Autographs (manuscripts).
Found in 145 Collections and/or Records:
Miscellaneous pieces and scraps of music by Maude Beswick., Mid 20th century.
The pieces include vocal music, versions of the ‘Reverie’ and ‘Romance’ for violin and piano (MS.2635: 'Violin solos'), and ‘The waterwheel’ for piano (also found as a piece marked ‘tempo giusto’ in MS.21638 ('Piano solos').
Music by James Scott Skinner., 1894-1943, undated.
Music by Maude Beswick, all apparently autograph., Mid 20th century.
Music, chiefly of W B Moonie and Maude Beswick., 1918-mid 20th century, undated.
Music of G W Crawford for stage works., [?1892-?1941.]
Music of W B Moonie., 1918, [circa 1920].
Notebook containing original poems and verse translations by George Campbell Hay., 1945-1946.
The notebook contains 39 poems in Gaelic (14), English (14) and Scots (11). These include two further poems on ‘Mochtar is Dubhghall’ (folios 15 recto, 38 verso), and English verse translation of An Ciaran Mabach’s “Nollaig bu ghnàthach air fìon” (folio 25 verso) and English prose translations (published) of two of the poet’s own works (folio 43 verso). Folios 27 verso-37 recto, 38 recto blank.
Notes of John Purves on general literature., [Circa 1914-circa 1943], undated.
'Nursery toys' by Maude Beswick, six piano pieces for children, undated, including versions for piano and violin, and for piano, violin and cello., Mid 20th century.
Orchestral and band music of David Stephen., 1913-1940, undated.
Most of the compositions appear to be unpublished.
Orchestral and band music of David Stephen., 1927-1940, undated.
The contents are as follows:
(i) Short score, with instrumentation indicated in red ink, of 'Sinfonietta', an orchestral work in three movements, 1927-1928 (folio 1);
(ii) Full score of 'A Scottish pastoral', an orchestral work in one movement, 1940 (folio 15);
(iii) Full score of 'In honorem' a work in one movement for band (folio 25), undated but would appear to have been composed during or shortly after the First World War.
Original and revised autograph settings by Robin Orr of "The Kimmers o' Cougate", a song from Sydney Goodsir Smith's play 'Colickie Meg', preceded by a letter of the composer presenting the setting to the donor., 1955.
Papers of John Blythe Kinross, relating to various financial undertakings., 1927-1969.
Papers of John Purves on the relationship between Italian and English literature., 1822-1946, undated.
Papers of John Purves on the relationship between Italian and English literature., 1920-1922.
Part of an autograph collection formed in the middle of the nineteenth century by Lady Charlotte Fletcher with the help of Sir William Fraser., 15th century, 18th century-19th century.
'Personal history and associations of Sir Walter Scott', by Helen J M Russell of Ashiesteel, in typescript and the author's autograph., Mid 19th century.
Photocopy of the autograph orchestral score of 'llaia, May 1873' by Charles François Gounod, a setting of a poem on David Livingstone's death by R M Milnes, Baron Houghton, with a note by the composer, 1874., 1873, 1874.
Photostats of a letter of Sir Walter Scott to Robert Johnston, regarding building work at Abbotsford, and of part of his autograph manuscript of the 'Introductory Epistle' to ‘The fortunes of Nigel’, showing some differences from the first edition., 1817, [1822, or before].
'Piano solos', undated, by Maude Beswick., Mid 20th century.
The compositions include numbers 1 and 3 from 'Four Preludes in Odd Rhythms' (MS.21640), and a version of 'Stormwinds' from 'Three Impressions' for cello and piano (MS.21636).
Piano suite 'Antediluvia', undated, by Maude Beswick., Mid 20th century.
Poem in the autograph of and signed by James Hogg, entitled "A young girl’s prayer"., 1829.
The poem begins, “O father that’s above the sky”.
'Hogg' of the signature wanting.
Inscribed at the foot, 'Given to me on the same day it was written M H Wilson' (folio 73).
Poems and essays by various authors, including several poems of William Soutar, 1922, two of which are in his own hand and the rest in typescript., 1904-1945, undated.
Poems of Arthur O'Shaughnessy, chiefly in his autograph., 1865-1869, undated.
Many of the poems are accompanied by previous drafts. A few bear dates: 1865 (number 56), 1868 (numbers 3, 66), 1869 (numbers 4, 50, 61). On the back of number 45 is a fragment of prose dialogue.