 Abingdon Road, London, W8. The typescript is prefaced by a two-page synopsis by Edith Simon, and is addressed from her Edinburgh residence at the time.

Dates: Majority of material found in 1960 onwards

Typescript synopses and revisions for two possible plays, 'The Little Mermaid'; and 'The Queen's Handkerchief'; and two typescript synopses for a possible book entitled 'Behold the Book. Inside the Bible: a New Look.', circa 1967

 File
Identifier: Acc.13772/187
Scope and Contents

File also includes the two original folders in which the 'Little Mermaid' and 'Queen's Handkerchief' typescripts were housed, both bearing the label of literary agency David Higham Associates Ltd., London. Also present but appearing unrelated to the file is a page of typed and manuscript notes referring to a book chapter (possibly from another Simon title), relating to 'Woman & Home.'

Dates: circa 1967

Typescript, 'The Twelve Pictures', a screen treatment by Edith Simon, bulk: circa 1955-1956

 File
Identifier: Acc.13772/137
Scope and Contents

Typescript title page includes Edith Simon's Edinburgh addresss of residence at the time. File also contains the original cover folder with an attached label for possibly Modernage Photographic Sevices, New York.

Dates: Majority of material found within circa 1955-1956

Typescripts; and screen treatment for 'A Perfect Marriage', by Edith Simon , bulk: ?circa 1984

 File
Identifier: Acc.13772/183
Scope and Contents

Screen treatment contains an illustrated shot list and three typescript script drafts for a proposed 30-minute film. File also includes incomplete and annotated typescript narrative drafts of the story.

Dates: Majority of material found within ?circa 1984

Typescripts, 'The Last Tea', a play in two scenes by Edith Simon, undated

 File
Identifier: Acc.13772/184
Scope and Contents

File contains five typescript drafts and copies of the play. Four include Edith Simon's Edinburgh addresss of residence at the time.

Dates: undated

Unbound notebook containing a draft manuscript of the novel 'The Golden Hand', by Edith Simon, April 1946

 File
Identifier: Acc.13772/108
Scope and Contents The title page bears the annotation 'The Cathedral. D.II.', with the date given as 21 April 1946. The first page of manuscript text bears the title 'The First Part. Low In The Ground The Foundations.' File also includes a loose page of manuscript text inserted into the notebook which concerns a 'revised sequence & relationship Jane & Hugh' and features an illustrated birthday message for 'Robert' on the rear. The notebook was accompanied by a label on the wrapping cover which refers...
Dates: April 1946

Unbound notebook containing a manuscript draft of a narrative text, entitled 'My Wife, A Charming Woman', by Edith Simon, April 1941

 File
Identifier: Acc.13772/213
Scope and Contents

This draft was begun on 28 April 1941. A provisional title is given as 'My Wife, A Charming Woman.' It also includes a one-page manuscript synopsis of the story by Edith Simon.

Dates: April 1941

Unbound notebook of Edith Simon containing notes concerning the novel 'The Sable Coat', volume 3, October 1955 - July 1956

 File
Identifier: Acc.13772/142
Scope and Contents

Notebook was begun on 19 October 1955 and runs to July 1956. Hardcover is missing. First page features the annotation 'Vol.III, The Sable Coat', while the first page of manuscript text features the title 'Revision; First Attempt at a new ch.3, Part II.'

Dates: October 1955 - July 1956

Unbound notebook of Edith Simon containing notes concerning the novel 'The Sable Coat', volume 6; and the film treatment for 'The Twelve Pictures', April 1956 - July 1956

 File
Identifier: Acc.13772/148
Scope and Contents

Notebook was begun on 22 April 1956 and runs to July 1956. Hardcover is missing. First page features the annotation 'Vol.VI, The Sable Coat', while the first page of manuscript text features the title 'First Attempt at Film Treatment of 'The Twelve Pictures.' Notes for 'The Sable Coat' appear to begin circa page 22.

Dates: April 1956 - July 1956

Unbound notebook of Edith Simon, with manuscript notes concerning a novel, ?1946-?1950

 File
Identifier: Acc.13772/117
Scope and Contents Title page begins 'The Human Quality' or 'House of Dreamers': a tragedy cast in the outward trappings of comedy.' [This notebook was housed with several others, all of which appear to relate to the same writing project, a proposed book entitled at any one time as 'House of Dreamers', 'The Human Quality', 'House of Strangers' or 'The Life Behind the Stone.' Simon published a book entitled 'The Past Masters' in 1953, which was subsequently published as 'The House of Strangers' in the United...
Dates: ?1946-?1950

Vinyl phonograph record containing Edith Simon interview entitled 'Luncheon at Sard's', 20 June 1955

 File
Identifier: Acc.14390 Box 3 (11)
Scope and Contents From the Collection: This collection contains additional papers relating to Edith Simon's career as an artist and writer, as well as some early juvenilia, embracing her illustration and creative writing. The collection also contains a series of papers relating to her husband, the noted geneticist, Dr. Eric Reeve, documenting his university studies at the University of Oxford, his subsequent war service, and his later career at the University of Edinburgh. The broad scope of the collection may be...
Dates: 20 June 1955

Visitors' Book retained by Edith Simon, bulk: 1975, 1999-2000

 File
Identifier: Acc.13772/279
Scope and Contents From the Sub-Series:

This sub-series contains ephemera, pricelists, catalogues, worklists, notebooks, administrative papers, and visitor books relating to exhibitions organised and staged by Edith Simon and those in which she appeared.

Between 1970-2001, Edith staged or appeared in over 50 exhibitions, although not all are represented in her papers.

Dates: Majority of material found within 1975, 1999-2000