Drafts. Documents.
Found in 432 Collections and/or Records:
Ten literary notebooks of Morley Jamieson.
Including drafts of poems and short stories.
Transcripts, chiefly, of letters and papers of Sir Hew Campbell of Cessnock and his descendants, and of a few other letters, all of which seem to be connected with the Hamiltons of Silvertonhill.
All are transcripts except drafts of a clause to be added to the Act of Security, circa 1711, and a letter of John Hamilton, 1775, which are originals.
Transcripts, made for Lieutenant-General G H Hutton, of four mediaeval manuscripts relating to the ecclesiastical antiquities of Scotland, the originals of which were in the Advocates’ Library.
Transcripts of the final draft of the Highland Society of Scotland Gaelic-English-Latin Dictionary.
Two collections of writings of Allan Ramsay, in his hand.
Two essays (one in draft) on the relationship between the family and the school, written in Tournai.
Two manuscript drafts and typescript of the play of Stanley Eveling, "The Lunatic, the Secret Sportsman and the Women next door".
Two notebooks of Naomi Mitchison.
With corrected typescript drafts of part of "The Oath Takers".
Two notebooks of Naomi Mitchison.
Containing manuscript corrected drafts, 1970, of an unpublished novel, "The Clone Mums", and notes on travels in India.
Typescript and revised typescript of, and readers` reports on, "The Kingship of the Scots: 842-1292" (2002), by A A M Duncan.
Typescript draft of "Ibsen's ghost" by Sir James Matthew Barrie, with corrections and revisions in the hand of the author.
"Ibsen's ghost" was the first play written entirely by Sir James Matthew Barrie to be publicly performed; it was staged in 1891 at "Toole's Theatre", hence the alternative title given in the typescript, and cancelled, 'or Toole-up-to-date'. It has not been published. Many of the alterations in this draft are in the nature of cuts; in particular the rhyming finale has been cut.
Typescript draft of ‘The will’ by Sir James Matthew Barrie, with some revisions in Barrie's hand, and with others (in blue pencil, mostly cuts) that may be in another hand.
This version is very close to that printed in ‘The definitive edition of the plays of J M Barrie’, page 809, but with fewer details of setting and stage direction. Corrections made in the draft have been incorporated into the printed text.
Typescript drafts and final version of Alan Bold, "Scottish National Anthem".
Typescript drafts, both much corrected and added to, with parts of a third, of a history of the lower Niger in the nineteenth century; a brief account of the administrations is followed by a detailed postal history.
The authors appear from internal evidence to be William W Forsyth and H G Porter, the date of composition the late 1930s.
Typescript drafts of act 1 of ‘Shall we join the ladies?’ by Sir James Matthew Barrie, with corrections and revisions in the hand of the author.
Typescript drafts of eight plays, produced by Winged Horse Touring Productions Ltd.
Typescript drafts of novel of Jessie Kesson, "Where the Apple Ripens" (1978).
With manuscript and typescript of associated short story and radio play, undated.
Typescript drafts of ‘The twelve-pound look’ by Sir James Matthew Barrie, with corrections and revisions in the hand of the author.
Typescript drafts of three plays and 24 poems of Donald Campbell.
Typescript drafts of twenty-eight plays by Cecil P Taylor.
Typescript drafts, proofs and setting copy of the novel `The Gabriel Hounds` by Mary Stewart, with manuscript working notes concerning the novel.
Typescript drafts, undated, of ‘Old friends’ by Sir James Matthew Barrie, with revisions in the hand of the author.
Notes discussing the relationship of the drafts in greater detail, and a provisional stemma, will be found inside the front cover of MS.6636.