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Drawings. Visual works.

 Subject
Subject Source: Local sources
Scope Note: Visual works produced by drawing, which is the application of lines on a surface, often paper, by using a pencil, pen, chalk, or some other tracing instrument to focus on the delineation of form rather than the application of color. This term is often defined broadly to refer to computer-generated images as well. (AAT) Include sketches under 'Drawings', but ignore doodles, unless particularly noteworthy. (NLS) In the published catalogues this heading was used for pictures. The heading 'Pictures' was used for all lists of pictures and for descriptions of treatises on pictures. (NLS) .

Found in 1220 Collections and/or Records:

Two home-produced magazines and related printed books (annotated) of George Henry Nettle.

 Fonds
Identifier: Acc.11805
Scope and Contents

The 1914 magazine "The Rambler" contains many pastel/pencil drawings and photographs of the suffragette Emily Wilding Davison`s funeral procession, 1913.

Dates: circa 1894-1939.

Two manuscripts by William Makepeace Thackeray., 1823-? 1850.

 File
Identifier: MS.42573
Scope and Contents Folio 1 : manuscript, ? 1828 (watermark), "Byron and Marceau", relating to Lord Byron`s interest in the French general François Séverin Marceau-Desgraviers, about whom he composed a eulogy in "Childe Harold`s Pilgrimage" (Third Canto, LVI and LVII). Thackeray`s manuscript includes a copy of a letter to, and a copy of a letter of Byron concerning Marceau-Desgraviers : (i) 30 January 1823 : Madame Serjent, Marceau-Desgravier`s elder sister,...
Dates: 1823-? 1850.

Two pen and ink drawings of Jessie M King, "Passage Barbett" and Passage Moret".

 File
Identifier: Acc.7048
Scope and Contents

For an unpublished book of historic Paris views.

Dates: Undated

Two portraits of Austen Henry Layard, with a portrait of his wife, Enid., 1852-1963.

 File
Identifier: MS.42408
Scope and Contents Folio 1. Photographic reproduction, ?1963 or a little before, of a portrait of Austen Henry Layard from an original black chalk sketch, circa 1852, by G.F. Watts. The image has been reduced significantly in comparison to the original, which is held in the National Portrait Gallery, London (NPG 1006). The reproduction would appear to have been created to be used in a publication as the recto has been marked at the margins by way of...
Dates: 1852-1963.

Two "visiting books" compiled by Lady Edith Campbell.

 Fonds
Identifier: Acc.6973
Scope and Contents

Containing photographs, watercolours, drawings, and signatures of guests.

Dates: 1894-1903.

Typescripts of seven short stories by Mollie Hunter, with original cover artwork for "The Third Eye" (Glasgow, 1988).

 File
Identifier: Acc.12981
Scope and Contents

Typescripts, with some manuscript corrections, of the following stories, all undated:

The Last Pict

Saint Columba and the Loch Ness Monster

How Loch Ness Got Its Name

The Very Weird Tale of Moon Eye

Tales from the Glen

The Tall Tale of Ten Frogs

The Story of Deirdre

Including original artwork by William Grandison for the cover of The Third Eye (Glasgow: Drew, 1988).

Dates: Circa 1988, undated.

Typescripts, proofs, notes and drawings relating to Nigel Tranter`s "The Fortified House in Scotland".

 Fonds
Identifier: Acc.12666
Scope and Contents

Includes sound recordings of this and other works by Tranter.

Dates: circa 1962-1995.

Various manuscripts and fragments, almost all undated, in the autograph of Hugh Miller., 1819-[1852, or before.]

 File
Identifier: MS.7518
Scope and Contents The contents are as follows:(i) Two 'Descriptive Letters' probably intended for publication and signed 'M--r', concerning a visit to Edinburgh in 1824 (folio 1);(ii) Fragmentary notebooks, 1819-1820, undated, mainly containing poems, some of which were published with many alterations in ‘Poems written in the leisure hours of a journeyman mason’ (Edinburgh, 1829) (folio 10);(iii) Description of the parish of Cromarty: basically the text of the description...
Dates: 1819-[1852, or before.]

`Walk Along the Dionard`, large composite artwork by Marshall Anderson.

 Item
Identifier: Acc.13329- is now part of Acc.13227
Scope and Contents

Large composite artwork, created from sections of a number of drawings made by Marshall Anderson during a walk through Strath Dionard in 1997. The drawing sections are mounted onto linen backing, the whole is designed to fold like a map. There are several similar works in Acc.13227, of which this is the largest example. The medium is Neo-art water-soluble wax pastel.

Dates: 1997

Worksheets and corrected proofs of Hugh MacDiarmid, "On a Raised Beach".

 File
Identifier: Acc.9246
Scope and Contents

With drawings by Reinhard Behrens.

Dates: 1985.